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# anneliesebate.co.uk: Modern & affordable furniture in the UK. Shop stylish home décor with free UK delivery, secure checkout & fast support.

## Sitemaps
[XML Sitemap](https://anneliesebate.co.uk/sitemap_index.xml): Includes all crawlable and indexable pages.

## Posts
- [Best Rattan Garden Sets UK 2026](https://anneliesebate.co.uk/best-rattan-garden-sets-uk-2026/): The best rattan garden sets UK 2026 buyers are investing in are sets built to handle British weather without looking like they are just doing a job. The market has come a long way. What used to mean slightly plasticky stackable chairs around a wobbly table now means genuinely attractive outdoor furniture with real design thought behind it. Every set in this guide is in stock, ships free across the UK, and comes with a 2-year guarantee as standard.
- [Best Grey Rattan Garden Dining Sets UK 2026](https://anneliesebate.co.uk/best-grey-rattan-garden-dining-sets-uk-2026/): The best grey rattan garden dining sets UK 2026 buyers are shopping for right now have one thing in common beyond the colour. They look right in a real garden, not just in a product photo on a white background. Grey rattan at this level of quality has a depth and texture to it that flat, single-tone weaves simply do not. It reads differently in morning light than it does at a summer evening dinner and that quality is what separates the sets worth buying from the ones that disappoint after one season. Every set in this guide is available now from Anneliese Bates with free UK delivery and a 2-year guarantee included.
- [Best Sheffield Industrial Furniture UK](https://anneliesebate.co.uk/best-sheffield-industrial-furniture-uk/): The Sheffield industrial furniture range has become one of the most popular furniture collections in UK homes for good reason. It pairs a powder-coated steel frame with wood effect shelving to deliver an urban, industrial aesthetic that works in living rooms, bedrooms, hallways, and home offices equally well. This complete guide covers every piece in the Sheffield range, what makes it worth buying, how to style it, and how to choose the right piece for your space.
- [Best Black Garden Dining Sets UK 2026](https://anneliesebate.co.uk/best-black-garden-dining-sets-uk-2026/): We've done the research, measured the gardens, and sat in every seat. Here are the black garden dining sets we'd actually buy — honest picks, real prices, free UK delivery.
- [Best Hallway Benches UK 2026](https://anneliesebate.co.uk/best-hallway-benches-uk-2026/): The best hallway benches UK 2026 buyers are searching for have one thing in common: they work hard. The hallway is one of the most demanding rooms in any home. It takes daily traffic, heavy coats, wet shoes, and every family member moving through it at once. The furniture you put in it needs to be practical, durable, and attractive enough to make a good impression. A hallway bench that delivers all three is not a luxury. It is one of the best value investments you can make in your home.
- [Best Radiator Covers UK 2026](https://anneliesebate.co.uk/best-radiator-covers-uk-2026/): The best radiator covers UK 2026 buyers are looking for share one thing in common. They look like proper furniture. Not a plastic cage bolted to the wall. Not a flat-pack shell that warps after one winter. A well-made radiator cover transforms one of the most ignored and unattractive features in a British home into something that genuinely improves the room. Done right, it adds storage space on top, looks like it was always meant to be there, and costs a fraction of what a full renovation would.
- [Best Mango Wood Bar Stools UK 2026](https://anneliesebate.co.uk/best-mango-wood-bar-stools-uk-2026/): The best mango wood bar stools UK 2026 buyers are searching for share a few things in common. They need to be the right height for the counter. They need to look good in a real home, not just a showroom. And they need to last. Mango wood ticks all three boxes more convincingly than most other materials at this price point, which is exactly why it has become the go-to choice for UK homeowners upgrading their kitchen seating this year.
- [Best Storage Pouffe UK 2026](https://anneliesebate.co.uk/best-storage-pouffe-uk-2026/): The best storage pouffe UK 2026 buyers are looking for has three jobs: it has to look stylish enough to sit proudly in a living room, be sturdy enough to sit on, and open up to reveal genuinely useful hidden storage inside. That might sound like a tall order for a relatively modest piece of furniture — but the right pouffe pulls it off beautifully, and at Anneliese Bates, our Abigail Storage Pouffe range does exactly that.
- [How to Choose a Rattan Garden Set](https://anneliesebate.co.uk/how-to-choose-a-rattan-garden-set/): Rattan garden furniture has become the go-to choice for UK homeowners who want an outdoor space that looks as good as it feels. But with hundreds of sets available — different sizes, weave colours, frame materials, and styles — knowing how to choose the right one can feel overwhelming. This guide covers everything: what to look for, which questions to ask, and the sets we recommend most from our own collection.
- [Best Velvet Sofas UK 2026](https://anneliesebate.co.uk/best-velvet-sofas-uk-2026/): There's a reason velvet sofas UK searches have surged by over 60% in the last eighteen months. Velvet has moved from a niche, "brave" interior choice to the go-to fabric for anyone who wants a living room that looks genuinely considered, deeply comfortable, and a cut above the ordinary. The best part? You no longer need a designer budget to get that look. In 2026, the finest velvet sofas are more accessible — and more beautiful — than ever before.
- [Oak vs painted furniture which lasts longer?](https://anneliesebate.co.uk/oak-vs-painted-furniture-which-lasts-longer/): The honest answer nobody in the furniture industry wants to give you — and exactly how to decide for your home.
- [Best Sofas for Small Living Rooms UK 2026](https://anneliesebate.co.uk/best-sofas-for-small-living-rooms-uk-2026/): A compact living room is no reason to compromise on style or comfort. Whether you're working with a Victorian terrace, a modern flat, or a cosy cottage, the right sofa can transform the feel of the whole space. We've put together the definitive guide to finding the best sofas for small living rooms in the UK — including our top picks available right now with free delivery.

## Pages
- [2-Year Guarantee](https://anneliesebate.co.uk/2-year-guarantee/): We want you to feel completely confident in every purchase you make with us.
- [Guarantee Registration](https://anneliesebate.co.uk/guarantee-registration/): SUBMIT
- [Trade & Commercial Enquiries](https://anneliesebate.co.uk/trade-commercial-enquiries/): Our dedicated trade team is here to support all your commercial and residential interior projects.
- [Frequently Asked Questions (FAQs)](https://anneliesebate.co.uk/frequently-asked-questions-faqs/): 1. How do I place an order?Simply browse our products, add items to your cart, and proceed to checkout to complete your purchase.
- [About Us](https://anneliesebate.co.uk/about-us/): At Anneliese Bates, we believe your home should be more than just a place it should reflect your style, comfort, and personality.
- [Term and Service](https://anneliesebate.co.uk/term-and-service/): These Terms & Conditions govern your use of our website and the purchase of products from Anneliese Bates.
- [Modern Slavery Statement](https://anneliesebate.co.uk/modern-slavery-statement/): (Anneliese Bates)
- [Payment Security Policy](https://anneliesebate.co.uk/payment-security-policy/): (Anneliese Bates)
- [Shipping Policy](https://anneliesebate.co.uk/shipping-policy/): At Anneliese Bates, we aim to provide a smooth and reliable delivery experience for all our customers.
- [Refund and Returns Policy](https://anneliesebate.co.uk/refund_returns/): At Anneliese Bates, we want you to love your purchase. However, if you are not completely satisfied, we’re here to help.
- [My account](https://anneliesebate.co.uk/my-account/): A link to set a new password will be sent to your email address.
- [Checkout](https://anneliesebate.co.uk/checkout/)
- [Cart](https://anneliesebate.co.uk/cart/): Your cart is currently empty. Before proceed to checkout you must add some products to your shopping cart. You will find a lot of interesting products on our "Shop" page. Return to shop
- [Privacy Policy](https://anneliesebate.co.uk/privacy-policy/): At Anneliese Bates, we are committed to protecting your privacy and handling your personal data responsibly.
- [Contact us](https://anneliesebate.co.uk/contact-us/): INFORMATION ABOUT US CONTACT US FOR ANY QUESTIONS Your name Your email Subject Your message (optional)
- [Shop quality furniture at Anneliese Bates  sofas, beds, dining sets, sideboards & more. Free UK delivery. Up to 35% off sale now on.](https://anneliesebate.co.uk/): Timeless design. Affordable luxury. Every piece at Anneliese Bates is selected for quality, comfort, and the way it makes a room feel — truly at home.
- [Wishlist](https://anneliesebate.co.uk/wishlist/): This wishlist is empty. You don't have any products in the wishlist yet. You will find a lot of interesting products on our "Shop" page. Return to shop
- [Portfolio](https://anneliesebate.co.uk/portfolio/)
- [Shop](https://anneliesebate.co.uk/shop/)
- [Compare](https://anneliesebate.co.uk/compare/): Compare list is empty. No products added in the compare list. You must add some products to compare them. You will find a lot of interesting products on our "Shop" page. Return to shop
- [Blog](https://anneliesebate.co.uk/blog/)

## HTML Blocks
- [Footer Retail](https://anneliesebate.co.uk/?cms_block=footer-retail): POLICIES

## Slides
- [Retail slide 3](https://anneliesebate.co.uk/woodmart_slide/retail-slide-1-2-2/): HIGH STRENGTH AND DURABLE
- [Retail slide 2](https://anneliesebate.co.uk/woodmart_slide/retail-slide-1-2/): TIME FOR A NEW SPEAKER?
- [Retail slide 1](https://anneliesebate.co.uk/woodmart_slide/retail-slide-1/): COATED ALUMINUM FRAME

## Portfolio
- [Suspendisse quam at vestibulum](https://anneliesebate.co.uk/portfolio/suspendisse-quam-at-vestibulum/): Details available with Every Demo
- [Netus eu mollis hac dignis](https://anneliesebate.co.uk/portfolio/netus-eu-mollis-hac-dignis/): WE ARE CREATIVE AGENCY
- [Et vestibulum quis a suspendisse](https://anneliesebate.co.uk/portfolio/et-vestibulum-quis-a-suspendisse/): WE ARE CREATIVE AGENCY
- [Imperdiet mauris a nontin](https://anneliesebate.co.uk/portfolio/imperdiet-mauris-a-nontin/): Ut a parturient ad vestibulum lectus varius dignistami sarim fusce mi pos uere ante vivamus vesti bulum part urient sed a sit fermentum eros.
- [Venenatis nam phasellus](https://anneliesebate.co.uk/portfolio/venenatis-nam-phasellus/): Details available with Every Demo
- [Leo uteu ullamcorper](https://anneliesebate.co.uk/portfolio/leo-uteu-ullamcorper/): WE ARE CREATIVE AGENCY
- [A lacus bibendum pulvinar](https://anneliesebate.co.uk/portfolio/a-lacus-bibendum-pulvinar/): WE ARE CREATIVE AGENCY
- [Rhoncus quisque sollicitudin](https://anneliesebate.co.uk/portfolio/rhoncus-quisque-sollicitudin/): Ut a parturient ad vestibulum lectus varius dignistami sarim fusce mi pos uere ante vivamus vesti bulum part urient sed a sit fermentum eros.
- [Potenti parturient parturie](https://anneliesebate.co.uk/portfolio/potenti-parturient-parturie/): Details available with Every Demo

## Products
- [Hudson Mirror](https://anneliesebate.co.uk/hudson-mirror/): Hand crafted from chunky reclaimed wood Our Hudson mirror adds panache to any room. It can be the finishing touch to your rustic collection or fantastic as a stand alone piece or feature that adds depth and drama to any space.
- [Hudson Side Table](https://anneliesebate.co.uk/hudson-side-table/): Our Hudson Side Table, a classic piece that adds timeless elegance to any interior. Crafted from reclaimed wood, it exudes rustic beauty and showcases exquisite craftsmanship. With its versatile design, it serves as a functional accent in various settings - be it a living room, bedroom, or hallway. Whether you need a stylish surface to display décor or a convenient spot for essentials, the Hudson Side Table is your go-to choice.
- [Hudson Sideboard](https://anneliesebate.co.uk/hudson-sideboard/): Our Hudson sideboard with its chunky reclaimed wood makes it an imposing but charming piece of rustic furniture. An extremely robust design with a mix of drawers and cupboards to suit all storage needs. A handy internal shelf as standard.
- [Cavendish Small Desk](https://anneliesebate.co.uk/cavendish-small-desk/): Introducing our Cavendish Small Desk with a stunning stainless frame. Combining functionality and modern aesthetics, this desk is a perfect addition to any workspace. The reclaimed wood brings unique character, while the stainless frame adds a touch of contemporary elegance. With a more compact size and sturdy construction, it offers a comfortable and efficient working environment that slots straight into the home.
- [Hudson Small Desk](https://anneliesebate.co.uk/hudson-small-desk/): Small but stylish can be used to describe this lovely reclaimed wood Hudson small desk. Space maybe at a premium but this gorgeous rustic desk has plenty of storage options to configure to your own needs. A super charming addition to any home office.
- [Hudson Stool](https://anneliesebate.co.uk/hudson-stool/): Our Hudson stool has been created for a layed back rustic dining experience. Hand crafted using solid reclaimed wood with time honoured mortise and tenon joints they will be part of your family for a lifetime.
- [Hudson Storage Bookcase](https://anneliesebate.co.uk/hudson-storage-bookcase/): Our Hudson Storage Bookcase is crafted from the finest reclaimed wood which adds a little rustic charm to any room in your house. Our unique and simple adjustable shelving system and a handy storage cupboard with an internal shelf gives you flexible storage and display options to suit all your needs.
- [Hudson Underbed Storage](https://anneliesebate.co.uk/hudson-underbed-storage/): Our Hudson underbed storage boxes are a clever and practical way to maximise bedroom storage, without compromising on style. These wooden underbed storage boxes fit under all of our rustic beds except loft versions.
- [Marlowe Bench](https://anneliesebate.co.uk/marlowe-bench/): Introducing the Marlowe Bench, the perfect companion to our Marlowe Table. Crafted with reclaimed wood, this bench showcases rustic charm and versatile seating with its classic a-frame design. Designed to complement the Marlowe a-frame Table, it offers a cohesive and inviting farmhouse-inspired dining experience. With its sturdy construction and comfortable seating, the Marlowe Bench is ideal for accommodating extra guests or creating a cosy nook in your home.
- [Marlowe Dining Table](https://anneliesebate.co.uk/marlowe-dining-table/): Introducing the Marlowe Table from our farmhouse-inspired collection. Crafted with reclaimed wood, this stunning table embodies rustic elegance and sustainable craftsmanship. The Marlowe Table features a spacious table top, perfect for gatherings and family meals. Its timeless design blends seamlessly with any décor style, making it a versatile centrepiece for your dining room or kitchen.
- [Rochester Dining Table – Long Overhang](https://anneliesebate.co.uk/rochester-dining-table-long-overhang/): Our Rochester dining table is a stunning contemporary take on a classic A-frame design. Only the finest solid reclaimed wood and brushed stainless is used to hand craft this beautiful rustic table, perfect to gather the family and friends around in your dining room or kitchen diner. Compliment with matching benches for a relaxed vibe or add a touch more luxury with fabric dining chairs.
- [Rochester End Bench](https://anneliesebate.co.uk/rochester-end-bench/): Our Rochester end benches are hand crafted from the finest solid reclaimed wood and brushed stainless steel. They add drama to any dining space, especially for our long overhang table. Add side benches for a complete relaxed ambience.
- [Rochester End Bench – Custom Frame](https://anneliesebate.co.uk/rochester-end-bench-custom-frame/): Our Rochester end benches are hand crafted from the finest solid reclaimed wood and powder coated frame . They add drama to any dining space, especially for our long overhang table. Add side benches for a complete relaxed ambience.
- [Rochester Side Bench](https://anneliesebate.co.uk/rochester-side-bench/): Our Rochester side benches are the perfect companion to our solid wood Rochester dining tables. They are lovingly crafted from the finest reclaimed wood and brushed stainless steel. Benches create a luxurious and inviting relaxed dining experience.
- [Rochester Side Bench – Custom Frame](https://anneliesebate.co.uk/rochester-side-bench-custom-frame/): Our Rochester side benches are the perfect companion to our solid wood Rochester dining tables. They are lovingly crafted from the finest reclaimed wood and brushed stainless steel. Benches create a luxurious and inviting relaxed dining experience.
- [Hudson Chest Of Drawers](https://anneliesebate.co.uk/hudson-chest-of-drawers/): Our Hudson chest of drawers ooze class and character from each and every piece of solid reclaimed wood. Complete your bedroom with these luxurious rustic chest of drawers.
- [Shelby Bench – Angled Leg](https://anneliesebate.co.uk/shelby-bench-angled-legs/): Our Angled Shelby bench is the sleekest and most compact of our seating range. Providing an industrial, rustic feel – the Shelby bench is made up of our ultra-premium reclaimed wood and three metal leg-options. Our Shelby bench pairs perfectly with our Shelby dining table and they slot under perfectly to save space in your dining area.     
- [Shelby Bench – Crossed Leg](https://anneliesebate.co.uk/shelby-bench-crossed-leg/): Our Crossed Shelby bench is the sleekest and most compact of our seating range. Providing an industrial, rustic feel – the Shelby bench is made up of our ultra-premium reclaimed wood and three metal leg-options. Our Shelby bench pairs perfectly with our Shelby dining table and they slot under perfectly to save space in your dining area.     
- [Shelby Bench – Square Leg](https://anneliesebate.co.uk/shelby-bench-square-leg/): Our Shelby bench is the sleekest and most compact of our seating range. Providing an industrial, rustic feel – the Shelby bench is made up of our ultra-premium reclaimed wood and three metal leg-options. Our Shelby bench pairs perfectly with our Shelby dining table and they slot under perfectly to save space in your dining area.     
- [Shelby Bench – Straight Leg](https://anneliesebate.co.uk/shelby-bench-straight-leg/): Our straight-legged Shelby bench is the sleekest and most compact of our seating range. Providing an industrial, rustic feel – the Shelby bench is made up of our ultra-premium reclaimed wood and three metal leg-options. Our Shelby bench pairs perfectly with our Shelby dining table and they slot under perfectly to save space in your dining area.     
- [Hudson Large Desk](https://anneliesebate.co.uk/hudson-large-desk/): With our Hudson large desk, let the hours simple fly by while seated at this beautiful rustic desk. The true heart of any office or study. With a choice of units and your own configuration, personalise your desk to meet your own exact working needs.
- [Shelby Dining Table – Angled Leg](https://anneliesebate.co.uk/shelby-dining-table-angled-leg/): Our Angled Shelby dining table provides the same Eat Sleep Live quality but at a more affordable price point. If you’re looking for a table with a compact solution to add to any space, then the Shelby could be your answer. With a sleek frame and matching benches that tuck under the table top perfectly, enjoy this dining range without compromising on space. The Shelby dining table is both industrial in style and architectural in design with three metal leg options.
- [Shelby Dining Table – Crossed Leg](https://anneliesebate.co.uk/shelby-dining-table-crossed-leg/): Our Crossed Shelby dining table provides the same Eat Sleep Live quality but at a more affordable price point. If you’re looking for a table with a compact solution to add to any space, then the Shelby could be your answer. With a sleek frame and matching benches that tuck under the table top perfectly, enjoy this dining range without compromising on space. The Shelby dining table is both industrial in style and architectural in design with three metal leg options.
- [Shelby Dining Table – Square Leg](https://anneliesebate.co.uk/shelby-dining-table-square-leg/): Our Shelby dining table provides the same Eat Sleep Live quality but at a more affordable price point. If you’re looking for a table with a compact solution to add to any space, then the Shelby could be your answer. With a sleek frame and matching benches that tuck under the table top perfectly, enjoy this dining range without compromising on space. The Shelby dining table is both industrial in style and architectural in design with three metal leg options.
- [Shelby Dining Table – Straight Leg](https://anneliesebate.co.uk/shelby-dining-table-straight-leg/): Our Straight Shelby dining table provides the same Eat Sleep Live quality but at a more affordable price point. If you’re looking for a table with a compact solution to add to any space, then the Shelby could be your answer. With a sleek frame and matching benches that tuck under the table top perfectly, enjoy this dining range without compromising on space. The Shelby dining table is both industrial in style and architectural in design with three metal leg options.
- [Rochester Dining Table – Long Overhang Custom Frame](https://anneliesebate.co.uk/rochester-dining-table-long-overhang-custom-frame/): Our custom Rochester dining table is a stunning contemporary take on a classic A-frame design. Only the finest solid reclaimed wood and brushed stainless is used to hand craft this beautiful rustic table, perfect to gather the family and friends around in your dining room or kitchen diner. Compliment with matching benches for a relaxed vibe or add a touch more luxury with fabric dining chairs.
- [‘Clear Weather After Snow At Massaki’ Woodblock by Hiroshige](https://anneliesebate.co.uk/woodblock-print-by-hiroshige/): This old Japanese woodblock print is entitled 'Clear Weather after Snow at Massaki (Massaki yukibare no zu)' and is by woodblock print artist Ando Hiroshige (1797-1858) and is from the series entitled 'Famous Places in the Eastern Capital' (Tôto meisho). The original publisher was Kikakudo between 1832 - 1839, Tenpo era (1830 - 1844). Later publications have a black seal in the margin (instead of red), the seal of Sanoki.
- [‘Hair Styling’ Woodblock Triptych By Chikanobu](https://anneliesebate.co.uk/japanese-triptych-woodblock-print-by-toyohara-chikanobu/): This old Japanese woodblock triptych is by Meiji era woodblock print artist Yōshū (Hashimoto) Chikanobu (1838 - 1912), also called Toyohara Chikanobu. This woodblock is entitled "Hair Styling Artist" from the series 'The Inner Palace of Chiyoda' and the 'Album of Women'. This album is a portal into the hidden world of the Shogun's princess and her attendants in Edo Castle over a year. 
- [‘New Year’s Kagamibiraki Ceremony’ Triptych by Chikanobu](https://anneliesebate.co.uk/kagamibiraki-ceremony-triptych-woodblock-print-by-chikanobu/): This old Japanese woodblock triptych is by Meiji era woodblock print artist Yōshū (Hashimoto) Chikanobu. This woodblock is entitled "New Year's Kagamibiraki Ceremony" and is taken from the series 'Chiyoda no on omote (The central office of the Edo castle).'
- [“Kanjincho” Kabuki Triptych By Kuniyoshi](https://anneliesebate.co.uk/kanjincho-triptych-kabuki-play-by-kuniyoshi/): This fine, well-detailed ōban triptych of Kanjinchō (The Subscription List) is a ukiyo-e woodblock by Utagawa Kuniyoshi (1797-1861). The print bears the publisher mark of Yamaguchiya Tōbei and the Fuku & Muramatsu censor pairing dates this woodblock to c. 1849-51.
- [‘His & Hers’ Isho Dansu from Sendai Province – Late 19thC](https://anneliesebate.co.uk/japanese-his-hers-isho-dansu-from-sendai/): Originating from Sendai province. These are of some of the highest quality pieces we've seen. The masterfully crafted iron work depicts a rampaging tiger on one tansu and peony flowers on the other. The frame is made from the highest quality zelkova (Japanese red elm) wood. These tansu would have been commission pieces and made for exceedingly wealthy individuals. They were used as day to day dressing tables and clothes storage.
- [‘Kuwana: Sea Ferry Terminal at Shichiri’ Woodblock Print by Hiroshige](https://anneliesebate.co.uk/japanese-woodblock-print/): This old Japanese woodblock print is by Ando Hiroshige (1797-1858) and from the series '53 Stations of The Tokaido'. This print is no. 43, Kuwana: Sea Ferry Terminal at Shichiri (桑名　海上七里ノ渡口). It was published by Hoei-do and dates to the mid 19th century. This series was appointed by the feudal Japanese government of the Edo period, Bakufu to join the official procession from Edo to Kyoto. During his journey to see the Emperor he made sketches and produced this series which became very commercially successful at the time. 
- [‘Rice Cake Parade’ Original Woodblock Triptych by Yōshū (Hashimoto) Chikanobu – Ca 1895](https://anneliesebate.co.uk/rice-cake-parade-chikanobu/): This old Japanese woodblock triptych is by Meiji era woodblock print artist Yōshū (Hashimoto) Chikanobu (1838 - 1912). This woodblock is entitled "Rice Cake Parade" and is from the series "The Inner Palace of Chiyoda" and the 'Album of Women'.
- [‘Sanno Festival at the Chiyoda Palace’ Original Woodblock by Toyohara Chikanobu – Ca 1897](https://anneliesebate.co.uk/sanno-festival-chiyoda-palace-chikanobu/): This old Japanese woodblock triptych is by Meiji era woodblock print artist Toyohara Chikanobu (1838 - 1912). This woodblock is entitled "Chiyoda no on-omote: Sanno sairei joran' (Chiyoda Outer Palace: Viewing the Sanno Festival) and depicts the Sanno Matsuri festival in 1897, a biennial festival celebrated in June with a procession from Sanno shrine in Tokyo, near Akasaka to the Hie-jinja shrine at Edo Castle.  
- [‘The Border Crossing’ by Ichiyōtei Yoshitaki – Japanese Woodblock Print Oban](https://anneliesebate.co.uk/japanese-woodblock-print-oban-by-utagawa-yoshitaki/): This old Japanese woodblock oban print by Ichiyōtei Yoshitaki (1841€“1899) entitled 'The Border Crossing' from the Rustic Genji series, 54 chapters, originally printed 1869. Yoshitaki was based in Osaka from the 1860's - 80's and was the most prolific designer of kabuki prints of his time. Kabuki is a classical Japanese theater style known for its highly stylised performances. 
- [‘Umbrella Give Away’ Original Woodblock Triptych by Toyohara Chikanobu – Ca 1897](https://anneliesebate.co.uk/umbrella-giveaway-woodblock-chikanobu/): This old Japanese woodblock triptych is by Meiji era woodblock print artist Toyohara Chikanobu (1838 - 1912). This woodblock is entitled "Events Outside the Chiyoda Palace: Umbrella Give Away" and is from the series "Album of Men" (Chiyoda no Onomote). 
- [‘Visit Of The Prince At Nikko Shrine’ Original Woodblock Print by Toyohara Chikanobu – Ca 1897](https://anneliesebate.co.uk/chikanobu-visit-of-the-prince-nikko-shrine/): This old Japanese woodblock triptych is by Meiji era woodblock print artist Toyohara Chikanobu (1838 - 1912). This woodblock is entitled "Visit to Nikko Shrine" (日光御社参) and is taken from the series "Chiyoda Outer Palace" (千代田之御表).
- [‘Visit To The Garden’ Japanese Woodblock by Nishikawa Sukenobu](https://anneliesebate.co.uk/visit-to-the-garden-nishikawa-sukenobu/): Woodblock print by artist Nishikawa Sukenobu (1671-1750) entitled 'Visit to the Garden'. The original woodblock was printed in the Edo period (1603 - 1868). This is likely a later print from the Showa era (1926 - 1989).
- [‘Visiting Edo Castle on New Years Day’ Original Woodblock by Toyohara Chikanobu – Ca 1897](https://anneliesebate.co.uk/japanese-triptych-woodblock-print-by-chikanobu-meiji/): This old Japanese woodblock triptych is by Meiji era woodblock print artist Toyohara Chikanobu (1838 - 1912). This woodblock is entitled 正月元日諸侯登城御玄関前之図 (Feudal Lords Visiting Edo Castle on New Years Day).
- [2 Door Cabinet Made From Old Sunbleached Elm](https://anneliesebate.co.uk/2-drawer-2-door-elm-cabinet/): This small two door two drawer sideboard adds a stylish and graceful touch to any room in your home. Each cabinet is made from hand selected old Chinese elm doors which have been sun-bleached over the past 100 years. With easy to access storage and a sturdy shelf fitted inside. 
- [2 Door Cabinet Made From Reclaimed Teak](https://anneliesebate.co.uk/2-door-sideboard-made-from-reclaimed-teak/): This sideboard is not an antique, however, it is made from reclaimed wood which is salvaged from old buildings in Rajasthan and Gujarat. It is decorative, extremely durable, and environmentally friendly. 
- [2 Door Cabinet Made From Reclaimed Teak](https://anneliesebate.co.uk/2-door-cabinet-made-from-reclaimed-teak/): This two-door Indian cabinet is made from reclaimed teak salvaged from old buildings in Rajasthan and Gujarat. It is not an antique, but the use of old timber gives the cabinet the texture and ware associated with antique Indian furniture.
- [2 Door Indian Cabinet Made From Reclaimed Teak](https://anneliesebate.co.uk/2-door-indian-reclaimed-teak-cabinet/): This sideboard is not an antique, however it is made from reclaimed wood which is salvaged from old buildings in Rajasthan and Gujarat. It is decorative, extremely durable and environmentally friendly. It has a distressed blue paint finish. From India
- [2 Door Indian Parquet Side Cabinet](https://anneliesebate.co.uk/reclaimed-2-door-indian-parquet-teak-side-cabinetreclaimed-2-door-sideboard/): This sideboard is not an antique, instead, it is made from reclaimed teak wood salvaged from old buildings in Rajasthan and Gujarat. It is decorative, extremely durable, and environmentally friendly. It has a distressed paint finish across its parquet panel design
- [2 Door Painted Mongolian Sideboard – Ca 1920](https://anneliesebate.co.uk/blue-painted-mongolian-sideboard/): A vintage painted sideboard from Mongolia, made in the 1920's
- [2 Door Kitchen Cabinet Made From Reclaimed Teak](https://anneliesebate.co.uk/2-door-kitchen-cabinet-made-from-reclaimed-teak/): This pretty cabinet is not an antique, however, it is made from reclaimed painted wood which is salvaged from old buildings in Rajasthan and Gujarat. The doors are salvaged from old window shutters. It is decorative, extremely durable, and environmentally friendly - the perfect size for a small kitchen.From India
- [2 Door Painted Mongolian Sideboard – Ca 1920](https://anneliesebate.co.uk/2-door-painted-mongolian-sideboard-2/): A vintage painted sideboard from Mongolia, made in the 1920's. This piece has original floral painting on a beautiful deep red background. The kickboard also has traces of its original trailing floral paintwork.
- [2 Door Painted Mongolian Sideboard – Ca 1920](https://anneliesebate.co.uk/2-door-painted-mongolian-sideboard/): A vintage painted sideboard from Mongolia, made in the 1920's
- [2 Door Painted Sideboard From Mongolia – Ca 1920](https://anneliesebate.co.uk/2-door-painted-mongolian-sideboard-1/): A vintage painted sideboard from Mongolia, made in the 1920'sThe painting on this sideboard is original. Our pieces are mostly 19th century & early 20th century.Mongolian Sideboards were usually made from locally sourced wood, normally Elm, Poplar or Pine. These cabinets were often used by nomadic people for storage of clothes and bedding or grain. From Mongolia China, they were also used as altar cabinets for family ancestor worship. The front doors have been modified from the original closed front to make it more functional. It would have originally opened from the top by a hatch.
- [2 Door Parquet Side Cabinet Made From Reclaimed Teak](https://anneliesebate.co.uk/2-door-parquet-sideboard/): This sideboard is made from reclaimed teak wood salvaged from old buildings in Rajasthan and Gujarat. The parquet design is decorative, extremely durable, and environmentally friendly. This sideboard has 2 drawers & 2 doors with an internal shelf behind the doors to maximise storage space.
- [2 Door Rustic Cabinet From Dongbei – 19th Century](https://anneliesebate.co.uk/chinese-rustic-two-door-cabinet/): Simple, honest, and beautifully weathered, this 19th century rustic cabinet from Dongbei (Northeast China) has a wonderfully understated presence, shaped by practicality and generations of use. The surface has aged to a soft, natural patina, with subtle tonal variation and visible grain that celebrates the cabinet’s utilitarian origins and handmade construction.
- [2 Door Traditional Painted Mongolian Sideboard – 19thC](https://anneliesebate.co.uk/antique-2-door-painted-mongolian-sideboard/): This Mongolian sideboard has original painting dating from the 19th century.Originally, this painted sideboard would have been used to store bedding and clothes. It opened from the top, but to make it more practical to use the front panels have been modified to doors and internal shelves. Unusual for this type of piece the bottom carving has been converted into 2 very handy drawers at the bottom of the sideboard. 
- [2 Door Pastel Mongolian Sideboard – 19thC](https://anneliesebate.co.uk/2-door-antique-white-mongolian-sideboard/): Mongolian Sideboard with Original Painting 19thC It would have originally have been used to store bedding and clothes. It opened from the top, but to make it more practical to use the front panels have been modified to doors. Such a beautiful piece of furniture that would look fabulous in a bedroom or sitting room.From China
- [2 Drawer Bedside Cabinet Made From Old Sunbleached Elm](https://anneliesebate.co.uk/2-drawer-elm-bedside-cabinet/): This small chest of drawers is perfect for a bedside table for your bedroom or as a side table or office drawers. It adds a stylish and graceful touch to your home. Each chest is made from hand selected old Chinese elm doors which have been sunbleached over the past 100 years. 
- [2 Door White Painted Mongolian Sideboard – 19thC](https://anneliesebate.co.uk/2-door-white-painted-mongolian-sideboard/): Mongolian Sideboard with original painting dating from the 19th century.Originally, this painted sideboard would have been used to store bedding and clothes. It opened from the top, but to make it more practical to use the front panels have been modified to doors and internal shelves. Unusual for this type of piece the bottom carving has been converted into 2 very handy drawers at the bottom of the sideboard. 
- [2 Drawer Cabinet From Gansu Province – 19thC](https://anneliesebate.co.uk/elm-2-drawer-cabinet-from-gansu-province/): Elm sideboards come from Shanxi or Gansu Provinces in the North. Walnut develops a beautiful patina & colour with age.
- [2 Drawer Elm Coffer Table From Shanxi Province – 18thC](https://anneliesebate.co.uk/chinese-coffeer-table-shanxi/): This rustic antique coffer table from Shanxi province has its original painting and is in excellent condition. Coffer tables in China had relatively little written about them. This particular piece has beautifully carved flanges with floral motifs often used by northern nomads, They were likely used for clothes and utensil storage by women & servants. 
- [2 Drawer Elm Tea Table](https://anneliesebate.co.uk/elm-2-drawer-chinese-tea-table/): These tea tables are made from elm and are reproduction pieces copied from traditional Ming style Chinese designs from Shanxi province. Its refined lines, hoof feet and perfect proportions make it beatifully eye catching all complimented by a dark waxed elm coated with a clear lacquer for protection. This contemporary looking table is perfect for use as a lamp stand, flower stand or side table in a living room.From China
- [2 Drawer Painted Console Table Made From Reclaimed Teak](https://anneliesebate.co.uk/2-drawer-painted-console-table/): This 2 drawer console table is made from reclaimed wood which is salvaged from old buildings in Rajasthan and Gujarat. With its 2 spacious drawers, it is decorative, functional, extremely durable and environmentally friendly.From India
- [2 Tier Brass Tiffin Box – Ca 1920](https://anneliesebate.co.uk/vintage-indian-brass-tiffin-box-set-2-tier/): This antique brass tiffin box, or dabba, dates to the early 20th century and represents one of the most enduring forms of Indian domestic design. Traditionally used to carry lunches, snacks, and small meals, tiffin boxes were an essential part of daily life, especially in busy cities such as Bombay where the famed dabbawalas delivered countless meals each day.
- [2 Tier Indian Vintage Brass Tiffin Box Set – Ca 1930](https://anneliesebate.co.uk/indian-vintage-brass-two-tiered-tiffin-box/): This charming two-tier brass tiffin (dabba) dates to the early 20th century and is a lovely example of traditional Indian domestic craftsmanship. Compact, practical, and beautifully aged, it features two stacking compartments secured beneath a domed lid, with a distinctive turned brass handle that locks the tiers firmly in place.
- [2 Tier Indian Vintage Brass Tiffin Box Set – Ca 1930](https://anneliesebate.co.uk/brass-tiffin-box/): Tiffin boxes, or Dabba are a traditional Indian style of lunch box were used for carrying small snacks & meals, particularly lunches.
- [2 Tier Indian Vintage Brass Tiffin Box Set – Ca 1930](https://anneliesebate.co.uk/indian-vintage-brass-tiffin-box-2/): This beautifully compact two-tier brass tiffin (dabba) dates to the early 20th century and showcases the practical ingenuity of everyday Indian metalwork. It features two neatly stacked compartments secured within a folding wire frame, topped with a simple square carry handle and a traditional locking mechanism.
- [2 Tier Indian Vintage Brass Tiffin Box Set – Ca 1930](https://anneliesebate.co.uk/2-tier-indian-tiffin-box/): Tiffin boxes, or Dabba are a traditional Indian style of lunch box used for carrying small snacks & meals, particularly lunches. Indian Tiffin boxes now make for great jewellery storage or for food presentation. They can also be used as table ornaments.
- [2 Way Iron Bottle Carrier](https://anneliesebate.co.uk/2-way-painted-bottle-carrier/): These colourful iron holders are great in the kitchen or garden for milk bottles or can double as a plant holder. Hand made in Rajasthan from Recycled materials. - Antique FinishFrom India
- [2 Way Stone Lamp Niche From Jaisalmer – 19th Century](https://anneliesebate.co.uk/indian-carved-stone-lamp-niche-19thc/): Hand carved from the distinctive golden-yellow sandstone of Jaisalmer, this antique lamp niche once flanked a grand doorway in Rajasthan, softly illuminating entrances with the glow of oil lamps or candles. The warm hue of Jaisalmer stone – prized throughout India for its fine grain and luminous colour – gives the piece a timeless, architectural presence.
- [2 Way Stone Lamp Niche From Jaisalmer – 19th Century](https://anneliesebate.co.uk/2-way-stone-lamp-niche-1/): This beautifully aged 19th-century stone lamp niche from Jaisalmer is hand carved from warm desert sandstone and decorated with intricate scrolling borders and twin Mughal arch openings. Inspired by the architectural detailing found throughout Rajasthan’s historic forts and havelis, the piece combines sculptural simplicity with finely worked craftsmanship, creating a decorative object full of character and heritage.
- [2 Way Stone Lamp Niche From Jaisalmer – 19th Century (On Stand)](https://anneliesebate.co.uk/2-way-stone-lamp-niche/): This antique hand-carved stone lamp niche originates from Jaisalmer in the Thar Desert of Northern Rajasthan. Fashioned from the region’s characteristic golden-yellow sandstone, the piece features two arched openings framed with floral carving and traces of its original red and green pigment.
- [2 Way Stone Lamp Niche From Jaisalmer – 19th Century (On Stand)](https://anneliesebate.co.uk/2-way-stone-lamp-niche-from-jaisalmer-1/): This exquisite antique stone lamp niche originates from Jaisalmer, in the Thar Desert of northern Rajasthan. Carved by hand from the region’s distinctive golden-yellow sandstone, it features twin arched recesses framed by floral and leaf motifs, characteristic of Rajasthani architectural ornamentation. These niches were traditionally placed beside doorways or within temple and haveli walls to hold small oil lamps or candles, illuminating entrances and sacred spaces at dusk.
- [3 Coat Hook Rail From Kerala – Early 20thC](https://anneliesebate.co.uk/3-coat-hook-rail-from-kerala/): This finely carved teakwood panel is carved in the traditional Keralan style, and decorated with repeating patterns and flowers. The hand-wrought iron hooks make this a very unique piece that is both useful and very decorative as a coat hook. Supplied with sturdy hangers on the back.
- [3 Door Louvre Sideboard – Blue Painted Reclaimed Teak](https://anneliesebate.co.uk/blue-louvre-door-sideboard/): This charming three door louvre sideboard has a distressed blue painted finish and would look particularly at home in a seaside apartment. Whilst this piece is not an antique, it is made from reclaimed teak wood which is salvaged from old buildings in India. It is decorative, extremely durable, and environmentally friendly.
- [3 Door Painted Mongolian Sideboard – 19th Century](https://anneliesebate.co.uk/3-door-painted-mongolian-sideboard-19th-century/): This antique Mongolian painted sideboard dates to the 19th century. It has layers of paint and lacquer built up over many years of use, some of which have worn away giving it a wonderful feeling of age. The doors have scenes of an official or courtly nature painted on them. They have at some point been minimally vandalized, most likely during the time of Mao. This was done to preserve the piece, as vandalized pieces were spared destruction in the time of the cultural revolution. So not only is this a wonderful piece of furniture, but also an important piece of cultural history. 
- [3 Door Painted Shanxi Sideboard – Ca 1920](https://anneliesebate.co.uk/3-door-painted-shanxi-sideboard/): This vintage painted sideboard is from Northern Shanxi province, specifically, the area bordering Mongolia. It dates to the 1920's. It has its original painting and the styles reflect a blend of Shanxi and Mongolian influences. Although some paint has worn with years of constant use, flowers and household objects such as vases and scrolls are still visible on the doors. This piece has been sensitively conserved. A wonderfully carved kickboard runs along the bottom of the piece.
- [3 Door Painted Sideboard From Mongolia – 19th Century](https://anneliesebate.co.uk/c0856/): This antique Mongolian sideboard was traditionally used by the nomadic peoples of Mongolia and Northern Shanxi for storing clothing and grain in the 19th century. The doors feature intricate artwork of scholarly objects, symbolizing wisdom, and are set against a rich rust orange background. The deep red frame adds to the piece's visual appeal. Inside, the cabinet is divided into three sections, each with its own shelf for organization.
- [3 Door Painted Sideboard From Qinghai – 19th Century](https://anneliesebate.co.uk/3-door-painted-sideboard-from-qinghai-19thc/): This remarkable 19th-century painted sideboard from Qinghai province began life as a traditional grain store, later thoughtfully converted into a highly decorative and practical cabinet. Originally designed to open from the top via a hatch, the front has since been adapted with three panelled doors, making it far more functional for modern use while preserving its historic character.
- [3 Door Sideboard Made From Reclaimed Teak](https://anneliesebate.co.uk/reclaimed-3-door-teak-sideboard/): This sideboard is made from reclaimed teak wood salvaged from old buildings in Rajasthan and Gujarat. The parquet design is decorative, extremely durable, and environmentally friendly. This sideboard has 3 drawers & 3 doors with an internal shelf behind the doors to maximise storage space.
- [3 Door Walnut Sideboard From Shaanxi Province – 19th Century](https://anneliesebate.co.uk/antique-chinese-3-door-walnut-sideboard/): This elegant three-door walnut sideboard dates to the 19th century and originates from Shaanxi Province in northern China, a region closely associated with finely made walnut furniture. Valued for its durability and rich grain, walnut develops a deep, mellow patina over time, clearly visible across the softly worn surface of this piece.
- [3 Drawer Altar Table Old Blue  Painted Pine](https://anneliesebate.co.uk/c0419/): 3 Drawer Altar Table Made From Old Painted Pine with distressed finish From China 140 x 48 x 83 (w x d x h cms)
- [3 Drawer Bedside Cabinet Made From Old Elm](https://anneliesebate.co.uk/3-drawer-bedside-cabinet-made-from-old-elm/): This small rustic chest of drawers is perfect for a bedside table for your bedroom or as a side table or office drawers. It brings a stylish wabi-sabi touch to your home. Each chest is made from hand selected old Chinese elm doors which have been sun bleached over the past 100 years. 
- [3 Drawer Chinese Elm Sideboard From Hebei – 19thC](https://anneliesebate.co.uk/3-drawer-elm-sideboard-hebei/): This antique Chinese sideboard comes from Hebei province in northeast China and was made during the Qing dynasty (1644 - 1912). It is constructed from northern elm (yumu). 
- [3 Drawer Console Table From Shanxi – 19th Century](https://anneliesebate.co.uk/chinese-walnut-and-elm-three-drawer-console-table/): This elegant three-drawer console table dates to the 19th century and originates from Shanxi province in northern China, a region long admired for its restrained, practical domestic furniture. The proportions are calm and balanced, reflecting the quiet confidence of everyday furnishings made for long-term use rather than display.
- [3 Drawer Console Table Made From Reclaimed Teak](https://anneliesebate.co.uk/a6245/): This console table is not an antique, however it is made from reclaimed wood which is salvaged from old buildings in Rajasthan and Gujarat. It is decorative, extremely durable and environmentally friendly. From India 142 x 45 x 85 (wxdxh cms)
- [3 Drawer Console Table With Dark Lacquer – 19thC](https://anneliesebate.co.uk/antique-console-table-dark-lacquer-3/): This beautiful elm altar table still retains the original maroon lacquer on the front and legs. The top lacquer has worn through to reveal the beautiful colour of the wood.With three useful drawers and deeper than most Chinese altar tables, this could be used for a desk or as a console table in your living room.  From Shanxi - 19thC161.5 x 48.5 x 86 (wxdxh cms)
- [3 Drawer Negoro Tansu Chest From Japan – Meiji Period](https://anneliesebate.co.uk/negoro-3-drawer-tansu-chest/): This charming original three drawer tansu is finished with negoro lacquer and dates to the Meiji era (1868 - 1912). Negoro lacquer is uncommon and during the 50's & 60's there was a well-known dealer in Japan who refinished chests with negoro lacquer for the Western market. This finish of red lacquering Japanese furniture is known as Negoro and originates in the 12th century AD although this lacquerwork would likely have been carried out during the 50's or 60's during the Showa era. Light, portable, and sturdy it would originally have been a merchant's chest.
- [3 Drawer Farmhouse Console Table Made From Reclaimed Wood](https://anneliesebate.co.uk/reclaimed-wood-farmhouse-console-table/): This lovely Chunky Farmhouse Console table with three drawers is made from reclaimed elm made in the traditional Chinese Shanxi style. Available in two colours, natural & blueFrom China 220 x 45 x 88 (wxdxh cms)
- [3 Drawer Painted Console Table Made From Reclaimed Teak](https://anneliesebate.co.uk/3-drawer-console-table-reclaimed-wood/): This console table is not an antique, however it is made from reclaimed wood which is salvaged from old buildings in Rajasthan and Gujarat. It is decorative, extremely durable and environmentally friendly.From India
- [3 Drawer Red Elm Desk From Shanxi – 19thC](https://anneliesebate.co.uk/3-drawer-red-elm-desk-from-shanxi-19thc/): Scholars Desk  with three drawers from Shanxi Province - dating from the 19th century. Chinese Desks were generally made from elm, red elm or walnut , or sometimes from Oak.
- [3 Drawer Painted Console Table Made From Reclaimed Teak](https://anneliesebate.co.uk/3-drawer-indian-reclaimed-console-table/): This three drawer console table is made from reclaimed wood which is salvaged from old buildings in Rajasthan and Gujarat. With its 3 spacious drawers, it is decorative, functional, extremely durable, and environmentally friendly.From India
- [3 Drawer Tallboy Made From Old Sunbleached Elm](https://anneliesebate.co.uk/3-drawer-elm-tallboy/): This tallboy is the perfect storage solution for your bedroom with deep drawers. Each chest is made from hand selected old Chinese elm doors which have been sun-bleached over the past 100 years. 
- [3 Drawer Walnut Altar Table From China – 19th Century](https://anneliesebate.co.uk/c8560/): This beautifully patinated Walnut Altar table is from Gansu.It's design is typical of the furniture from this area of China - This has the original finish which has been polished with Beeswax.The two side cabinets and the deep drawers make this an ideal piece for a home office or study area - 19th Century
- [3 Drawer Wine Table From Shanxi – 19thC](https://anneliesebate.co.uk/old-3-drawer-chinese-wine-table-1/): This locust wood wine table is from Shanxi province and dates to the 19th century. It has its original drawers & fittings. Wine tables were used for entertaining guests on arrival - usually with a chair placed on either side. For the guest and the host. Our antique wine tables come from Gansu, Shanxi and Shandong Province. The woods used were often Elm, but they were sometimes made from more expensive woods, such as Walnut, Pear or Cypress wood.
- [3 Gujarati Figures On Stand – Ca 1930](https://anneliesebate.co.uk/antique-indian-figures-on-stand/): These three Gujarati carved wooden figures date from the early 20th century and beautifully capture the expressive folk artistry of western India. Each figure is individually hand-carved from aged hardwood, showing distinct postures, stylised facial features, and traditional headwraps. Weathered surfaces, softened edges, and traces of old pigments speak to their long life and use, giving them an evocative presence.
- [3 Tier Brass Tiffin Box – Early 20th Century](https://anneliesebate.co.uk/indian-3-tier-brass-tiffin-box/): This traditional Indian 1920’s brass tiffin box, or dabba, is a classic example of the portable lunch containers widely used across India to carry home-cooked meals and snacks. Designed for practicality and durability, tiffin carriers such as this were commonly used by workers and travellers to transport food between home and workplace.
- [3 Tier Brass Tiffin Box – Ca 1900](https://anneliesebate.co.uk/antique-indian-3-tier-brass-tiffin-box/): This antique three-tier brass tiffin box, or dabba, dates to around 1900 and is a fine example of India's ingenious approach to portable food storage. Traditionally used to carry lunches and small meals, stacked containers like this allowed different foods to be kept separate and fresh, making them an essential part of daily life in India.
- [3 Tier Indian Vintage Brass Tiffin Box Set – Ca 1900](https://anneliesebate.co.uk/3-tier-indian-vintage-brass-tiffin-box-set-ca-1900/): This antique brass tiffin box, or dabba, dates to the early 20th century and is a classic example of India's ingenious approach to portable food storage. Traditionally used to carry lunches and small meals, the stacked containers allowed different dishes to be transported neatly and securely, making them an essential part of daily life across India.
- [3 Tier Indian Vintage Brass Tiffin Box Set – Ca 1920](https://anneliesebate.co.uk/3-tier-vintage-brass-tiffin-box/): This three-tier brass tiffin box dates to around 1900 and is a classic example of the traditional Indian dabba—used for carrying lunches, small snacks, and home-cooked meals. Made entirely from hand-worked brass, it consists of three individual compartments that stack securely within their original frame, held firmly in place by a hinged handle and locking bar. The interior of each tier still shows the soft wear of many years of use.
- [3 Way Stone Lamp Niche From Jaisalmer – 19th Century](https://anneliesebate.co.uk/old-3-way-stone-lamp-niche-1/): These antique hand carved stone lamp niches were used beside doorways with oil lamps or candles. The beautiful yellow stone niches come from Jaisalmer in the Thar Desert in Northern Rajasthan.
- [3 Tier Indian Vintage Brass Tiffin Box Set – Ca 1930](https://anneliesebate.co.uk/3-tier-vintage-tiffin-box/): Tiffin boxes, or Dabba are a traditional Indian style of lunch box were used for carrying small snacks & meals, particularly lunches.
- [3 Way Stone Lamp Niche From Jaisalmer – 19th Century](https://anneliesebate.co.uk/old-3-way-stone-lamp-niche-2/): These antique hand carved stone lamp niches were used beside doorways with oil lamps or candles. The beautiful yellow stone niches come from Jaisalmer in the Thar Desert in Northern Rajasthan.
- [3 Way Stone Lamp Niche From Jaisalmer – 19th Century](https://anneliesebate.co.uk/3-way-stone-lamp-niche/): These antique hand carved stone lamp niches were used beside doorways with oil lamps or candles. The beautiful yellow stone niches come from Jaisalmer in the Thar Desert in Northern Rajasthan.
- [3 Way Stone Lamp Niche From Jaisalmer – 19th Century](https://anneliesebate.co.uk/3-way-stone-lamp-niche-from-jaisalmer-19th-century/): These antique hand carved stone lamp niches were used beside doorways with oil lamps or candles. The beautiful yellow stone niches come from Jaisalmer in the Thar Desert in Northern Rajasthan.
- [3 Way Stone Lamp Niche From Jaisalmer – 19th Century](https://anneliesebate.co.uk/painted-3-way-stone-lamp-niche/): This finely carved 19th-century three-way stone lamp niche from Jaisalmer showcases the elegant architectural detailing associated with the historic havelis and temples of Rajasthan. Hand carved from warm golden sandstone, the piece features three delicate arched openings framed by slender columns, floral motifs and a beautifully shaped domed crest inspired by Indo-Islamic architecture.
- [3 Way Stone Lamp Niche From Jaisalmer – 19th Century](https://anneliesebate.co.uk/painted-3-way-stone-lamp-niche-from-jaisalmer-19th-century/): These antique hand carved stone lamp niches were used beside doorways with oil lamps or candles. The beautiful yellow stone niches come from Jaisalmer in the Thar Desert in Northern Rajasthan.
- [3 Way Stone Lamp Niche From Jaisalmer – 19th Century](https://anneliesebate.co.uk/old-3-way-stone-lamp-niche-3/): This 19th century hand carved stone lamp niche comes from Jaisalmer in Rajasthan, a region famous for its distinctive golden sandstone and exceptional architectural carving. Designed with three small arched recesses, the niche would originally have been built into the wall beside a doorway where oil lamps or small candles were placed to illuminate the entrance and welcome guests.
- [3 Way Stone Lamp Niche From Jaisalmer – 19th Century](https://anneliesebate.co.uk/3-way-indian-stone-lamp-niche/): These antique hand carved stone lamp niches were used beside doorways with oil lamps or candles. The beautiful yellow stone niches come from Jaisalmer in the Thar Desert in Northern Rajasthan. Best used with tea lights, but even without candles they look very decorative hung on a wall inside or outside. Each panel is supplied with strong wall hangers and wall plates.For advice on hanging please get in touch with our expert team and they'll be happy to assist you.
- [3 Way Stone Lamp Niche from Jaisalmer- 19th Century](https://anneliesebate.co.uk/3-way-stone-lamp-niche-from-jaisalmer-19thc/): This decorative 19th-century three-way stone lamp niche from Rajasthan is hand carved from sandstone and retains beautiful remnants of its original turquoise painted finish, softly worn over time to reveal the warm natural tones beneath. Featuring three elegant Mughal arch openings framed by stylised foliate carving, the piece reflects the rich architectural traditions of Northern India and the craftsmanship once found throughout historic havelis and courtyard homes.
- [3 Way Stone Lamp Niche From Rajasthan- 19th Century](https://anneliesebate.co.uk/a5638/): These antique hand carved stone lamp niches were used beside doorways with oil lamps or candles. The beautiful yellow stone niches come from Jaisalmer in the Thar Desert in Northern Rajasthan.
- [4 Door Louvre Sideboard – Blue Painted Reclaimed Teak](https://anneliesebate.co.uk/louvre-door-sideboard-reclaimed-teak/): These Louvre sideboards are made using vintage window shutters and painted with distressed painted finish made in Rajasthan. This piece is made from reclaimed teak wood which is salvaged from old buildings in India. It is decorative, extremely durable and environmentally friendly. From India
- [4 Door Painted Mongolian Sideboard – Ca 1920](https://anneliesebate.co.uk/blue-painted-mongolian-sideboard-1/): A vintage painted sideboard from Mongolia, made in the 1920's
- [4 Door Pale Painted Mongolian Sideboard – 19thC](https://anneliesebate.co.uk/pale-mongolian-sideboard-with-original-painting-19thc/): Mongolian Sideboard with Original Painting 19thC The doors have been modified to make it more practical to useFrom China
- [4 Door Rustic Elm Sideboard From Shanxi – 19thC](https://anneliesebate.co.uk/4-door-rustic-sideboard-from-shanxi-19thc/): A vintage rustic sideboard from Shanxi, made in the 19th century.This sideboard is made from an old farmhouse grain store. The carcass is original, the doors have been modified as this chest originally would have been top opening. The whole piece is made in elm wood.This would have come from the border area of Mongolia and Shanxi province, China.This simple, yet, the sophisticated design would look great both in a contemporary setting or in a more traditional home.
- [4 Door Sideboard made From Old Sunbleached Elm](https://anneliesebate.co.uk/4-door-elm-sideboard/): This long sideboard isn't an antique but it€™s well designed to be useful in a dining room or hallway with four drawers and easy to access to the capacious  storage space below. There are shelves fitted inside.  Constructed from sun bleached pine in Tianjin China. Its contemporary lines mean it can comfortably fit in both a farmhouse or a more contemporary setting. 
- [4 Door Sideboard Made From Reclaimed Teak](https://anneliesebate.co.uk/4-door-sideboard-made-from-reclaimed-teak/): This cabinet has been lovingly constructed from reclaimed teak from old Indian buildings that have fallen into a state of disrepair. With each piece completely unique, this cabinet is truly one of a kind. Each piece of wood dates to the 19th century, giving this piece history while being newly sustainable. .
- [4 Door Sideboard Made From Reclaimed Teak](https://anneliesebate.co.uk/4-door-sideboard-made-from-reclaimed-teak-1/): This sideboard is not an antique, however it is made from reclaimed wood which is salvaged from old buildings in Rajasthan and Gujarat. It is decorative, extremely durable and environmentally friendly.
- [4 Door Sideboard Made From Reclaimed Teak](https://anneliesebate.co.uk/4-door-teak-sideboard/): This painted sideboard is carefully crafted using reclaimed wood which is salvaged from old buildings in Rajasthan and Gujarat in India. It has a beautiful parquet effect on the front and is decorative, extremely durable, and environmentally friendly.
- [4 Drawer Altar Table From Shanxi – 19thC](https://anneliesebate.co.uk/4-drawer-elm-altar-table-from-shanxi-19thc/): This elegant willow wood console table originates from Shanxi province and dates to the 19th century. Retaining all its original drawers and fittings, the table has acquired a beautifully bleached surface and a rich patina from long use. Its simple, elongated form and practical storage combine functionality with timeless provincial character.
- [4 Drawer Altar Table Made From Old Painted Pine](https://anneliesebate.co.uk/4-drawer-console-table-blue-painted/): Painted 4 Drawer Altar Table. Ideal as a hall piece or used behind a sofa. It has been cleverly distressed and although it is not old it is made from reclaimed pine wood which usually comes from old Chinese doors. - China From China 180 x 48 x 83 (w x d x h cms)
- [4 Drawer Bedside Cabinet Made From Reclaimed Teak](https://anneliesebate.co.uk/4-drawer-bedside-cabinet-made-from-reclaimed-teak/): This cabinet is not an antique, however it is made from reclaimed wood which is salvaged from old buildings in Rajasthan and Gujarat. It is decorative, extremely durable and environmentally friendly.From India
- [4 Drawer Bedside Cabinet Made From Reclaimed Teak](https://anneliesebate.co.uk/a5971/): This rustic bedside chest of drawers has an attractive parquet design running across the drawers and is made from reclaimed teak with a painted finish. It is made from reclaimed wood which is salvaged from old buildings in Rajasthan and Gujarat. It is decorative, extremely durable, and environmentally friendly. Perfect for a bedside cabinet. 
- [4 Drawer Bedside Cabinet Made From Reclaimed Teak](https://anneliesebate.co.uk/4-drawer-bedside-cabinet-made-from-reclaimed-teak-2/): This compact four drawer bedside cabinet is crafted from reclaimed teak salvaged from old buildings in Rajasthan and Gujarat, India. Although not an antique, it is made using well-seasoned historic timber, giving the piece a depth of character and surface texture that cannot be replicated with new wood. The softly weathered painted finish highlights the grain beneath and enhances its rustic, handmade appeal.
- [4 Drawer Bedside Cabinet Made From Reclaimed Teak](https://anneliesebate.co.uk/4-drawer-bedside-cabinet-made-from-reclaimed-teak-3/): This cabinet is not an antique, however it is made from reclaimed wood which is salvaged from old buildings in Rajasthan and Gujarat. It is decorative, extremely durable and environmentally friendly.From India
- [4 Drawer Bedside Cabinet Made From Reclaimed Teak](https://anneliesebate.co.uk/4-drawer-bedside-cabinet-made-from-reclaimed-teak-4/): This cabinet is not an antique, however it is made from reclaimed wood which is salvaged from old buildings in Rajasthan and Gujarat. It is decorative, extremely durable and environmentally friendly.From India
- [4 Drawer Bedside Cabinet Made From Reclaimed Teak](https://anneliesebate.co.uk/4-drawer-bedside-cabinet/): Our reclaimed wood bedside tables are made from materials that were salvaged from old buildings in Rajasthan and Gujarat. They are decorative, extremely durable and environmentally friendly.
- [4 Drawer Chinese Elm Altar Table – 19thC](https://anneliesebate.co.uk/4-drawer-chinese-elm-altar-table/): This provincial Chinese altar table is made in classic Ming style and dates from the 19th century. It is from Shanxi province in Northern China. It has four drawers and would be perfect in a hallway given its shallow depth. It is constructed from Northern elm (yumu). 
- [4 Drawer Console Table From Shanxi – 19th Century](https://anneliesebate.co.uk/4-drawer-elm-wine-table/): This elegant elm console table comes from Shanxi Province and has all its original drawers & fittings. Over time it has developed a wonderful rich patina. It comes with all the usual marks expected on a table with such a long life.Chinese console tables like these were used for entertaining guests on arrival - usually with a chair placed on either side for the guest and the host. Today they make perfect small tables for hallways or smaller rooms.
- [4 Drawer Console Table Made From Reclaimed Pine](https://anneliesebate.co.uk/4-drawer-console-made-from-reclaimed-pine/): This bleached pine wood console table is crafted by Chinese artisans using wood reclaimed from old pine wood doors. Constructed with a functional lower shelf and four drawers. This table is not an antique, but it is sustainably made using old wood. It's Incredibly functional and sturdy, this piece would make a great addition to any living room or hallway. 
- [4 Drawer Console Table From Shanxi – 19th Century](https://anneliesebate.co.uk/4-drawer-console-table-from-shanxi-19th-century/): This elegant 19th century elm console table from Shanxi Province embodies the understated refinement of traditional Chinese furniture. Crafted with clean lines and balanced proportions, it features four drawers fitted with original metal ring pulls, offering both symmetry and practical storage. The softly worn surface has developed a rich, natural patina over time, highlighting the character and grain of the elm wood.
- [4 Drawer Elm Console Table From Shanxi – 19thC](https://anneliesebate.co.uk/farmhouse-console-table-with-4-drawers-elm/): This very elegant Elm Console Table from Shanxi Province has four very useful drawers - Ideal for a narrow hallway or in a dining area. Also known as Altar Tables they were used for ancestor worship in China. Usually a family ancestor portrait would be hung above the table & joss sticks lit & placed on the table for the well being of the household.They were always long & narrow in form - a configuration seldom found in antique European furniture.
- [4 Drawer Painted Console Table Made From Reclaimed Teak](https://anneliesebate.co.uk/4-drawer-reclaimed-teak-console-table/): This long 4 drawer console table is made from reclaimed wood which is salvaged from old buildings in Rajasthan and Gujarat. It is decorative, functional, extremely durable and environmentally friendly.From India
- [4 Drawer Painted Console Table Made From Reclaimed Teak](https://anneliesebate.co.uk/4-drawer-painted-reclaimed-console-table/): This long 4 drawer console table is made from reclaimed wood which is salvaged from old buildings in Rajasthan and Gujarat. It is decorative, functional, extremely durable and environmentally friendly.From India
- [4 Drawer Painted Console Table Made From Reclaimed Teak](https://anneliesebate.co.uk/reclaimed-four-drawer-teakwood-console-table/): This carved Indian console table has been lovingly constructed from reclaimed teak from old Indian buildings that have fallen into a state of disrepair. With each carving completely unique, this console table is truly one of a kind. Each piece of wood dates to the 19th century, giving this piece history while being newly sustainable. 
- [4 Tier Brass Tiffin Box With Spoon – Ca 1930](https://anneliesebate.co.uk/large-vintage-indian-brass-tiffin-box-set/): Tiffin boxes, or Dabba are a traditional Indian style of lunch box were used for carrying small snacks & meals, particularly lunches.
- [4 Tier Indian Vintage Brass Tiffin Box Set – Ca 1920](https://anneliesebate.co.uk/indian-vintage-brass-tiffin-box-1/): This wonderfully characterful brass Indian tiffin (dabba) dates to around 100 years old and beautifully reflects everyday craftsmanship from early 20th-century India. Hand-constructed in multiple stacked compartments and secured by a sturdy hinged frame, it was originally used to transport home-cooked meals. This example carries a hand-punched Hindi name inscription, adding a personal and authentic touch.
- [4 Tier Indian Vintage Brass Tiffin Box Set – Ca 1930](https://anneliesebate.co.uk/4-tier-indian-brass-tiffin-box/): Tiffin boxes, or Dabba are a traditional Indian style of lunch box were used for carrying small snacks & meals, particularly lunches.
- [4 Tier Indian Vintage Brass Tiffin Box Set – Ca 1930](https://anneliesebate.co.uk/4-tier-indian-vintage-brass-tiffin-box/): Tiffin boxes, or Dabba are a traditional Indian style of lunch box were used for carrying small snacks & meals, particularly lunches.
- [4 Way Green Painted Plant Holder From Rajasthan](https://anneliesebate.co.uk/green-painted-plant-holder-from-rajasthan/): Green painted plant holder From RajasthanGreat for flowers or display From India
- [4 Way Indian Coat Rail](https://anneliesebate.co.uk/coat-hook-on-old-carved-teakwood-rail-a03257v1/): This unique coat hook rail is made from an old carved Indian teak architrave. 
- [5 Door Sideboard From Mongolia – 19th Century](https://anneliesebate.co.uk/antique-mongolian-5-door-sideboard/): This 19th century elm sideboard originated as a farmhouse grain store from the border region between Mongolia and Gansu Province in northern China. Built to withstand daily agricultural life, its substantial elm carcass and original iron bindings have ensured its survival for well over a century, while developing the rich colour and character that only age can create.
- [5 Drawer Carved Low “Kang” Cabinet From Shanxi – 19thC](https://anneliesebate.co.uk/carved-5-drawer-low-kang-cabinet/): This Kang Cabinet is ideal for use beneath a T.V or sound system and dates from the 19th century. These were used beside the Kang which was a raised stone platform used as a bed or lounging area in wealthy homes. Traditionally, this was heated from underneath in the winter.From China
- [5 Drawer Console Table Made From Reclaimed Teak](https://anneliesebate.co.uk/painted-5-drawer-console-table/): This long Indian console table is made from reclaimed wood which is salvaged from old buildings in Rajasthan and Gujarat. It has 5 drawers and a white paint wash. Decorative, functional, extremely durable and environmentally friendly it's perfectly suited for any living room. 
- [5 Drawer Cypress Wood Sideboard From Shanxi – 19thC](https://anneliesebate.co.uk/antique-chinese-cypress-sideboard/): This antique Chinese sideboard was originally an altar cabinet used for ancestor worship in Shanxi province. It would originally have been painted and the finish has since worn away leaving a beautiful rustic patina. 
- [6 – 8 Seater Dining Table With Metal Legs](https://anneliesebate.co.uk/c0610/): Our TAL design is a more contemporary reinterpretation of our beautiful bleached elm dining tables. Crafted from old Chinese bleached elm doors this table has svelte tapering metal legs. Quality hand crafted Chinese furniture with a modern look. 
- [5 Drawer Painted Console Table Made From Reclaimed Teak](https://anneliesebate.co.uk/5-drawer-reclaimed-wood-console-table/): This long 5 drawer console table is made from reclaimed wood which is salvaged from old buildings in Rajasthan and Gujarat. It is decorative, functional, extremely durable and environmentally friendly.From India
- [6 Door Elm Sideboard From Mongolia](https://anneliesebate.co.uk/6-door-mongolian-sideboard/): This sideboard is made from old reclaimed elm & poplar wood in the style of an old farmhouse grain store. This style is specific to the Northern provinces of China, specifically Mongolia and Shanxi province, China.
- [6 Door Elm Sideboard From Mongolia](https://anneliesebate.co.uk/6-door-elm-sideboard/): This rustic six-door sideboard is made from old reclaimed elm and cypress, inspired by the long, low grain stores once found in rural northern China. Cabinets of this type were traditionally used to store grain and household goods, particularly in regions such as Mongolia and Shanxi, where practicality and solid construction were essential.
- [6 Door Mongolian Bleached Sideboard](https://anneliesebate.co.uk/bleached-mongolian-6-door-long-sideboard/): This long rustic Mongolian sideboard was originally a grain store. It is constructed from a mix of elm, and cypress woods that have been sun-bleached over many years. 
- [6 Door Sideboard Made From Old Elm And Cypress](https://anneliesebate.co.uk/6-door-sideboard-from-mongolia/): Crafted from reclaimed old elm and cypress, this rustic six-door sideboard's naturally weathered finish reveals the rich grain, knots and character developed over decades, giving each piece its own unique appearance while preserving the warmth and authenticity of the original wood.
- [6- 8 Seater Refectory Dining Table – Reclaimed Teakwood](https://anneliesebate.co.uk/6-8-seater-refectory-dining-table-reclaimed-teak/): This Dining Table seats 6 - 8 person and is made From Reclaimed Teakwood with a Lime washed finish. This is not an antique, however it is made from reclaimed wood which is salvaged from old buildings in Rajasthan and Gujarat. It is decorative, extremely durable and environmentally friendly. From India
- [7 Drawer Console Table From Shanxi – 19thC](https://anneliesebate.co.uk/chinese-7-drawer-black-lacquer-console/): Console Table with 7 drawers made from elm Circa 19thC. It is made in the Ming Style and comes from Shanxi Province. A very useful piece of furniture for a hallway or behind a sofa.From China
- [8 – 10 Seater Dining Table Made From Old Elm Door](https://anneliesebate.co.uk/c0494/): This I-beam dining table combines traditional and modern styles. Constructed from old Chinese bleached elm doors and set atop a contemporary base.
- [8 – 10 Seater Dining Table Made From Old Pine – X Leg Design](https://anneliesebate.co.uk/c9444/): This Chunky Refectory Table Made is made from re-claimed Pine in China. It's Ideal for large family gatherings or parties. The chunky Cross Leg Design makes it very stable and robust. From China 240 x 100 x 78 cms
- [A Pabuji Ki Phad Painting On Cotton – Late 19th Century](https://anneliesebate.co.uk/antique-pabuji-ki-phad-painted-textile/): This dramatic textile painting is exclusively found in Western Rajasthan. The style of work is called Phad Chitra and it is a religious depiction of folk deities Pabuji and Devnarayan that can run up to 30 feet in length. These textiles were used for a musical rendition by the Bhopas of Pabusar (bards and priests) singing from a 4000 verse poem. They are also called kavya (bard) cloths These phad are one of the few remnants of an ancient traditional folk art form. 
- [A Pachesi Game](https://anneliesebate.co.uk/a-pachesi-game-with-silk-board-lacquer-game-pieces/): A complete pachesi game from Rajasthan - silk board & lacquered wood game pieces decorated with silver bells Ca 1920 From India 112 x 114 cms
- [A Pair Of Painted Mongolian Side Cabinet – 19thC](https://anneliesebate.co.uk/unusual-painted-mongolian-side-cabinet-antique/): A pair of exceptionally good quality painted Mongolian cabinets dating from the 19thC - These pieces are untouched and retain the original painting.These are priced Separately.  From China
- [A Pair of Painted Teak Pillars with Original Stone Bases – 19thC](https://anneliesebate.co.uk/a2793/): These elegant carved teak pillars with beautifully carved capitals come from Gujarat in Northern India. The stone bases are carved and are the originals.
- [A Rare Bronze Statue of Surya the Sun God, Riding a Tiger – 18thC](https://anneliesebate.co.uk/a0389/): A Rare 18thC Bronze of Surya - The Sun God Riding a Tiger One corner of the base is damaged, but the overall condition otherwise is very good for the period. From India Base 13 x 19 x 29 (w x d x h cms)
- [A Rosewood & Brass Chillum](https://anneliesebate.co.uk/a4631/): An early 20thC rosewood & brass chillum from Rajasthan - used by sadhus (holy men) for smoking hashish & cannabis.
From India
6 x 6 x 20 (wxdxh cms) UK Delivery Charge - except Highlands & Islands £7.50
More delivery options available on checkout
- [A Sino-Shan Bronze Frog Drum From Laos 75 – 100 Yrs Old](https://anneliesebate.co.uk/a37/): A cast bronze frog rain drum from Laos - 75 - 100 years old. Surmounted with frogs on the top & elephants on the sides. It makes a wonderful statement piece table
- [A Verdigris Bronze Horse – Han Dynasty Style](https://anneliesebate.co.uk/c0682/): A Verdigris Bronze Han Dynasty Style Horse - a museum quality reproduction piece
From China
90 x 28 x 81 (w x d x h cms) UK Delivery Charge - except Highlands & Islands £40
More delivery options available on checkout
- [Abstract Design Jacquard Merino Wool Shawl](https://anneliesebate.co.uk/abstract-design-jacquard-merino-wool-shawl/): A beautiful Indian woven jacquard merino wool scarf. This lovely hand woven scarf is reversible. Clever designs which will match all of your outfits this season.
- [Adjustable Height Round Table – Industrial Style](https://anneliesebate.co.uk/a3800/): This adjustable height table is made from a cast iron industrial base and a reclaimed teak top, creating a vintage industrial look that can be used inside or out. 
- [Adjustable White Metal Miao Bangle](https://anneliesebate.co.uk/c0069/): This charming white metal cuff is a brilliantly crafted piece of small batch original jewelry.  
- [Almirah Cabinet From Gujarat – 19th Century](https://anneliesebate.co.uk/antique-indian-almirah-cabinet-with-perenakan-tiles-a03086/): This exceptional sunburst-carved almirah cabinet dates to the 19th century and hails from Gujarat in western India. Crafted from richly aged solid teak, it features four deeply carved panels, each radiating the Portuguese-influenced sunburst motif, and a rare row of colourful Peranakan ceramic tiles along the top frieze.
- [Altar Cabinet From Tibet with Original Painting – 19thC](https://anneliesebate.co.uk/c1066/): Altar Cabinet From Tibet with Original Painting - Circa Early 19thCThese cabinets are constructed from cedar or pine and decorated in the traditional Tibetan colours.They were often used as family altars & were used to store religious scrolls, silk ceremonial clothes, family jewellery and yak butter used in lamps. Original antique Tibetan cabinets are now very rare and there are many reproduction pieces made in China coming onto the market The glass in the windows of these particular cabinets often got broken in transit and it may have been replaced with more modern glass. From Tibet 86 x 32 x 83 (wxdxh cms)
- [Amethyst And Silver Earrings](https://anneliesebate.co.uk/a5259/): Amethyst And Silver Earrings From India
- [Amethyst And Silver Earrings](https://anneliesebate.co.uk/a5263/): These Sterling silver earrings were hand made by Rajasthani jewellers.
- [An Asmat Shield With Figures And Scrolls from New Guinea – Ca 85 yrs old](https://anneliesebate.co.uk/asmat-shield-from-new-guinea/): Asmat shields were created as functional items for warfare, and were meant to protect the user from the spears and arrows of his enemy. At the same time, the imagery that is carved and painted on the surface of the shield endows the piece with the power of the ancestors. Wood carving is a flourishing tradition among the Asmat, and wood carvers are held in high esteem. The culture hero Fumeripits is considered to be the very first wood carver, and all subsequent wood carvers have an obligation to continue his work.From New Guinea
- [Anatolian Konya Prayer Rug – Ca 80 yrs old 245 x 125 cm](https://anneliesebate.co.uk/anatolian-konya-prayer-rug/): Prayer rugs have been used primarily by Muslims for centuries to cover bare ground while partaking in daily prayers. The earliest known evidence of carpets being used in prayer come from the ʿAlāʾ al-Dīn Mosque of Konya in the 13th century. They're often made up of deep earthy colours and often include columns and geometric shapes in their design. This particular rug is from around the 1940s and has been very well cared for. It's central design is the popular columns and arch motif bordered with complex geometric shapes.
- [Ancestor Painting – Watercolour on Paper – 19th Century](https://anneliesebate.co.uk/antique-manchurian-lady-chinese-ancestor-painting/): This finely executed Chinese ancestor painting on paper depicts a high-ranking Manchu lady seated formally upon a low platform in full ceremonial court dress. Her richly ornamented robe is embroidered with four-clawed dragons, while the rank badge (补子, buzi) on her chest shows a golden pheasant, indicating Second Rank civil status within the Qing hierarchy. As women did not hold office, her attire reflects the rank of her husband, identifying her as the wife of a Second Rank civil official, a position of considerable prestige.
- [Ancestor Painting – Watercolour on Paper – 19thC](https://anneliesebate.co.uk/ancestor-painting-watercolour-on-paper-19thc/): A pair of Chinese ancestor portrait hanging scrolls,early 20th century, of an elderly couple in their court robes with the fifth civil rank badge of a silver pheasant, each shown seated in an armchair covered with a textile embroidered with dragons, ink and colour on paper.
- [Ancestor Painting – Watercolour on Paper – 19thC](https://anneliesebate.co.uk/ancestor-painting-watercolour-on-paper/): A  Chinese ancestor portrait hanging scroll - early 20th century, of an elderly man in his court robes with the fifth civil rank badge of a silver pheasant, shown seated in an armchair covered with a textile embroidered with dragons, ink and colour on paper.
- [Anglo Indian Bone Inlaid Caned Teak Sofa – Early 20th Century](https://anneliesebate.co.uk/cane-teak-inlay-sofa-early-20thc/): An old teak sofa from the days of the British raj - circa 1910. This settee has been re-caned and had later intricate bone inlay work added in the traditional style. 
- [Ancestor Painting of a Male Official – Watercolour on Silk – 19th Century](https://anneliesebate.co.uk/antique-chinese-silk-ancestor-painting/): This refined Chinese ink and colour painting on silk depicts a male court official dressed in flowing ceremonial robes, rendered with calm authority and elegant restraint. The figure stands upon a low platform, his robes softly articulated through confident, fluid brushwork, while subtle detailing to the belt and sleeves conveys rank and refinement. Executed in a restrained palette, the composition exemplifies the literati tradition, where line, balance and expression take precedence over ornamentation.
- [Anglo Indian Bone Inlay Glazed Cabinet – 19th Century](https://anneliesebate.co.uk/antique-anglo-indian-bone-inlay-cabinet/): This antique Anglo Indian inlay cabinet is an excellent example of the style. It features later intricate bone inlay designs. Very few, if any Indian cabinets were originally inlaid despite what many dealers would suggest. The detailed carving is original and a lovely callback to the styles developing in Europe. It is constructed from teak wood. 
- [Anglo Indian Campaign Half Chest Of Drawers – 19th Century](https://anneliesebate.co.uk/anglo-indian-half-chest-drawers-campaign/): This handsome brass-bound military chest of drawers is a part of Anglo-Indian history. Crafted from solid teak, this piece of campaign furniture was originally twice as tall and had another set of double drawers stacked on top. Dating from the 19th century it features recessed brass handles, brass corner mounts, and traditional campaign construction that allowed pieces to be easily dismantled and transported during military campaigns.
- [Anglo Indian Camphor Campaign Chest Of Drawers – Ca 1920](https://anneliesebate.co.uk/camphor-military-chest-of-drawers/): This Anglo Indian campaign chest is made from camphor wood as is classic of the style although slightly unusual with the two smaller top drawers. Made in India in the early 20th century with brass handles flush to the wood and brass corners. Lovingly restored in our Wiltshire workshops. As this is an early 20th century chest, there is still a rich smell of camphor wood remaining. This campaign chest is an excellent example of the style.
- [Anglo Indian Caned Teak Bench – 19thC](https://anneliesebate.co.uk/m152/): Anglo Indian Caned Teak Bench - 19thC
We have recaned both the back & seat
From India
India
155 x 68 x 86 cm wxdxh UK Delivery Charge - except Highlands & Islands £80
More delivery options available on checkout
- [Anglo Indian Colonial Glazed Book Cabinet – 19th Century](https://anneliesebate.co.uk/anglo-indian-teak-glazed-cabinet/): This colonial Indian book cabinet dates to the 19th century, the time of the British Raj. It likely is from Gujarat in North India. 
- [Anglo Indian Colonial Glazed Book Cabinet – 19th Century](https://anneliesebate.co.uk/teak-glazed-book-cabinet-2/): This colonial Indian book cabinet dates to the 19th century, the time of the British Raj. It likely is from Gujarat in North India and is constructed from teak wood. 
- [Anglo Indian Glazed Book Cabinet – Ca 1930](https://anneliesebate.co.uk/teak-glazed-book-cabinet/): This lovely Glazed book cabinet - custom made from Burmese Teakwood in the 1930's
- [Anglo Indian Linen Cabinet Made from Golden Teak – 19thC](https://anneliesebate.co.uk/a0727/): This Indian colonial linen cupboard was custom made for a wealthy merchant back in the 19th C.
- [Anglo Indian Linen Cabinet Made from Teak – 19thC](https://anneliesebate.co.uk/anglo-indian-linen-cabinet-made-from-teak-19thc/): This Indian colonial linen cupboard was custom made for a wealthy merchant back in the 19th century. It clearly shows western influences which were most likely from Portugal or England. Made from luxurious golden teak wood, the highest quality Indian teak wood.
- [Anglo Indian Rosewood Campaign Chest Of Drawers -19thC](https://anneliesebate.co.uk/anglo-indian-rosewood-campaign-chest-of-drawers/): This Anglo-Indian military chest of drawers was originally used by officers of the British Indian Army to carry their kit and personal possessions whilst on tour. As they had to withstand a lot of punishment in transit, they were exceptionally well made.
- [Anglo Indian Rosewood Writing Slope – 19thC](https://anneliesebate.co.uk/anglo-indian-rosewood-writing-slope/): An early 19th century Anglo-Indian brass inlaid rosewood writing slope, with fitted interior in a Regency style. 
- [Anglo Indian Teak Campaign Chest Of Drawers – 19thC](https://anneliesebate.co.uk/anglo-indian-teak-campaign-chest-of-drawers/): This Anglo Indian campaign chest splits in two parts for easy transportation. Constructed from teak wood & classic of the style - although slightly unusual with the two smaller top drawers.
- [Anglo Indian Teak Campaign Chest Of Drawers – 19thC](https://anneliesebate.co.uk/anglo-indian-teak-campaign-chest-of-drawers-19thc/): This Anglo-Indian campaign chest is made from teak wood and is a classic of the style although slightly unusual with the two smaller top drawers. Made in India circa 1875 with brass handles flush to the wood and brass corners. This chest of drawers splits into two parts for easy transportation. 
- [Anglo-Indian Campaign Side Chest – 19th Century](https://anneliesebate.co.uk/antique-indian-campaign-side-chest/): This 19th century Anglo-Indian style campaign side chest is constructed from richly patinated teak and finished with its original brass strapwork and corner mounts. Compact, characterful and extremely practical, it was designed for mobility and durability—reflecting the traditions of British campaign furniture made for travel across the subcontinent.
- [Anglo-Indian Glazed Book Cabinet From Gujarat – 19th Century](https://anneliesebate.co.uk/teak-glazed-book-cabinet-1/): This colonial Anglo-Indian book cabinet dates to the 19th century, the time of the British Raj. This is a fine example of the style with a glass fronting and bun feet. 
- [Anglo-Indian Pen Box from Rajasthan – 19thC](https://anneliesebate.co.uk/anglo-indian-pen-box-from-rajasthan-19thc/): A beautifully patinated antique teak pen box with original corners & fittings from Rajasthan. Dating from the 19th century this style is a fusion of East & West and a product of the British presence in India.Perfect as a luxurious desk tidy or for protecting your favourite jewelry.
- [Antique 3 Drawer Bleached Wood Console Table](https://anneliesebate.co.uk/antique-chinese-3-drawer-elm-console-table-c2538/): Constructed from elm and featuring three drawers, this Ming Style Chinese console table hails from Shanxi province in Northern China. Dating back to the early 1900's, the wood has developed a bleached appearance over time.
- [Antique 7 Drawer Console Table – 19th Century](https://anneliesebate.co.uk/antique-chinese-7-drawer-elm-console-table-c2465/): This elegant elm console table hails from Shanxi Province, northern China, and beautifully showcases the refinement of Qing dynasty craftsmanship. Crafted from northern Chinese elm (yumu 榆木), its deep, characterful patina has developed naturally over decades, offering a warm, textured finish that speaks to its storied past. Originally it had just two drawers (top left and right), the others were fixed panels, now customised into drawers. 
- [Antique Anglo Indian Bone Inlay Dresser – 19thC](https://anneliesebate.co.uk/a2995/): This Anglo Indian Teak China Cabinet is an antique piece which has more recently been decorated with the most beautiful intricate bone inlay - from Gujarat - 19thC From India 112 x 46 x 190 cm
- [Antique Black Lacquer Wedding Cabinet from Shanxi  – 19thC](https://anneliesebate.co.uk/c9997/): Elm Cabinet With Original Black Lacquer from Shanxi Province - 19thC Lacquer cabinets were often given as wedding gifts - usually in pairs. The lacquer is a resin made from the sap of the Rhus verniciflua tree. Lacquer has a long history in Chinese furniture and has been used for over 2000 years. Our antique lacquer cabinets come mostly from Shanxi & Gansu Provinces. The wood used in these cabinets is mostly elm. Other colours such as green, blue, yellow and pink were not used and are only found in modern reproductions.
- [Antique Black Lacquer Wedding Cabinet From Shanxi – 19thC](https://anneliesebate.co.uk/pair-black-lacquer-wedding-cabinets-1/): One of a pair of 200 year old black lacquer wedding cabinets from Shanxi province. The other cabinet can be found HERE.
- [Antique Black Lacquer Wedding Cabinet From Shanxi – 19thC](https://anneliesebate.co.uk/pair-black-lacquer-wedding-cabinets-2/): One of a pair of 200 year old black lacquer wedding cabinets from Shanxi province. The other cabinet can be found HERE.
- [Antique Black Lacquer Wedding Cabinet From Shanxi – 19thC](https://anneliesebate.co.uk/antique-chinese-black-lacquer-wedding-cabinet/): This antique Chinese black lacquer wedding cabinet is decorated with flowers and cranes. 
- [Antique Bone Inlay Sideboard – Ca 1920](https://anneliesebate.co.uk/a5652/): This Sideboard is an antique piece with later intricate bone inlay work in traditional style. A perfect piece of furniture for a dining room. Two very useful drawers and a shelf inside the cupboard. Circa 1920 From India 126 x 51 x 85 (wxdxh cms)
- [Antique Elm Kitchen Table – 19th Century](https://anneliesebate.co.uk/c0896/): This exceptionally nice elm dining table has its top crafted from a single piece of elm. A double gourd patch adds unique character to this already beautifully patinaed piece. Perfect in a smaller kitchen or dining area.
- [Antique Chinese Altar Table – 19th Century](https://anneliesebate.co.uk/antique-chinese-altar-table-c0191/): This exquisite 19th-century lacquer altar table from Fujian is a masterwork of southern Chinese craftsmanship. The richly layered red and black lacquer is intricately decorated with hand-painted gilt panels depicting scenes of courtly life, ceremony, and reverence-each vignette reflecting the cultural sophistication of Qing dynasty artisans. The table's sculptural apron and cabriole legs are carved in dynamic scrollwork, then highlighted with delicate floral giltwork that enhances its dramatic presence. This piece comes with two drawers for storage which were originally fixed panels. 
- [Antique Indian Brass Bound Military Chest – 19th Century](https://anneliesebate.co.uk/indian-brass-bound-military-chest-a03396/): This fine small Anglo-Indian military chest dates to the 19th century and is a beautifully compact example of colonial campaign furniture. Made from solid teak, it retains its original brass banding, corner mounts and side carrying handles, all designed for strength and durability during travel. The surface has developed a warm patina from years of use, highlighting the quality of the timber and craftsmanship.
- [Antique Gujarati Takhat Coffee Table – 19th Century](https://anneliesebate.co.uk/small-takhat-table-from-gujarat-19th-century/): This bijou-sized antique Indian coffee table is known locally as a takhat, a form traditionally used as a daybed by the wealthy merchant classes of western India. Dating to the 19th century and originating from Gujarat, this particular example would have belonged to a child, making it an unusually small and increasingly rare survival.
- [Antique Indian Brass Temple Bell- Late 19th Century](https://anneliesebate.co.uk/old-indian-brass-puja-bell/): This antique brass puja bell dates to the 19th century and would have been used during Hindu worship in homes and temples across India. Traditionally rung at the beginning and conclusion of prayers, the resonant tone of the bell is believed to purify the surrounding space and focus the mind during devotional practice.
- [Antique Indian Ganga Jamuna Panchpatra (Holy Water Vessel) – 19thC](https://anneliesebate.co.uk/antique-indian-panchpatra-gangajumna/): Panchpatra are holy water vessels used in puja ceremonies and ones like this are now rare to find. Ganga Jumna refers to the mixture of two metals used - copper & brass. This symbolises the confluence of the river Ganges and river Jamuna.  From India
- [Antique Indian Painted Teak Processional Horse – 19th Century](https://anneliesebate.co.uk/antique-indian-painted-wooden-horses-a02241v1/): This exquisitely carved teak wood Indian processional horse once served a ceremonial role in a temple or festival procession. Retaining its original polychrome finish, the horse reflects the bold, symbolic colour schemes of 19th-century Indian folk art€”most notably red, yellow, and black accents that signal divine or protective significance.
- [Antique Kerala Nettoor Petti (Malabar Wedding Box), India, 19th Century](https://anneliesebate.co.uk/painted-malabar-betel-nut-box/): Handcrafted in Kerala during the 19th century, this striking Nettoor Petti, also known as a Malabar Box, is a fine example of traditional South Indian craftsmanship. Carved from jackfruit wood and richly decorated with hand-painted geometric and scrolling motifs, the box is enhanced by elaborate hand-forged iron mounts and locking hardware. Its distinctive pitched-roof form echoes the architecture of traditional Kerala houses, symbolising the bride's future home and making these boxes an important part of wedding and dowry traditions.
- [Antique Painted Indian Chest from Bikaner – 19thC](https://anneliesebate.co.uk/black-painted-bikaner-chest/): Chest from Bikaner with original Paint - 19thC Chests and boxes from India are found in an extraordinary variety of styles reflecting the many cultures that influenced India. They were usually made from Teak, rosewood or jackfruit wood. They were used for storing valuables such as textiles, jewellery and cash. Our pieces are mostly from the 19th century & occasionally 18th and early 20th century. From India 77 x 53 x 57 (w x d x h cms)
- [Antique Painted Tibetan Altar Cabinet – 19thC](https://anneliesebate.co.uk/c0953/): These cabinets are constructed from cedar or pine and decorated in the traditional Tibetan colours. They were often used as family altars & were used to store religious scrolls, silk ceremonial clothes, family jewellery and yak butter used in lamps. Original antique Tibetan cabinets are now very rare and there are many reproduction pieces made in China coming onto the market. From China 98 x 36 x 95 (wxdxh cms)
- [Antique Painted Tibetan Choksar – 18thC](https://anneliesebate.co.uk/antique-painted-tibetan-choksar-1/): Choksar From Tibet with Original Painting - 18thC
- [Antique Painted Tibetan Choksar – 19th Century](https://anneliesebate.co.uk/antique-painted-tibetan-choksar-19thc/): Tibetan furniture is mostly constructed from cedar or pine and painted in traditional Tibetan colours, they are often decorated with floral or tantric designs. Choksars are used in front of the family altar as table to read and recite from the long prayer books. Normally a monk would do this on a regular basis for the family. Original antique Tibetan cabinets and Choksars are now quite rare and there are many reproduction pieces made in China coming into the market. In our modern western world they make a lovely small coffee table.
- [Antique Painted Tibetan Choksar – 19thC](https://anneliesebate.co.uk/painted-choksar-from-tibet/): Choksar From Tibet with Original Painting - 19thC
- [Antique Painted Tibetan Choksar – 19thC](https://anneliesebate.co.uk/antique-painted-tibetan-choksar/): Choksar From Tibet with Original Painting - 19thC
- [Antique Red Lacquer Wedding Cabinet from China – 19thC](https://anneliesebate.co.uk/c1060/): An Exceptionally good quality Chinese Wedding Cabinet from Shanxi with a beautiful painted scene of idyllic home life and a glorious Dragon boat.Lacquer cabinets were often given as wedding gifts - usually in pairs, better quality cabinets were made from Elm.Lacquer has a long history in Chinese furniture and has been used for over 2000 years.It's is a resin made from the sap of the Rhus verniciflua tree, red is the most commonly used colour, black is much less common. Chinese wedding cabinets are usually decorated with gold leaf or coloured lacquer, but original pieces were not usually decorated on the sides. Sadly during the cultural revolution some beautiful furniture suffered with peoples faces purposely rubbed out.Colours, such as green, blue, yellow and pink are only found in modern reproductions From China 120 x 57 x 181 (wxdxh cms)
- [Antique Takhat Table From Shekhawati – 19th Century](https://anneliesebate.co.uk/carved-acacia-wood-takhat-table-from-rajasthan-19thc-1/): Crafted from roheda wood, a type of teak and the official wood of Rajasthan, this exquisite takhat table is a 19th century piece originating from Shekhawati and used by the wealthy merchant classes as a daybed. Its elegant design and history make it a stunning addition to any living room, conservatory, or summer house as a rustic centerpiece.
- [Antique Tibetan Coral Bead Necklace](https://anneliesebate.co.uk/a8015/): Old Bead Necklace from Tibetan Coral. weight 44 grams From Tibet length 61 cm
- [Antique Tibetan Teapot – 19th Century](https://anneliesebate.co.uk/tibetan-wood-brass-teapot/): This beautiful antique Tibetan butter teapot is made from brass & blackened wood. These teapots are most often from North East Tibet. They were traditionally used to serve yak butter tea. Teapots such as this one are now rare to find outside of museums. 
- [Antiqued Silver & Gold Christmas Baubles](https://anneliesebate.co.uk/round-white-gold-edge-decoration-harlequin-design-large/): Add a touch of elegance to your holiday decor with our beautiful shimmering white & gold Christmas Baubles. Made with high-quality materials, each bauble is crafted to perfection. If you are searching for an alternative look to a a traditional green tree this year, these are a great solution. With a luxurious honeycomb design, this has a shimmering white base with gold highlighting.
- [Apothecary Chest From Hebei Province – 19thC](https://anneliesebate.co.uk/old-apothecary-chest-from-hebei-province-19thc/): Chinese traditional medicine was stored in this fabulous Apothecary Chest, it still has most of the original painted drawer labels naming the various natural minerals and herbs that were mixed by the practitioner for each patient. Constructed from pine & Elm all of the 44 small drawers have 3 individual compartments inside.
- [Aqua Green Hand Painted Indian Mirror](https://anneliesebate.co.uk/aqua-hand-painted-indian-mirror/): This hand painted Indian mirror is decorated in a sumptuous Rajasthani aqua color and is a luxurious addition to any home. Crafted from wood and thoughtfully designed to add an elegant touch to your space, this mirror blends traditional Rajasthani and Mughal designs. Elevate the décor of your living room or bathroom with this exclusive mirror. 
- [Aqua Painted Teak Glazed Wall Cabinet – Ca 1930](https://anneliesebate.co.uk/vintage-aqua-painted-glazed-wall-cabinet/): An elegant solution for storing your collectibles, this teak wall cabinet is almost 100 years old. With a simple shelf and glass panel, it's great for a kitchen or bathroom.This one has the added bonus of a drawer.
- [Aquamarine Bandhani Silk Scarf from Rajasthan](https://anneliesebate.co.uk/bandhani-silk-scarf-aqua/): These wonderful Bandhani scarves come from Rajasthan. The art of Bandhani is highly skilled. The technique involves dyeing a fabric which is tied tightly with a thread at several points and involves several processes. A variety of patterns like Leheriya, Mothra, Ekdali and Shikari are produced depending on the manner in which the cloth is tied. From India
- [Archipelago Luna Apothecary Jar Candle – 60 Hours](https://anneliesebate.co.uk/archipelago-luna-apothecary-jar-candle-60-hrs-burn-time/): Archipelago Luna Apothecary Jar Candle (60hrs burning time)
- [Archipelago Luna Pillar Candle – 90 Hours](https://anneliesebate.co.uk/archipelago-pillar-candle-90-hours/): These are very intoxicating but sophisticated fragranced candles.
- [Archipelago Luna Votive Candle – 12 Hours Burn Time](https://anneliesebate.co.uk/archipelago-votive-candle-12-hrs/): These sweet votive candles fill a room with their sophisticated fragrance, a blend of lemon verbena, lavender and thyme. 
- [Archipelago Madagascar Apothecary Jar Candle – 60 Hours](https://anneliesebate.co.uk/archipelago-madagascar-jar-candle/): These are very intoxicating but sophisticated fragranced candles.
- [Archipelago Pillar Candle – 125 Hours](https://anneliesebate.co.uk/archipelago-pillar-candle-125-hours/): These are very intoxicating but sophisticated fragranced candles.
- [Archipelago Stonehenge Apothecary Jar Candle – 60 Hours](https://anneliesebate.co.uk/archipelago-stonehenge-apothecary-jar-candle-60hrs-burn-time/): These are very intoxicating but sophisticated fragranced candles.
- [Art Deco Mirror Made From Old Peranakan Ceramic Tiles](https://anneliesebate.co.uk/mirror-made-from-old-japanese-tiles-1/): These colourful mirrors are crafted from original Peranakan ceramic tiles dating from the 1920s, set into a bold, art deco-inspired frame. The tiles themselves were made in Japan, influenced by European majolica designs, and shipped to Singapore where they became hugely popular in Peranakan homes. Their vibrant fragments of patterns, colours and glazed surfaces capture the eclectic blend of East and West that defined Peranakan decorative style.
- [Art Deco Mirror Made From Old Peranakan Ceramic Tiles](https://anneliesebate.co.uk/perenakan-ceramic-majolica-tile-mirror/): This beautifully carved teak capital from Gujarat dates to the late 19th century and has been thoughtfully converted into a distinctive candlestand. Originally part of an architectural column, the piece features a finely sculpted figure dressed in traditional Indian attire, complete with a moustache and stylised detailing that reflects the craftsmanship of the region.
- [Art Deco Style Wall Lamp – Glass And Chrome](https://anneliesebate.co.uk/art-deco-style-wall-lamp-glass-and-chrome-unwired/): An Art Deco Style Wall Lamp - Glass and Chrome. A very nice quality reproduction. Supplied unwired.
- [Asmat Ceremonial Shield from New Guinea – Ca 85 yrs old](https://anneliesebate.co.uk/asmat-ceremonial-shield-from-new-guinea-ca-65-yrs-old/): Asmat shields were created as functional items for warfare, and were meant to protect the user from the spears and arrows of his enemy. At the same time, the imagery that is carved and painted on the surface of the shield endows the piece with the power of the ancestors. Wood carving is a flourishing tradition among the Asmat, and wood carvers are held in high esteem. The culture hero Fumeripits is considered to be the very first wood carver, and all subsequent wood carvers have an obligation to continue his work.
- [Aubergine Leather Trunk From Shanghai – Ca 1920](https://anneliesebate.co.uk/aubergine-leather-trunk-shanghai/): Chinese Leather Trunks have been used for many hundreds of years with the classic style changing very little. Made for travelling and storage of clothing they are robust work well in a contemporary western space as a coffee table, or for storage. Chinese leather trunks come in 4 colours; black, red, cream & aubergine.
- [Aubergine Leather Trunk from Shanghai – Circa 1920](https://anneliesebate.co.uk/aubergine-leather-trunk-1/): Leather Trunks have been used for many hundreds of years in China with the classic style changing very little. Made for travelling and storage of clothing they are robust and work well in a contemporary western space as a coffee table, or for storage.Chinese leather trunks come in 4 colours; black, red, cream & aubergine.
- [Aubergine Leather Trunk From Shanghai – Early 19thC](https://anneliesebate.co.uk/aubergine-leather-trunk/): This is an excellent Qing dynasty Chinese leather trunk. The brasswork on this trunk its excellent and early dating this piece to the early 19th century. The leather hinge has long since corroded and been replaced with hinges as is inevitable on older chests such as this one. 
- [Aubergine Leather Trunk from Shanghai – Circa 1920](https://anneliesebate.co.uk/aubergine-leather-trunk-from-shanghai-circa-1920/): Leather Trunks have been used for many hundreds of years in China with the classic style changing very little. Made for travelling and storage of clothing they are robust and work well in a contemporary western space as a coffee table, or for storage.Chinese leather trunks come in 4 colours; black, red, cream & aubergine.
- [Aubergine Leather Trunks From Jiangxi – 19th Century](https://anneliesebate.co.uk/set-of-aubergine-leather-trunks/): These three Chinese leather-covered trunks were originally made for the storage and transport of clothing and valuables, travelling through merchant networks that linked Jiangxi workshops with the commercial districts of Guangzhou. One trunk (medium) retains its original brass hardware and is stamped with a merchant stamp; Gong He Tai. The stamp reads: “Our old shop is located on Yang Street in Jiangxi, facing south, distributing goods. Gong He Tai shop; Guangzhou City, Daxin Street, Chen Zhan General Goods Shop, No. 4, Bao Goods / Precious Goods”. They were a established supplier which helps confirm their late Qing to early Republican date and southern Chinese origin. The small box has an added red label with blessings; 源源 (“continually, in an unending stream”) & 生余 (“produce surplus”, “generate plenty”). 
- [Baiga Tribal Panel From Chhattisgarh – 19th Century](https://anneliesebate.co.uk/antique-terai-tribal-panel/): This hand-carved panel originated in Central India, Chhattisgarh and is from the Baiga tribe. These local communities have a deep connection to nature, which is reflected in their artworks. This panel 
- [Bajot Low Prayer Table From Rajasthan – 19th Century](https://anneliesebate.co.uk/bajot-low-prayer-table-from-rajasthan-19thc/): An original painted teak prayer table from Rajasthan with turned lacquered legs. Dating from the middle to late 19th century, these type of low Indian prayer table were known as Bajots and are found in many styles around India.
- [Bajot Low Prayer Table From Rajasthan – 19th Century](https://anneliesebate.co.uk/bajot-low-prayer-table-from-rajasthan-19thc-1/): An original painted teak prayer table from Rajasthan with turned lacquered legs. Dating from the middle to late 19th century, these type of low Indian prayer table were known as Bajots and are found in many styles around India.
- [Bajot Low Table From Shekhawati – 19th Century](https://anneliesebate.co.uk/bajot-low-prayer-table/): This antique Indian bajot low table is a lovely little example of the style dating to the 19th century. It is from Shekhawati in Rajasthan and would have been multifunctional, used for day to day dining and also for displaying leisure paraphernalia such as opium or writing equipment. It is made from roheda wood. 
- [Balcony Bracket On Stand From Gujarat – 19th Century](https://anneliesebate.co.uk/antique-indian-attendant-balcony-bracket-on-stand/): This 19th-century carved teak balcony bracket from Gujarat depicts a serene attendant figure framed by bold scrolling foliage. Once part of an architectural façade—likely from a haveli or merchant house—the bracket demonstrates the deep, sculptural carving characteristic of Gujarati craftsmanship. The figure stands with hands respectfully clasped, wearing the stylised dress and headdress typical of regional folk depictions.
- [Bajot Low Teak Prayer Table From Gujarat – 19th Century](https://anneliesebate.co.uk/bajot-low-teak-prayer-table-from-gujarat/): This original red lacquered Indian low table is made from solid teak wood and has traditional red lacquer turned legs. This table is from Gujarat and dates from the 19th century, these type of low Indian prayer table were known as bajots and are found in many styles around India.
- [Baltic Amber Bead Necklace with Silver clasp](https://anneliesebate.co.uk/a1834/): Baltic Amber Bead Necklace with Silver clasp. weight 46 grams From India
- [Baltic Amber Bead Necklace with Silver clasp](https://anneliesebate.co.uk/a1835/): Baltic Amber Bead Necklace with Silver clasp. weight 77 grams From India
- [Baltic Amber Chunky Bead Necklace with silver clasp](https://anneliesebate.co.uk/a1836/): This baltic amber necklace is vibrant and powerful. The stunning colours make you stand out from a distance. 
- [Baltic Amber Necklace](https://anneliesebate.co.uk/a1837/): Baltic Amber Necklace
- [Bambara Ci Wara Antelope Headdress – Early 20thC](https://anneliesebate.co.uk/bambara-antelope-headdress-chiwara-ca-1950s/): This beautifully carved headdress represents the Ci Wara, the male antelope mythical being of the Bambara (or Bamana) people of Mali. Ci Wara was half-mortal and half animal and it is the belief that it was Ci Wara who first taught humans to cultivate and farm the lands around them. As humanity became more wasteful, legend has it that Ci Wara buried himself in earth. In memory of him, Bambara carve these headdresses which are power objects called boli for Ci Wara to reside within. These headdresses were used in dancing ceremonies by the Bambara people to celebrate the efforts of their farmers. The headdress is strapped under the chin and dancers lean over and touch the horns to the ground to pass the spirit of Ci Wara into the soil to induce a rich harvest. Performances feature a pair of headdresses, male and female and each headdress demonstrates a beautiful juxtaposition balancing positive and negative space.
- [Bamboo Calligraphy Brush – Water Mouse Hair](https://anneliesebate.co.uk/bamboo-calligraphy-brush-water-mouse-hair/): A brush used for Chinese calligraphy made from water mouse hair
- [Bastar Brass Elephant From Chhattisgarh – 19th Century](https://anneliesebate.co.uk/bastar-danteshwari-on-an-elephant-from-chhattisgarh-a03126/): This beautiful Indian bronze elephant figure is mounted with a howdah (an elephant carriage). Inside the howdah is a figure on a swing, a later 20th century addition. The main statue dates to the 19th century and is has the clear hallmarks of the Bastar tribal style.
- [Bastar Danteshwari on an Elephant From Chhattisgarh – 19thC](https://anneliesebate.co.uk/brass-dhokra-work-jali-elephant-riders-from-orissa/): This beautiful Indian bronze elephant figure is mounted with a howdah (an elephant carriage). Inside the howdah is the goddess Danteshwarim whilst the elephant is controlled by a mahout (elephant keeper). Dating to the 19th century and crafted in the Bastar tribal style. Danteshwari is a common form of the mother goddess and the primary deity of the royal house of the state of Bastar in Chhattisgarh. 
- [Bastar Danteshwari on an Elephant From Chhattisgarh – Ca 1910](https://anneliesebate.co.uk/brass-dhokra-work-elephant/): This beautiful Indian bronze elephant figure is mounted with a howdah (an elephant carriage). Inside the howdah is the goddess Danteshwari whilst the elephant is controlled by a mahout (elephant keeper). Dating to the 19th century and crafted in the Bastar tribal style. Danteshwari is a common form of the mother goddess and the primary deity of the royal house of the state of Bastar in Chhattisgarh. 
- [Bastar Goddess Figure From Chhattisgarh – Ca 1900](https://anneliesebate.co.uk/bastar-dhokra-figure-of-mitki/): This Indian cast brass dhokra figure is almost certainly Mitki and is from the Bastar tribes of Chhattisgarh. Dating to the early 20th century, Mitki is seen here carrying a basket on her shoulder with a digging stick in her right hand. 
- [Bastar Goddess Figure From Chhattisgarh – Ca 1960](https://anneliesebate.co.uk/bastar-dhokra-figure/): This Indian cast brass dhokra figure is almost certainly a mother goddess from the Bastar tribes of Chhattisgarh. Dating to the mid 20th century, the figure has a vadhi (the halo-like arch over their head) denoting their divine status as a god.
- [Bastar Toran – 1940](https://anneliesebate.co.uk/old-bastar-standing-toran/): Evocative and finely crafted, this Bastar toran dates to the mid 20th century and is a striking example of tribal ironwork from central India. Traditionally made as decorative and talismanic objects, torans were believed to bring protection and auspiciousness to the home. This example retains that ceremonial presence, with a strong vertical format that can be displayed either wall-mounted or leaning against a wall as a sculptural screen.
- [Bastar Tribal Iron Toran – Ca 1940s](https://anneliesebate.co.uk/antique-indian-standing-bastar-tribal-iron-toran/): This mid-20th century Bastar toran from central India reads less as a single object and more as a series of unfolding scenes, captured in iron. Traditionally made as protective and auspicious hangings, torans were placed across entrances to mark a threshold, both decorative and symbolic. Here, that language has been extended into a freestanding form, allowing it to function as a sculptural screen.
- [Bath Robe- 100% Cotton – Assorted Designs](https://anneliesebate.co.uk/bath-robe-100-cotton-various/): This very useful Unisex Bath Robe is made from 100% Cotton - This Floral design cotton was traditionally used inside Chinese leather trunks in the 1920s - hence the name Shanghai Red or Blue. Please be aware that the colours may run - Wash separately in Cold Water. One Size fits all to Size UK 14 Made in India From India
- [Bath Robe- Unisex – 100% Cotton – Gold Floral Design](https://anneliesebate.co.uk/bath-robe-unisex-100-cotton-gold-floral-design/): The perfect gift for a traveller.This very useful Unisex Bath Robe is made from 100% Hand Block Printed Cotton - Gold Floral on White backgroundOne Size fits all to Size UK 14Machine wash at 30C - Wash Dark colours seperately 
- [Beautifully Painted Jain Figure From Bikaner – 19thC](https://anneliesebate.co.uk/a5704/): This is a real collectors piece. Beautifully carved and very finely painted wooden figure of a performer who has such a quizzical look on his face - Circa.1890 From Bikaner with original paint From India 7.5 x 9.5 x 30 (wxdxh cms)
- [Bedside Cabinet Made From Reclaimed Carved Teak](https://anneliesebate.co.uk/bedside-cabinet-made-from-reclaimed-carved-teak/): This cabinet is not an antique, however it is made from a reclaimed carved teak door & reclaimed teak which has been salvaged from old buildings in Rajasthan and Gujarat. It is decorative, extremely durable and environmentally friendly.
- [Bedside 4 Drawer Chest Made From Reclaimed Teak](https://anneliesebate.co.uk/4-drawer-bedside-cabinet-made-from-reclaimed-teak-1/): This decorative chest of four drawers is handcrafted from reclaimed teak salvaged from old buildings in Rajasthan and Gujarat. Although not an antique, the timber carries the character of age, with traces of old paint, soft tonal variation and a gently weathered surface that give the piece depth and authenticity.
- [Bedside Cabinet Made From Reclaimed Carved Teak](https://anneliesebate.co.uk/teak-bedside-cabinet/): This cabinet is not an antique, however, it is made from reclaimed carved teak panels & reclaimed teak which has been salvaged from old buildings in Rajasthan and Gujarat. It is decorative, extremely durable and environmentally friendly.
- [Bedside Cabinet Made From Reclaimed Carved Teak](https://anneliesebate.co.uk/carved-teak-bedside-cabinet/): This cabinet is not an antique, however, it is made from reclaimed carved teak panels & reclaimed teak which have been salvaged from old buildings in Rajasthan and Gujarat. It is decorative, extremely durable and environmentally friendly.
- [Bedside Cabinet Made From Reclaimed Carved Teak](https://anneliesebate.co.uk/bedside-cabinet-made-from-reclaimed-carved-teak-a03058/): This Indian bedside cabinet is made from reclaimed carved teak panels & reclaimed teak which has been salvaged from old buildings in Rajasthan and Gujarat. It is decorative, extremely durable and environmentally friendly.
- [Bedside Cabinet Made From Reclaimed Teak](https://anneliesebate.co.uk/bedside-cabinet-reclaimed-teak-panels/): These charming and practical bedside cabinets are made using reclaimed wood, which is salvaged from old buildings in Rajasthan and Gujarat. It is decorative, extremely durable and environmentally friendly. Please note there are two options depending on which side of the bed you want the cabinet door to open. 
- [Bedside Cabinet Made From Reclaimed Teak](https://anneliesebate.co.uk/bedside-cabinet-made-from-reclaimed-teak/): This cabinet is not an antique, however it is made from a reclaimed carved teak door & reclaimed teak which has been salvaged from old buildings in Rajasthan and Gujarat. It is decorative, extremely durable and environmentally friendly.
- [Bedside Cabinet Made From Reclaimed Teak](https://anneliesebate.co.uk/bedside-cabinet-made-from-reclaimed-teak-1/): This cabinet is not an antique, however it is made from a reclaimed carved teak door & reclaimed teak which has been salvaged from old buildings in Rajasthan and Gujarat. It is decorative, extremely durable and environmentally friendly. From India
- [Bedside Cabinet Made From Reclaimed Teak](https://anneliesebate.co.uk/bedside-cabinet-made-from-reclaimed-teak-2/): This cabinet is not an antique, however it is made from a reclaimed carved teak door & reclaimed teak which has been salvaged from old buildings in Rajasthan and Gujarat. It is decorative, extremely durable and environmentally friendly. From India
- [Bedside Cabinet Made From Reclaimed Teak](https://anneliesebate.co.uk/reclaimed-bedside-cabinet/): These reclaimed Indian cabinets are not antique, however, they are made from reclaimed teak panels & reclaimed teak which have been salvaged from old buildings in Rajasthan and Gujarat.
- [Bedside Cabinet Made From Reclaimed Teak](https://anneliesebate.co.uk/bedside-cabinet-made-from-reclaimed-teak-3/): These reclaimed Indian cabinets are not antique, however, they are made from reclaimed teak panels & reclaimed teak which have been salvaged from old buildings in Rajasthan and Gujarat.
- [Bedside Cabinet Made From Reclaimed Teak](https://anneliesebate.co.uk/teak-bedside-cabinet-1/): This charming small cabinet is crafted from reclaimed teak salvaged from old buildings in Rajasthan and Gujarat, giving it a wonderfully weathered character and a rich sense of history, despite not being an antique. The varied tones of the reclaimed wood, softened by age and exposure, create a beautifully textured surface, while the geometric patterning to the drawer fronts adds visual depth and artisanal interest. Each piece of timber bears traces of its former life, making every cabinet subtly unique.
- [Bedside Cabinet Made From Reclaimed Teak](https://anneliesebate.co.uk/reclaimed-teak-bedside-cabinet/): This charming Indian bedside cabinet has been crafted using reclaimed carved teak panels and salvaged teak wood sourced from old buildings in Rajasthan and Gujarat. Though not an antique, it retains a wonderfully aged, timeworn character, celebrating the natural texture and patina of old timber. The door is decorated with traditional carved detailing, while the interior features a practical fitted shelf, perfect for storage beside a bed or in a living space.
- [Bedside Cabinet Made From Reclaimed Teak](https://anneliesebate.co.uk/reclaimed-bedside-cabinet-1/): This decorative cabinet is handcrafted from reclaimed teak and features beautifully carved antique-style panels set within a solid reclaimed teak frame. Although not an antique, the materials themselves have been salvaged from old buildings in Rajasthan and Gujarat, giving the piece genuine character and depth. The timber displays a softly weathered surface with traces of old paint and natural tonal variation, reflecting its previous life.
- [Bedside Cabinet With Drawer Made From Bleached Elm](https://anneliesebate.co.uk/bedside-cabinet-with-drawer/): These lovely sturdy bleached elm bedside tables add a subtle hint of Chinese charm and craftsmanship to any room.  The drawer and shelf give plenty of storage and versatility to the piece, they may be bedside tables but they can be used throughout a house.
- [Bedside Cabinets Made From Reclaimed Teak](https://anneliesebate.co.uk/teak-indian-bedside-cabinet/): Our reclaimed wood bedside tables are made from materials that were salvaged from old buildings in Rajasthan and Gujarat. They are decorative, extremely durable and environmentally friendly.
- [Bedside Cabinets Made From Reclaimed Teak](https://anneliesebate.co.uk/bedside-cabinet-made-from-reclaimed-teak-4/): These characterful Indian bedside cabinets are crafted from reclaimed teak panels and salvaged timber sourced from old buildings in Rajasthan and Gujarat. While not antique, they carry the charm and authenticity of aged materials, with layers of worn paint and natural patina giving each piece a unique, time-softened appearance.
- [Benin Carved Dogon Door From Mali -19thC](https://anneliesebate.co.uk/benin-carved-dogon-door-from-mali/): A West African carved hardwood grain store door with stylised animals and geometric Benin style carving from the Dogon Tribe.It is decorated with carvings of masked figures, animals and tribal patterns. The Dogon tribe inhabit the Mali region on the west African central plain. They are famed for their wood carvings, especially masks, sculpture and architectural carvings.
- [Betel Leaf Design Jacquard Merino Wool Shawl](https://anneliesebate.co.uk/betel-leaf-rainbow-jacquard-merino-wool-shawl/): Our hand embroidered multi coloured red betel leaf rainbow scarf is reversible with flowing designs which will match all of your outfits this season.
- [Bikaner Painted Window Shutters – 19th Century](https://anneliesebate.co.uk/antique-indian-bikaner-painted-window-shutters/): These richly painted antique window shutters come from Bikaner, Rajasthan, a historic desert city renowned for its beautifully decorated havelis (merchant houses) and distinctive painted interiors. The six recessed panels are hand painted with stylised floral motifs in warm shades of red, ochre and black, their softly worn surface bearing the character and patina of more than a century of use.
- [Bidriware Hookah Base from India – 19th Century](https://anneliesebate.co.uk/bidri-work-hookah-base-from-india/): Expertly crafted with intricate Bidriware design, this 19th century Hookah (or huqqa ) base from Hyderabad, south India is a stunning addition to any collection. Made with a unique metal alloy known for its durability and elegance, this base showcases the rich cultural heritage and skilled craftsmanship of India.
- [Bidri Work Mughal Fish Box From Lucknow – 19th Century](https://anneliesebate.co.uk/bidri-work-mughal-fish-box/): This characterful Indian metal Bidri ware fish box is of Mughal design and dates to the 19th century. 
- [Black & Red Lacquer Book Cabinet from China – 19th Century](https://anneliesebate.co.uk/red-black-lacquer-book-cabinet-from-shanxi/): Lacquer Book Cabinet - 19thC From Shanxi This is an early 19thC piece with original lacquer work From China
- [Black & Cream Japanese Bath Robe – Unisex – 100% Cotton](https://anneliesebate.co.uk/a5766/): The perfect gift for a traveller. The Moire pattern on this dynamic robe is inspired by Japanese designs of the 1930s.
- [Black & Gold Painted Tibetan Altar Cabinet – 19th Century](https://anneliesebate.co.uk/gilt-black-painted-tibetan-altar-cabinet/): This antique Tibetan altar cabinet is painted and decorated with traditional scholarly objects associated with wisdom. The four panels include double happiness symbols, vases and scholarly stones on the top panels and mythical creatures bincluding phoenixes and guardian lions along the smaller lower panels.
- [Black 3 Drawer Kneehole Desk From Shanxi – 19th Century](https://anneliesebate.co.uk/black-chinese-kneehole-desk-c2432/): This small and practical Chinese kneehole desk is a wonderful example of late Qing craftsmanship, and would work brilliantly in a hallway, home office, or smaller room. Crafted from northern Chinese elm (yumu 榆木), it features a black lacquer finish that originates from Shanxi province - an area known for its coal mining heritage. Historically, local coal was mixed with lacquer to achieve this rich, dark surface. Over the past 140 years, the lacquer on the tabletop has worn naturally through continual use, leaving behind a beautifully tactile patina that reflects its history.
- [Black Glaze Wine Jar From Hebei – 19th Century](https://anneliesebate.co.uk/black-glaze-wine-jar-from-hebei/): This black glazed stoneware storage jar from 19th century Hebei province in China would have been used for the storage of liquids such as wine, vinegar, and oils. This large jar has a black dribble glaze with iridescent hints of a brown overglaze and would look best displayed as a decorative jar.
- [Black Glazed Chinese Ginger Jar](https://anneliesebate.co.uk/black-glazed-stoneware-storage-jar/): This beautiful piece is a modern black glazed Ginger Jar. Ginger Jars are steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD.
- [Black Glazed Stoneware Cizhou Wine Jar From Hebei – 19th Century](https://anneliesebate.co.uk/black-glazed-stoneware-cizhou-wine-jar/): This beautiful, sleek vessel was used for the storage of liquids and foods such as wine, vinegar, oils and eggs. 
- [Black Glazed Chinese Ginger Jar](https://anneliesebate.co.uk/black-glazed-stoneware-ginger-jar/): This beautiful piece is a modern black glazed Ginger Jar. Ginger Jars are steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD.
- [Black Glazed Stoneware Jar – Cizhou](https://anneliesebate.co.uk/black-glazed-flower-vase/): This beautiful, sleek vase would be perfect for a contemporary minimalist home for holding a simple branch of blossom or dried flowers.
- [Black Glazed Stoneware Rice Storage Jar – 19th Century](https://anneliesebate.co.uk/black-glazed-stoneware-rice-storage-jar/): Chinese black glazed stoneware storage jars like these originate from Shanxi province and date to the late 19th century and early 20th century. They were used for storing rice wine, vinegar & oils. 
- [Black Glazed Stoneware Rice Storage Jar – 19th Century](https://anneliesebate.co.uk/black-glazed-stoneware-rice-storage-jar-1/): Chinese black glazed stoneware storage jars like these originate from Shanxi province and date to the late 19th century and early 20th century. They were used for storing rice wine, vinegar & oils. 
- [Black Glazed Stoneware Urn From Hebei – 19th Century](https://anneliesebate.co.uk/black-glazed-stoneware-urn/): This black glazed stoneware urn from 19th century Hebei province is a stunning piece of history. Although originally intended for storing grains and wine, it is now best suited as a large flower vase. 
- [Black Glazed Stoneware Vase – Cizhou](https://anneliesebate.co.uk/black-glazed-stoneware-vase-c2095v5/): This beautiful, sleek vase would be perfect for a contemporary minimalist home for holding a simple branch of blossom or dried flowers.
- [Black Glaze Chinese Storage Jar From Shanxi – 19th Century](https://anneliesebate.co.uk/chinese-storage-jar-with-black-glaze/): Chinese black glazed storage jars like these originate from Shanxi province and date to the late 19th century and early 20th century. They were used for storing rice wine, vinegar & oils. 
- [Black Glazed Stoneware Wine Jar From Hebei – 19th Century](https://anneliesebate.co.uk/c0263/): This large elegant black glazed stoneware storage jar is from 19th century Hebei province in China would have been used for the storage of liquids such as wine, vinegar, and oils. This large jar has a black dribble glaze with iridescent hints of a brown overglaze and would look best displayed as a large decorative jar. The glaze is applied as a drip glaze, hence the beautifully organic dribbles at the base. 
- [Black Glazed Stoneware Wine Jar From Hebei Province – 19th Century](https://anneliesebate.co.uk/black-glazed-stoneware-wine-jar-from-hebei-province/): This large elegant black glazed stoneware storage jar is from 19th century Hebei province in China would have been used for the storage of liquids such as wine, vinegar, and oils. This large jar has a black dribble glaze with iridescent hints of a brown overglaze and would look best displayed as a large decorative jar. 
- [Black Glazed Terracotta Storage Jar From Peking – 19th Century](https://anneliesebate.co.uk/black-glazed-terracotta-water-pot/): Chinese black glazed stoneware storage jars like these originate from Shanxi province and date to the late 19th century and early 20th century. They were used for storing rice wine, vinegar & oils. These we're utility items and show some signs of ware from frequent use.
- [Black Glazed Terracotta Water Pot From Peking – 19th Century](https://anneliesebate.co.uk/chinese-black-glaze-water-pot/): These water pots from Peking work perfectly in a range of garden styles. They can be used as water pots or planters. 
- [Black Glazed Wine Jar From Hebei – 19th Century](https://anneliesebate.co.uk/black-glazed-stoneware-cizhou-wine-jar-from-hebei/): This beautiful, sleek Chinese black glazed vase vessel was used for the storage of liquids and foods such as wine, vinegar, oils and eggs. Nowadays you could use it as a vase or planter for indoor plants. Handmade and hand glazed, the black glaze is iridescent and shimmers in the light. These jars were from Hebei and date to the 19th century. 
- [Black Glazed Stoneware Wine Jar From Hebei – 19th Century](https://anneliesebate.co.uk/black-glazed-stoneware-wine-jar-from-hebei-19thc/): This black-glazed Chinese stoneware wine jar from the 19th century in Hebei, China, was commonly used for storing liquids such as wine, vinegar, and oils. Its impressive size and distinctive black dribble glaze, with hints of iridescent brown overglaze, make it a striking decorative piece.
- [Black Glazed Wine Jar From Shanxi – 19th Century](https://anneliesebate.co.uk/black-glazed-stoneware-rice-storage-jar-2/): This small 19th-century Chinese wine jar originates from Shanxi Province in northern China. Made from stoneware, it has a rich black-brown glaze with subtle variations in colour created during firing.
- [Black Lacquer 3 Drawer Console Table – 19th Century](https://anneliesebate.co.uk/black-lacquer-3-drawer-console-table-c2464/): This cute bijou 19th-century console table comes from a farmhouse in Shanxi province and is crafted from northern elm wood (yumu 榆木). Still coated in its original black lacquer, the table retains a striking, time-worn patina that enhances its authenticity and charm. With three drawers set into the apron, it offers both beauty and practical storage.
- [Black Lacquer 3 Drawer Desk From Shanxi – 19th Century](https://anneliesebate.co.uk/black-lacquer-console-table-c2440/): This elegant Chinese desk table exudes timeless charm and practical design, making it an ideal choice for a hallway, study, or smaller living space. Crafted in northern China from elm wood (yumu 榆木), it is finished in a striking black lacquer€”an effect characteristic of Shanxi province, where lacquer was historically mixed with locally sourced coal to create this distinctive deep tone.
- [Black Lacquer 3 Drawer Elm Console Table From Shanxi – 19thC](https://anneliesebate.co.uk/black-lacquer-3-drawer-elm-console-table-from-shanxi/): Black Lacquered Scholars Desk from Shanxi Province - dating from the 19th century. Black lacquer was commonly used in Shanxi province as to this day it is a prominent coal mining province. The coal was mixed with lacquer to produce this black lacquer.
- [Black Lacquer 4 Drawer Console Table – Late 19th Century](https://anneliesebate.co.uk/chinese-black-lacquer-4-drawer-console-table/): This elegant black lacquer console table comes from Shanxi province and dates to the late 19th century. Constructed from elm (yumu 榆木), it retains its original lacquer finish, which has developed a rich patina through age and use. The four drawers provide practical storage while maintaining the table's clean, refined proportions.
- [Black Lacquer 5 Drawer Altar Table From Shanxi – 19thC](https://anneliesebate.co.uk/black-lacquer-5-drawer-antique-altar-table/): This black lacquer console table is from Shanxi dates from the 19th century. It is constructed from elm wood. The five drawers would have originally been solid panels and were later converted to drawers.
- [Black Lacquer 7 Drawer Sideboard – 19th Century](https://anneliesebate.co.uk/chinese-7-drawer-black-lacquer-console-1/): Console Table with 7 drawers made from Elm Circa 19th Century. It is made in the Ming Style and comes from Shanxi Province. A very useful piece of furniture for a hallway or behind a sofa.
- [Black Lacquer Altar Table from Shandong – 19thC](https://anneliesebate.co.uk/c0371/): Altar tables were used for ancestor worship in China. Usually a family ancestor portrait would be hung above the table & joss sticks lit & placed on the table for the well being of the household. They were always long & narrow in form - a configuration seldom found in antique European furniture. Woods used are Elm, red elm, walnut & more rarely cypress & pear. Our pieces are mostly 19th century & early 20th century. From China 179 x 37 x 85 (w x d x h cms)
- [Black Lacquer Altar Table from Shanxi – Early 19th Century](https://anneliesebate.co.uk/black-lacquer-chinese-altar-table/): Altar tables were used for ancestor worship in China. Usually, a family ancestor portrait would be hung above the table & joss sticks lit & placed on the table for the well-being of the household. They were always long & narrow in form - a configuration seldom found in antique European furniture. Woods used are Elm, red elm, walnut & more rarely cypress & pear. Our pieces are mostly 19th century & early 20th century.
- [Black Lacquer Cabinet From Shanxi – 19th Century](https://anneliesebate.co.uk/provincial-chinese-black-lacquer-cabinet/): This dramatic antique Chinese black lacquer cabinet dates to the 19th century & Qing dynasty. It is provincial in style and originally from Shanxi. It is made from Northern elm (yumu). 
- [Black Lacquer Canton Export Jewellery Cabinet – Early 19th Century](https://anneliesebate.co.uk/gilt-black-lacquer-chinese-export-jewellery-cabinet/): This gilt black lacquer chinoiserie jewllery cabinet is in excellent condition. Made circa 1835 in Canton. Decorated in delicate gilt and black lacquer, is made in an unusual style with regency influences and a simulated roof that is hinged.  It is debatably as good as many of the pieces in the Peabody Essex Museum, the leading museum for Canton chinoiserie ware. 
- [Black Lacquer Canton Export Sewing Box – Ca 1810](https://anneliesebate.co.uk/black-lacquer-chinoiserie-sewing-box/): This gilt black lacquer chinoiserie sewing box is in excellent condition. Made circa 1810 in Canton. Decorated in delicate gilt and black lacquer, is made in the typical form with brass swan neck handles. The gilded design on this sewing box has noticeable western motifs including two coat of arms on the top flanked by dragons. The lacquerwork is on a less common base of red lacquer. The brass handles are classic English Regency style. The presence of Western motifs point to earlier Canton productions as Cantonware developed its own style through the course of the first half of the 19th century reaching its apex around 1850. 
- [Black Lacquer Canton Export Sewing Box – Early 19th Century](https://anneliesebate.co.uk/chinoiserie-lacquer-sewing-box/): This gilt black lacquer chinoiserie sewing box is in excellent condition. Made circa 1835 in Canton. Decorated in delicate gilt and black lacquer, is made in the typical style with brass swan neck handles and carved paw feet. It comes complete with its original bone contents and brass swan neck handles and working key.
- [Black Lacquer Chinese Chest on Stand – Ca 1910](https://anneliesebate.co.uk/black-lacquer-chest-on-stand/): This highly decorative black lacquer Chinese chest on stand was made is was made for export to Europe. It dates to circa 1910 at the end of the Qing Dynasty (1644 - 1912) and has its original brass. This export work was inspired by the beautiful black lacquer works of art created in China during the early & mid Qing dynasty. One such example is a black lacquer gilt throne found in the Summer Palace. 
- [Black Lacquer Chest Of Drawers From Shanxi – 19th Century](https://anneliesebate.co.uk/black-lacquer-chest-of-drawers-shanxi/): This Chinese provincial country chest is from Shanxi province in Northern China. It has retained its original black lacquered finish and original iron hardware.
- [Black Lacquer Canton Export Tea Caddy – Qing Dynasty, Early 19thC](https://anneliesebate.co.uk/black-lacquer-export-tea-caddy-qing-dynasty/): This gilt black lacquer Chinese tea caddy was made for wealthy members of the British Georgian upper class in the Qing dynasty. This intricate and detailed work was made for export to Britain when Chinoiserie was all the rage in the early 19th century. Black lacquer export sewing kits and games boxes were also made. 
- [Black Lacquer Chinese Export Pillow Box – Ca 1920](https://anneliesebate.co.uk/black-lacquer-chinese-export-pillow-box/): A black lacquer gilt Chinese neck pillow box made for export to the western market in the early 20th century. This design is based on the classic neck pillow boxes used across China in the 18th & 19th centuries. 
- [Black Lacquer Coffer Table From Shanxi Province – 19th Century](https://anneliesebate.co.uk/antique-chinese-black-lacquer-elm-coffer-table/): This elegant antique Chinese coffer table, dating to the 19th century, comes from the Shanxi province and exemplifies the timeless craftsmanship of Qing dynasty furniture. Made from solid northern elm wood (榆木 yumu), it has acquired a rich, dark patina through over 150 years of use. The clean, rectangular form and simple yet refined detailing make this a striking yet understated piece - ideal for both traditional and modern interiors.
- [Black Lacquer Console Table From Shanxi – 19th Century](https://anneliesebate.co.uk/black-lacquer-console-table-from-shanxi/): This rustic Chinese altar table is made in classic Ming style dating from the 19th century and is originally from Shanxi. They were always long & narrow in form - a configuration seldom found in antique European furniture.  
- [Black Lacquer Console Table With 5 Drawers – 19th Century](https://anneliesebate.co.uk/chinese-5-drawer-console-table/): This elm (yumu) console table is from a Shanxi farmhouse and dates from the 19th century. It has five handy drawers and is still coated in its original black lacquer.
- [Black Lacquer Console Table, Ming Style – Late 19thC](https://anneliesebate.co.uk/antique-black-lacquer-console-table-3-drawer/): This black lacquer Chinese console table is from Shanxi province in Northern China and is made from elm. It dates to the late 19th century, towards the end of Qing dynasty (1644 €“ 1911). It is constructed in the Ming style and has original brass hardware. 
- [Black Lacquer Desk From Shanxi – 19th Century](https://anneliesebate.co.uk/antique-chinese-black-lacquer-desk/): This elegant 19th-century black lacquer desk comes from Shanxi province, China, an area long associated with the use of black lacquer. The deep black tone was achieved by mixing lacquer with locally sourced coal, giving Shanxi furniture its distinctive finish. Over more than 140 years of use, the lacquer on the tabletop has worn to reveal a beautifully soft patina, adding to the piece's character and authenticity.
- [Black Lacquer Elm Flower Stand with Drawer – Ca 1940](https://anneliesebate.co.uk/black-lacquer-elm-flower-stand/): These tall tables are called Flower stands. They were used with vases of flowers and were originally made in pairs to sit on each side of altar tables. Finished in Black lacquer  
- [Black Lacquer Elm Two Drawer Cabinet From Shanxi – Late 19th Century](https://anneliesebate.co.uk/antique-chinese-black-lacquer-drawer-cabinet/): This late 19th-century black lacquer cabinet originates from Shanxi Province in northern China and is constructed from solid elm wood. Cabinets of this type were valued for their robust construction and practical storage, often used within domestic interiors for household goods, textiles, or valuables. The form is simple and well proportioned, allowing the material and surface to take precedence.
- [Black Lacquer Flower Stand – 19thC](https://anneliesebate.co.uk/black-lacquer-flower-stand/): Black Lacquer Flower Stand - Made From Elm. These tall elegant tables are called Flower stands. They were used with vases of flowers and were originally made in pairs. This one is 19thC
- [Black Lacquer Isho Kasane Dansu From Shonai – Meiji Period](https://anneliesebate.co.uk/black-lacquer-isho-kasane-dansu/): This striking antique Japanese Kasane Dansu chest is called a nuri-dansu meaning lacquered chest. It is finished in black lacquer and from the Shonai plains in Yamagata. Black lacquer dansu generally come from the cities of Tsuruoka & Sakata and this chest dates to the late 19th century in the Meiji period (1868 - 1912). One of our favourite details of this chest is the individual imagery on each lock plate depicting cranes and other iconography. 
- [Black Lacquer Export Canton Export Games Table – Early 19th Century](https://anneliesebate.co.uk/black-lacquer-chinoiserie-games-table/): This antique gilt black lacquer Chinoiserie games table dates to the early 19th century. The top is reversible to reveal a chess board and can be removed to reveal a backgammon board. It was made for the Chinese export market and was intended for wealthy members of the British Georgian upper class during the Qing dynasty.
- [Black Lacquer Kang Table From Shanxi – Mid 19th Century](https://anneliesebate.co.uk/chinese-3-drawer-low-antique-kang-table/): This elegant kang table originates from Shanxi province and dates from the mid-19th century. Kang tables were traditionally placed on or beside the kang — a raised, heated stone platform used as both a bed and seating area in wealthy Chinese homes. Crafted from elm wood, this example retains its original black lacquer.. The apron and drawer fronts are finely carved with cloud fungus shapes, traditionally found on Chinese ruyi scepters (symbols of power).
- [Black Lacquer Kitchen Cabinet From Tianjin – 19th Century](https://anneliesebate.co.uk/black-lacquer-noodle-cabinet-1/): A very striking Black Lacquer Chinese kitchen cabinet dating from the 19th century, Qing dynasty (1644€“1911). As the name suggests it was used in the kitchen for drying noodles and storing food. Their defining characteristic is latticework on the doors which allows for airflow in and out of the cabinet. This gives them a totally unique look which makes them stand out from other cabinets of their size. 
- [Black Lacquer Kitchen Cabinet From Shandong – 19th Century](https://anneliesebate.co.uk/antique-chinese-black-lacquer-kitchen-cabinet-c2526/): This striking 19th-century kitchen cabinet from Shandong, China, is a superb example of traditional Chinese joinery and understated design. Crafted from richly patinated soft wood, its elegant proportions and lattice-panelled upper doors reflect influences from Ming-era aesthetics - celebrated for their graceful simplicity and balance. The cabinet's original purpose was practical yet refined: to store and air-dry noodles and other foodstuffs in family kitchens across northern China.
- [Black Lacquer Kitchen Cabinet From Tianjin – 19th Century](https://anneliesebate.co.uk/black-lacquer-noodle-cabinet/): This Chinese kitchen Cabinet dates from the 19th century, Qing dynasty (1644€“1911). As the name suggests was used in the kitchen for drying noodles and storing food. Their defining characteristic is latticework on the doors which allows for airflow in and out of the cabinet. This gives them a totally unique look which makes them stand out from other cabinets of their size. This example is one of the finest examples we've seen with faux bamboo chain link lattice work and tall refined door styling. 
- [Black Lacquer Kang Cabinet From Shanxi – 19th Century](https://anneliesebate.co.uk/black-lacquer-kang-cabinet-from-shanxi-19th-century/): This antique kang cabinet originates from Shanxi Province, China, and dates to the 19th century. Made from pine, it retains its original black lacquer and finely painted decoration, with an attractive aged surface and patina.
- [Black Lacquer Kang Table From Shanxi – 19th Century](https://anneliesebate.co.uk/elm-kang-table-from-shanxi/): This finely carved kang table originates from Shanxi province in Northern China and dates from the mid 19th century. Built from northern elm (yumu 榆木) and finished in black lacquer, it would have been placed on or beside the kang, the raised brick platform that formed the centre of domestic life in northern homes. Families used low tables like this for tea, reading, writing and displaying valued objects. The substantial form and detailed carving relate closely to the Shanxi examples discussed in Karen Mazurkewich’s Chinese Furniture: A Guide to Collecting Antiques, where regional pieces are noted for their sculptural aprons, bold profiles and decorative front panels.
- [Black Lacquer Kitchen Cabinet From Tianjin – 19th Century](https://anneliesebate.co.uk/black-lacquer-kitchen-cabinet/): A very striking black lacquer Chinese kitchen cabinet dating from the 19th century, Qing dynasty (1644€“1911). As the name suggests it was used in the kitchen for drying noodles and storing food. Their defining characteristic is latticework on the doors which allows for airflow in and out of the cabinet. This gives them a totally unique look which makes them stand out from other cabinets of their size.
- [Black Lacquer Kitchen Cabinet From Tianjin – 19thC](https://anneliesebate.co.uk/black-lacquer-noodle-cabinet-from-tianjin/): This kitchen cabinet dates from the early 19th century & as the name suggests was used in the kitchen. These days they are perfect for use in a modern kitchen or even for hiding the sound system!
- [Black Lacquer Makeup Stand, Japanese  – Early 20thC](https://anneliesebate.co.uk/j194/): Kiri Wood re-lacquered Makeup Stand - Japan - Circa 1935 From Japan
- [Black Lacquer Kitchen Cabinet From Tianjin – 19thC](https://anneliesebate.co.uk/black-lacquer-noodle-cabinet-from-tianjin-19thc/): This kitchen cabinet dates from the early 19th century & as the name suggests was used in the kitchen. These days they are perfect for use in a modern kitchen or even for hiding the sound system!
- [Black Lacquer Painted Low Cabinet On Stand From Shanxi – Early 20thC](https://anneliesebate.co.uk/black-lacquer-antique-painted-chinese-cabinet-on-stand/): This low black lacquer side cabinet was once part of a rare Chinese stacking cabinet. These stacking cabinets comprised of four chests stacked atop each other.
- [Black Lacquer Ribbon Altar Table](https://anneliesebate.co.uk/c0917/): Altar tables were used for ancestor worship in China. Usually a family ancestor portrait would be hung above the table & joss sticks lit & placed on the table for the well being of the household. They were always long & narrow in form - a configuration seldom found in antique European furniture. Woods used are Elm, red elm, walnut - more rarely cypress & pear. Our pieces are mostly 19th century & early 20th century. This elegant table is ideal for use as a console table in a narrow hallway or as a lamp table behind a sofa. From China 151 x 31 x 75 (wxdxh cms)
- [Black Lacquer Sewing Box – Qing Dynasty, Early 19thC](https://anneliesebate.co.uk/m291/): A gilt lacquer sewing box - Qing Dynasty Early 19thC
Made for export to Georgian England
It comes complete with its original bone/ivory contents
Some minor restoration required to outside.
From China
38cm wide x 16cm high UK Delivery Charge - except Highlands & Islands £20
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- [Black Lacquer Side Cabinet From Shanxi – 19thC](https://anneliesebate.co.uk/black-lacquer-side-cabinet-from-shanxi-19thc/): This black lacquer side cabinet is from a rural area in Shanxi province in China. A pair is available. They are priced individually.
- [Black Lacquer Sideboard From Shanxi – 18th Century](https://anneliesebate.co.uk/black-lacquer-sideboard-from-shanxi-18thc/): This excellent example of a Qing dynasty Chinese sideboard has its original black lacquer and painting dating from the 18th century. This design was classic of the Ming & Qing dynasties and the doors show scenes of everyday life. Excellent quality painting like this one is incredibly rare to find now. 
- [Black Lacquer Sideboard From Shanxi – 18th Century](https://anneliesebate.co.uk/black-lacquer-painted-sideboard-from-shanxi/): This excellent example of a Qing dynasty (1644-1912) black lacquer Chinese sideboard features beautiful paintings of scholarly objects and floral arrangements. The lacquer and painting are original dating from the 18th century, early Qing dynasty - The beautiful thick brass hardware is original to the piece. 
- [Black Lacquer Sideboard From Shanxi – 19th Century](https://anneliesebate.co.uk/black-lacquer-sideboard-with-silver-leaf-painting/): This striking 19th century black lacquer sideboard comes from Qinghai province, on the border with Mongolia, and beautifully reflects the region’s cultural crossroads. The bold, architectural form has a clear Mongolian influence, while the decoration feels distinctly Chinese: each door is painted with elegant vases and flowering branches, originally heightened with silver leaf that was once varnished to read more like gold. With time and use, the varnish has naturally worn away, revealing the silvery decoration beneath and giving the piece its wonderfully atmospheric, time-softened look.
- [Black Lacquer Sideboard From Shanxi – 19th Century](https://anneliesebate.co.uk/plain-black-lacquer-sideboard/): This 19th century black lacquer sideboard comes from Shanxi Province, China. Originally constructed as a top-opening storage chest, it has later been converted to open from the front, making it far more practical for use in a modern interior.
- [Black Lacquer Sideboard From Shanxi – Early 18th Century](https://anneliesebate.co.uk/black-lacquer-sideboard-from-shanxi/): This excellent example of a Qing dynasty (1644 - 1912) black lacquer Chinese sideboard has its original lacquer dating from the early 18th century. This design was classic of the Ming & Qing dynasties and the doors show scenes of everyday life. Much of the painting is still visible and is of exceptional quality. This Chinese sideboard also has its original brass hardware. Much antique brass and iron hardware from furniture was robbed and molten down during the reign of Mao. 
- [Black Lacquer Sideboard From Tianjin – 19thC](https://anneliesebate.co.uk/antique-pair-black-lacquer-chinese-small-sideboards/): This Tianjin sideboard comes from the port city of Tianjin. The simple design originated during the Ming dynasty and is likely to have been made some time in the first half of the 19th century.
- [Black Lacquer Stand With Gold Decoration – Ca 1930](https://anneliesebate.co.uk/j286/): Black Lacquer Plate Stand With Gold Decoration Ca. 1930 From Japan 14 x 14 x 13.5 (wxdxh cms)
- [Black Lacquer Sideboard From Shanxi – Early 19th Century](https://anneliesebate.co.uk/black-lacquer-shanxi-sideboard-rabbit/): This excellent example of a Qing dynasty (1644 - 1912) black lacquer Chinese sideboard features beautiful paintings of scholarly objects with rabbit detailing along the lower panels. The lacquer and painting are original dating from the 19th century - It also has its original brass hardware. Much antique brass and iron hardware from furniture was robbed and molten down during the reign of Mao. 
- [Black Lacquer Taper Cabinet From Shanxi – 18th Century](https://anneliesebate.co.uk/black-lacquer-taper-cabinet-from-shanxi/): The taper cabinet is one of Chinese furniture's most iconic designs. This graceful antique Chinese taper cabinet is from Shanxi province and dates to the Qing dynasty (1644 - 1911) and the 18th century. This is a lovely original piece and it still has the original brass hardware. The internal lacquer has been applied onto gesso and cloth in the traditional way and the frames are taped. This high quality of workmanship began to disappear in China from the 19th century onwards indicating a good age. Cabinets like this one are also rare as many of these cabinets had their lacquer stripped due to lacquer deterioration. 
- [Black Lacquer Tea Table](https://anneliesebate.co.uk/black-lacquer-chinese-tea-table/): These black lacquer tea tables are made from elm and are reproduction pieces copied from traditional Ming style Chinese designs from Shanxi province. Its refined lines, hoof feet and perfect proportions make it beautifully eye catching all complimented by a jet black lacquer. There's also a handy shelf underneath for additional storage. This contemporary looking table is perfect for use as a lamp stand, flower stand or side table in a living room.From China
- [Black Lacquer Wedding Cabinet From Shanxi  -19th Century](https://anneliesebate.co.uk/chinese-black-lacquer-wedding-cabinet/): This dramatic antique Chinese black lacquer wedding cabinet features the less common technique of darkened silver leaf over the traditional gold maki-e technique. This is achieved using a dark varnish layered over silver designs. 
- [Black Lacquer Wedding Cabinet from Shanxi – 19th Century](https://anneliesebate.co.uk/black-lacquer-chinese-wedding-cabinet-from-shanxi-with-painted-floral-panels/): This elegant black lacquer cabinet originates from Shanxi province in northern China and dates to the 19th century. Often described in the West as a “wedding cabinet”, examples of this type were more accurately conceived as scholar’s cabinets, used for the storage of books, scrolls, and treasured objects within an educated household. The deep black surface, created from natural lacquer derived from the Rhus verniciflua tree, has matured into a softly burnished patina through generations of use.
- [Black Lacquer Wedding Cabinet From Shanxi  -19th Century](https://anneliesebate.co.uk/chinese-black-lacquer-wedding-cabinet-1/): This dramatic antique Chinese black lacquer wedding cabinet would make a great centerpiece to any room.
- [Black Lacquer Wedding Cabinet From Shanxi – 19th Century](https://anneliesebate.co.uk/chinese-black-lacquer-wedding-cabinet-from-shanxi/): This dramatic antique Chinese black lacquer wedding cabinet would make a great centerpiece to any room. It dates to the 19th century, Qing dynasty (1644 - 1912) and is decorated with hand painted scholarly symbols. It is constructed from northern elm wood (yumu 榆木) and is from Shanxi province in Northern China. 
- [Black Lacquer Wedding Cabinet From Shanxi – Early 19thC](https://anneliesebate.co.uk/antique-black-lacquer-gilt-chinese-wedding-cabinet/): This gilt black lacquer wedding cabinet is from Shanxi province and depicts a familial scene showing a town building and various characters. Each figure has their own personality with one on the right door taking a little doze. We also love the horse on the right door with his cheeky face. The scene is framed by gilt painted animals. This is one of our favorite pieces we bought on our 2020 China buying trip!
- [Black Lacquered Elm Scholars Desk From Shanxi – 19thC](https://anneliesebate.co.uk/black-lacquer-2-drawer-wine-table-from-shanxi-province/): Black Lacquered Elm Scholars Desk - showing signs of use on the edges. Comes with two handy drawers. Dating from the 19th century. From Shanxi Province Chinese Desks were generally made from Elm, Red Elm or Walnut , or sometimes from Oak.
- [Black Lacquered Sideboard From Shanxi – Early 19th Century](https://anneliesebate.co.uk/black-lacquered-sideboard-from-shanxi/): This excellent example of a Qing dynasty (1644 - 1912) black lacquer Chinese sideboard features beautiful paintings of scholarly objects and floral arrangements with butterfly and flower detailing along the lower panels. The lacquer and painting are original dating from the 19th century - It also has beautiful brass hardware. 
- [Black Marble Round Plate](https://anneliesebate.co.uk/black-marble-round-plate/): These black marble round plates are expertly crafted in Rajasthan, with careful hand carving and hand sanding for a delicate finish. As a handcrafted item, slight variations in color and grain may occur, ensuring a unique and authentic product.
- [Black Painted Apothecary Chest From Shanxi – 19thC](https://anneliesebate.co.uk/black-painted-apothecary-chest-from-shanxi/): Chinese traditional medicine was stored in this fabulous Apothecary Chest, it still has most of the original painted drawer labels naming the various natural minerals and herbs that were mixed by the practitioner for each patient. Constructed from pine & Elm all of the 44 small drawers have 3 individual compartments inside.From China
- [Black Painted Flower Stand](https://anneliesebate.co.uk/black-chinese-lamp-table/): This black painted table is a versatile piece and can be used as a side table, lamp stand or flower stand. Based on a traditional Chinese design, this style of table is often called a flower stand. As the name suggests, these tables were used with vases of flowers and were originally made in pairs.
- [Black Painted Indian Military Chest – 19th Century](https://anneliesebate.co.uk/indian-black-painted-military-chest/): A practical and charming antique Indian military box dating to the 19th century. It is made from painted teak wood in the Anglo-Indian style and likely would have belonged to a merchant or East Indiaman. The original brass bindings are typical of the campaign style introduced by the British East India Company. Wheels on the base make for easy movement when loaded.
- [Black Painted Mongolian Sideboard – 19th Century](https://anneliesebate.co.uk/black-painted-mongolian-sideboard/): This excellent example of a Mongolian black lacquer sideboard features beautiful paintings of vases and flowers on the doors, these are enclosed in a repeating geometric design. This design is often referred to as the 'scholarly objects' design. The body of the cabinet is constructed from cedar wood. This style of painting can be found in the areas of Qinghai and Inner Mongolia. The lacquer and painting are original dating from the 19th century - It also has its original brass hardware. 
- [Black Painted Shelving Unit from Reclaimed Pine](https://anneliesebate.co.uk/black-painted-shelves/): This very striking shelf unit is both a dramatic and practical solution for display of your treasured collection.
- [Black Painted Mongolian Sideboard – Early 20thC](https://anneliesebate.co.uk/black-painted-antique-mongolian-sideboard/): This Mongolian sideboard has original black lacquer  which is hand painted with flowers and vases. The brass fittings are original to the piece which dates from the early 20th century.
- [Black Painted Tiger Panel (Horizonal)](https://anneliesebate.co.uk/painted-indian-tiger-panel-on-reclaimed-door-from-madhya-pradesh/): This wonderfully decorative Indian tiger panel is painted on an older wooden door originating from one of the tribal regions of Madhya Pradesh. Bold, expressive, and full of character, the tiger is shown stretched across the panel in a lively, almost playful pose, its striped body rendered in warm yellows and ochres against a dark, heavily weathered ground.
- [Black Shelving Unit Made From Old Pine](https://anneliesebate.co.uk/chinese-distressed-black-shelving-unit/): This striking display shelf offers both drama and practicality, making it an ideal way to showcase your treasured collections. With its bold geometric design and varied open compartments, it provides versatile display options alongside practical drawer storage.
- [Black Side Cabinet From Provincial Shanxi – 19th Century](https://anneliesebate.co.uk/antique-chinese-black-lacquered-side-cabinet/): This provincial country cabinet from Shanxi province in Northern China is a fine example of rural craftsmanship from the 19th century. Retaining its original black lacquer finish, the piece carries a timeless, understated elegance that speaks of both function and tradition. The lacquer, worn gently over time, reveals a natural patina that highlights its long history of use.
- [Blackstone Chinese Pillar Base](https://anneliesebate.co.uk/hand-carved-blackstone-chinese-pillar-base-c2736/): This hand-carved blackstone pillar base is a modern reproduction inspired by the architectural forms of traditional Chinese temple and garden design. The octagonal base imitates a low waisted table with shot cabriole legs. Above that is a stylised drum with nail detail. The tringles hanging down imitate a draped cloth decorated with foliate detail. 
- [Blanket Chest Made from Reclaimed Teak](https://anneliesebate.co.uk/reclaimed-teakwood-blanket-chest-3/): This Indian blanket chest is made from reclaimed teak wood panels from old almirah cabinets. The top is made from stainable mango wood. Although this blanket chest is not an antique, it is sustainable and makes a beautiful addition to any room.
- [Blanket Chest Made from Reclaimed Teak](https://anneliesebate.co.uk/reclaimed-teakwood-blanket-chest-4/): This carved Indian blanket chest is made from sustainable mango wood & reclaimed teak carvings. It is perfect for storing bedding, blankets and linens and although it is not antique, it is sustainable and makes a beautiful addition to any room.
- [Blanket Chest Made From Reclaimed Teak](https://anneliesebate.co.uk/carved-blanket-chest-1/): This striking Indian blanket chest is crafted from reclaimed teak, incorporating beautifully weathered carvings salvaged from old door frames and architectural panels from Rajasthan and Gujarat. Although not antique, it carries the rich character of historic materials, with layers of worn paint and intricate detailing that give it the appearance and charm of a much older piece.
- [Blanket Chest Made From Reclaimed Teak](https://anneliesebate.co.uk/carved-blanket-chest-2/): Reclaimed Teakwood Blanket Chest With Painted Finish. It is not an antique, however it is made from reclaimed wood which is salvaged from old buildings in Rajasthan and Gujarat. It is decorative, extremely durable and environmentally friendly.
- [Bleached Chinese Farmers Seat – 19th Century](https://anneliesebate.co.uk/bleached-elm-farmers-seat-19thc/): This traditional Chinese bleached elm stool is constructed with a thick piece of solid elm as the seat using traditional Chinese carpentry.
- [Bleached Chinese Farmers Stool – 19th Century](https://anneliesebate.co.uk/bleached-elm-farmers-stool-19th-century-1/): This classic rustic Chinese elm stool is constructed with a thick piece of solid elm and made using traditional Chinese joinery rather than nails. 
- [Bleached Chinese Farmers Stool – 19th Century](https://anneliesebate.co.uk/bleached-elm-farmers-stool-19thc/): This rustic 19th-century saddle stool is a classic example of rural Chinese craftsmanship, originally used by farm workers for daily tasks. Hand-carved from solid elm, the thick seat is shaped in a gentle curve to resemble a saddle€”providing both ergonomic comfort and aesthetic appeal. Its simple yet practical construction, using traditional mortise and tenon joinery, gives the piece a timeless durability.
- [Bleached Chinese Lattice Door From Shanxi – 19th Century](https://anneliesebate.co.uk/bleached-poplar-lattice-doors/): These decorative Chinese screen doors are made from poplar wood with hand forged ironwork, these antique doors would have come from a home in Shanxi, Northern China. Originally the lattice would have been papered, it features a delicate glass panel in the central window.
- [Bleached Chinese Lattice Screen From Shanxi – 19th Century](https://anneliesebate.co.uk/bleached-chinese-lattice-scree/): These decorative Chinese screen doors are from the inner courtyard dating from the 19th century. Made from poplar wood with hand forged ironwork, these antique doors would have come from a home in Shanxi, Northern China. 
- [Bleached Coffee Table From Henan – Ca 1900](https://anneliesebate.co.uk/sun-bleached-farmhouse-coffee-table/): This sun bleached Chinese coffee table is from Henan province in central China. Made from Yumu Elm wood it was made approximately 1900 and would have been used for everyday family meals. Whilst elm is naturally a darker wood, this has been bleached over time by the sun, similar to driftwood.
- [Bleached Coffee Table From Henan – Ca 1900](https://anneliesebate.co.uk/elm-coffee-table-from-henan/): This early 20th century elm coffee table from Henan province is a wonderfully honest example of traditional Chinese country furniture. Originally used for everyday family meals, its simple, robust construction reflects a life of practical use, while its timeworn surface tells a story of generations past.
- [Bleached Console Table From Shanxi – 19th Century](https://anneliesebate.co.uk/bleached-console-table-from-shanxi-19thc/): This elegant 19th century poplar console table comes from Shanxi province and was originally crafted as a scholar's desk. Its clean lines and understated form reflect the refined simplicity valued in Chinese literati culture, where such pieces were used for writing, study, and contemplation.
- [Bleached Chinese Lattice Screen From Shanxi – 19th Century](https://anneliesebate.co.uk/chinese-lattice-screen-doors/): These decorative Chinese screen doors are from the inner courtyard dating from the 19th century. Made from pine wood with hand forged ironwork, these antique doors would have come from a home in Shanxi, Northern China. 
- [Bleached Console Table Made From Reclaimed Teak](https://anneliesebate.co.uk/reclaimed-teakwood-console-table-3/): This console table has been lovingly constructed from reclaimed teak from old Indian buildings that have fallen into a state of disrepair. The legs are repurposed old teak pillars whilst the carved panel is from an old Gujarati door lintel. We've given this table a bleached finish to bring it together. 
- [Bleached Doors From Bikaner – Early 19th Century](https://anneliesebate.co.uk/bleached-indian-doors-1/): These Indian doors from Bikaner would have once been covered in extravagant painting and after many years in the Thar desert have been sun-bleached. Unusual for Indian doors, they are walk-through height at 188cm tall. They are constructed from roheda wood which is similar to teak wood and used almost exclusively in Northern Rajasthan. 
- [Bleached Elm Bar Stool](https://anneliesebate.co.uk/bleached-elm-bar-stool-73cm/): Bar Stool - Made from Old Elm.
- [Bleached Elm Console Table From Shanxi – 19thC](https://anneliesebate.co.uk/bleached-elm-3-drawer-chinese-console-table/): A Chinese console table with 3 drawers dating from the 19th century made from elm which has bleached over time.  It is made in the Ming Style and comes from Shanxi province in Northern China. A very useful piece of furniture for hallways. From China
- [Bleached Elm Display Cabinet](https://anneliesebate.co.uk/glazed-cabinet-made-from-old-sunbleached-elm/): Our stylish and contemporary bleached elm display cabinet comes with premium verdigris brass and is crafted from reclaimed old elm wood salvaged from old Chinese buildings. This narrowly proportioned glazed cabinet is the perfect size for a smaller room or office and has 5 shelves for maximum storage. 
- [Bleached Elm Display Cabinet Cabinet](https://anneliesebate.co.uk/glazed-elm-cabinet/): Our stylish and contemporary bleached elm display cabinet comes with premium verdigris brass and is crafted from reclaimed old elm wood salvaged from old Chinese buildings. This narrowly proportioned glazed cabinet is the perfect size for a smaller room or office and has 5 shelves for maximum storage. 
- [Bleached Elm Door Dining Table](https://anneliesebate.co.uk/scroll-base-bleached-dining-table/): This rustic dining table is expertly crafted from old bleached elm doors that have a unique character and charm. It is available in three sizes and will bring a rustic charm to your kitchen or dining room. These tables look particularly fitting in an open plan farmhouse setting. 
- [Bleached Elm Doors From Shanxi – 19th Century](https://anneliesebate.co.uk/bleached-elm-chinese-doors/): These 19th century Chinese doors are impressive, both aesthetically and structurally. Crafted from robust northern elm wood (yumu) which has bleached over many years of direct sunlight.  These doors are reclaimed from buildings in Shanxi. Monumental with heavy iron bindings, they are a stunning addition to any home or collection.
- [Bleached Elm Doors From Shanxi – 19th Century](https://anneliesebate.co.uk/bleached-elm-chinese-doors-1/): These 19th century Chinese doors are impressive, both aesthetically and structurally. Crafted from robust northern elm wood (yumu) which has bleached over many years of direct sunlight.  These doors are reclaimed from buildings in Shanxi. Monumental with heavy iron bindings, they are a stunning addition to any home or collection.
- [Bleached Elm Doors From Shanxi – 19th Century](https://anneliesebate.co.uk/antique-elm-iron-chinese-doors-3/): These 19th century Chinese doors are impressive, both aesthetically and structurally. Crafted from robust northern elm wood (yumu) which has bleached over many years of direct sunlight.  These doors are reclaimed from buildings in Shanxi. Monumental with heavy iron bindings, they are a stunning addition to any home or collection.
- [Bleached Elm Doors From Shanxi – 19th Century](https://anneliesebate.co.uk/bleached-elm-doors-from-shanxi/): These 19th century Chinese doors are impressive, both aesthetically and structurally. Crafted from robust northern elm wood (yumu) which has bleached over many years of direct sunlight.  These doors are reclaimed from buildings in Shanxi. These doors are monumental with heavy iron bindings, they are a stunning addition to any home or collection.
- [Bleached Elm Driftwood Coffee Table](https://anneliesebate.co.uk/bleached-elm-driftwood-coffee-table/): Resting on an iron base, this beautiful piece of old elm wood makes for a iconic coffee table. The focal point of any room. Whilst elm is naturally a darker wood, this has been bleached over time by the sun, similar to driftwood.
- [Bleached Elm Farmers Milking Stool – 19th Century](https://anneliesebate.co.uk/elm-saddle-stool-from-shanxi-19thc-1/): This traditional antique Chinese bleached elm (榆木 yumu) stool is constructed with a thick plank of solid elm wood as the seat and fixed using traditional Chinese carpentry, wedges and without glue or nails. It dates to the 19th century and has a beautiful flowing wood grain.
- [Bleached Elm Farmers Stool From Henan – 19th Century](https://anneliesebate.co.uk/elm-saddle-stool-from-shanxi-19thc-5/): This 19th century bleached elm farmer’s stool from Henan province is a beautifully rustic example of traditional Chinese country craftsmanship. Formed from solid elm, the thick plank seat and simple, sturdy frame reflect its origins as a practical working piece used in rural homes and farms.
- [Bleached Elm Farmers Stool – 19th Century](https://anneliesebate.co.uk/bleached-elm-farmers-stool-19th-century/): This classic rustic Chinese elm stool is constructed with a thick piece of solid elm and made using traditional Chinese joinery rather than nails. 
- [Bleached Elm Farmers Stool From Henan – 19th Century](https://anneliesebate.co.uk/bleached-elm-farmers-milking-stool/): This 19th century bleached elm farmer’s stool from Henan province is a beautifully rustic example of traditional Chinese country craftsmanship. Formed from solid elm, the thick plank seat and simple, sturdy frame reflect its origins as a practical working piece used in rural homes and farms.
- [Bleached Elm Wine Table From Henan – 19thC](https://anneliesebate.co.uk/bleached-chinese-wine-table-from-henan/): This elm wine table from Henan Province dates from the 19th century and has its original drawers & fittings. Wine tables were used for entertaining guests on arrival - usually with a chair placed on either side. For the guest and the host.
- [Bleached Elm Farmhouse Console Table – Late 19th Century](https://anneliesebate.co.uk/bleached-elm-farmhouse-console-table-late-19th-century/): This late 19th century Chinese console table is a beautifully understated example of traditional farmhouse furniture, crafted from solid elm and finished in a soft bleached tone. Its long, narrow proportions reflect the practical design of rural Chinese interiors, where such tables were used both as working surfaces and occasional tables within the home.
- [Bleached Farmhouse Coffee Table From Henan – Ca 1900](https://anneliesebate.co.uk/poplar-farmhouse-coffee-table/): This sun bleached Chinese coffee table is from Henan province in central China. Made from poplar wood it was made in approximately 1900 and would have been used for everyday family meals.Whilst poplar is naturally a darker wood, this has been bleached over time by the sun, similar to driftwood.
- [Bleached Farmhouse Console Table With Shelf – Ca 1920](https://anneliesebate.co.uk/bleached-farmhouse-console-table-1/): This rustic bleached wood console table from Henan dates to the early 20th century and is constructed from thick planks of walnut wood mounted onto elm legs. 
- [Bleached Indian Almirah Cabinet From Gujarat – 19th Century](https://anneliesebate.co.uk/bleached-teak-almirah-cabinet/): This solid teak wood 19th century Indian almirah cabinet is an excellent example of the Indo-Portuguese blend of styles. Incredibly stylish and timeless, the sunburst panels are typical of the Portuguese style and have been expertly carved.
- [Bleached Indian Doors From Bikaner – 19th Century](https://anneliesebate.co.uk/bleached-indian-doors/): These Indian doors from Bikaner would have once been covered in extravagant painting and after many years in the Thar desert have been sun-bleached. Unusual for Indian doors, they are walk through height at 204cm tall. They are constructed from roheda wood which is similar to teak wood and used almost exclusively in Northern Rajasthan. 
- [Bleached Kothla Majus From Gujarat – 19th Century](https://anneliesebate.co.uk/kothla-majus-console-chest/): This antique Indian teak dowry chest known as a kothla majus in India has been reduced in depth to create a dramatic console table. It's constructed from solid teak wood and dates to the 19th century. 
- [Bleached Lattice Kitchen Cabinet From Tianjin – Late 19thC](https://anneliesebate.co.uk/bleached-lattice-chinese-noodle-cabinet/): This Chinese kitchen cabinet is made from elm and poplar wood. It dates from the late 19th century and its bleached look makes it fit perfectly into a modern kitchen. 
- [Bleached Pair of Chinese Doors – 18th Century](https://anneliesebate.co.uk/bleached-chinese-pair-of-doors-19th-century/): These 18th century Chinese doors beautifully crafted from robust Chinese locust wood (huaimu) which has bleached over many years of direct sunlight. They're from Shanxi province in Northern China and bound with hand beaten iron nails and hinges. 
- [Bleached Provincial Table From Shanxi – 19th Century](https://anneliesebate.co.uk/bleached-provincial-table/): This antique Chinese wine table dates to the 19th century and is from the provincial area of Shanxi province. It is rustic and would fit perfectly in a farmhouse. It's constructed from northern elm wood (yumu). 
- [Bleached Reclaimed Elm Farmhouse Console Table](https://anneliesebate.co.uk/farmhouse-console-table/):  
- [Bleached Ribbon Altar Table Made From Reclaimed Elm](https://anneliesebate.co.uk/bleached-ribbon-altar-table/): This Chinese altar table has been made using reclaimed Chinese doors and is constructed from bleached elm. Altar tables were used for ancestor worship in China. Usually a family ancestor portrait would be hung above the table & joss sticks lit & placed on the table for the well being of the household. They were always long & narrow in form - a configuration seldom found in antique European furniture. Woods used are Elm, Red Elm, Walnut, Poplar & more rarely Cypress & Pear.
- [Bleached Ribbon Altar Table Made From Reclaimed Elm](https://anneliesebate.co.uk/bleached-ribbon-altar-table-elm/): This Chinese altar table has been made using reclaimed Chinese doors and is constructed from bleached elm. Altar tables were used for ancestor worship in China. Usually a family ancestor portrait would be hung above the table & joss sticks lit & placed on the table for the well being of the household. They were always long & narrow in form - a configuration seldom found in antique European furniture. Woods used are Elm, Red Elm, Walnut, Poplar & more rarely Cypress & Pear.
- [Bleached Roheda Doors From Bikaner –  19th Century](https://anneliesebate.co.uk/bleached-doors-from-bikaner/): These 19th-century Indian doors originate from Bikaner in Rajasthan and are constructed from solid roheda wood, reinforced with substantial hand-forged iron straps, studs and corner brackets. Once richly painted, generations of exposure to the intense sun and dry climate of the Thar Desert have naturally bleached the surface.
- [Bleached Rustic Elm Farmers Stool – 19th Century](https://anneliesebate.co.uk/rustic-farmhouse-elm-stool/): This rustic farmer's stool from Shanxi province, China is a beautiful example of provincial craftsmanship. Constructed using a thick, solid slab of prized elm (yumu) it was designed to withstand generations of daily use.
- [Bleached Rustic Ribbon Console Table](https://anneliesebate.co.uk/bleached-elm-ribbon-altar-table-c2512/): This Chinese console table has been made using reclaimed Chinese doors and is constructed from bleached reclaimed elm. This particular has been constructed using traditional carpentry techniques as is evident in the joinery and patches. 
- [Bleached Shekhawati Mirror – 19th Century](https://anneliesebate.co.uk/antique-indian-bleached-mughal-mirror/): This beautifully carved Shekhawati mirror is crafted from a 19th-century Indian window frame, originating from the richly decorative region of Shekhawati in Rajasthan. Known for its intricate architectural detailing, this piece reflects the refined craftsmanship of the area.
- [Bleached Shelving Unit Made From Old Pine](https://anneliesebate.co.uk/bleached-four-drawer-shelving-unit-made-from-old-pine/): This striking shelving unit has been crafted from reclaimed old pine and has a soft bleached finish that highlights the natural grain of the timber. With its understated beauty and strong, architectural lines, it offers both practicality and style, making it an ideal storage or display piece for a contemporary or traditional home.
- [Bleached Stool / Side Table](https://anneliesebate.co.uk/bleached-stool-side-tables/): This sculptural bleached wood stool table is made from a single piece of solid pine and features beautiful natural grain patterns throughout. Designed to age with grace, hairline cracks will form over time adding a wabi sabi feel to any room. Its conical base and thick circular top create a bold silhouette that highlights the raw character of the wood. Strengthened with traditional iron braces, the piece celebrates the honesty of simple, functional design.
- [Bleached Side Cabinet From Shanxi – 19th Century](https://anneliesebate.co.uk/antique-chinese-bleached-pine-drawer-cabinet-c2379/): This understated 19th-century Chinese cabinet from Shanxi province blends rugged charm with elegant restraint. Crafted from elm wood and recently bleached to reveal the natural grain, it features an austere rectangular form punctuated by traditional metal studs and ring pulls. Originally used for storing essentials in a rural Chinese home, its utilitarian design is softened by beautifully aged wood and authentic iron fittings.
- [Bleached Shelving Unit Made From Old Pine](https://anneliesebate.co.uk/chinese-bleached-shelving-unit/): This striking Chinese shelving unit has been crafted from reclaimed old pine and has a soft bleached finish that highlights the natural grain of the timber. With its understated beauty and strong, architectural lines, it offers both practicality and style, making it an ideal storage or display piece for a contemporary or traditional home.
- [Bleached Takhat From Hyderabad  – 19th Century](https://anneliesebate.co.uk/carved-teak-takhat/): This striking 19th-century bleached teak takhat from Hyderabad is a superb example of traditional Indian craftsmanship, originally made as a daybed platform and now beautifully suited as a substantial coffee table. Solid and architectural in form, the takhat would have served as a central element within the home — used for reclining, socialising and receiving guests — reflecting its importance in domestic life.
- [Bleached Teak Peacock Panel – 19th Century](https://anneliesebate.co.uk/bleached-teak-peacock-panel/): This carved teak panel is from Andhra Pradesh in South India. It depicts two beautifully deeply carved peacocks and some floral carvings.This piece dates from the 19th century and would  have been used as a lintel above a doorway or window. It would look fabulous on a wall with accent lighting or above a mantle. 
- [Bleached Teak Peacock Panel – 19th Century](https://anneliesebate.co.uk/bleached-teak-peacock-panel-1/): This carved antique Indian panel was used as a lintel above a doorway or window. It€™s from Andhra Pradesh in South India, carved from teak, it depicts two beautifully carved peacocks with additional lotus flowers.
- [Bleached Teak Rajasthani Mirror – 19th Century](https://anneliesebate.co.uk/antique-indian-bleached-window-shutters-rajasthani-mirror/): This 19th-century mirror has been made from an original pair of teak cupboard shutters from Rajasthan, most likely from the Jaisalmer region. Once part of a built-in wall cabinet, the doors have been repurposed to form a compact mirror, retaining their original structure and hardware.
- [Bleached Teak Table Made From 19th Century Gujerati Carvings](https://anneliesebate.co.uk/a6251/): Table Made From 19thC Teak Carvings - GujaratFrom India
- [Bleached Window Shutter From Bikaner – 19th Century](https://anneliesebate.co.uk/bleached-roheda-window-shutter/): This sunbleached roheda wood Indian shutter is from the Bikaner region of Rajasthan. Dating from the 19th century, this piece would once have been brightly painted as was the style in Bikaner. However,  it has been bleached a pleasing pale yellow by years of Thar desert sun. This would look beautiful hung on a wall.
- [Blue & Green Painted Teak Dog Gate From Gujarat – 19thC](https://anneliesebate.co.uk/painted-teak-dog-gate-from-gujarat-1/): Dog gates were used in front of the main entrance door of Gujarati Havelis to keep animals out. This one is made from Teak & Iron and has a blue paint coating on one side and green on the reverse.  They make very interesting & decorative garden gates
- [Blue & Tangerine Nui Burst Drum Lamp Shade – 35cm](https://anneliesebate.co.uk/auk408/): This beautiful design uses the 'Nui' Shibori technique to create the floral repeat which is then digitally printed onto gorgeous soft pile velvet. The brushed gold lining adds a touch of class to this stunning lampshade. A must for any interior setting. Soft pile velvet with gold lining Fittings available for ceiling pendant or lamps
- [Blue & White Dragon Temple Jar](https://anneliesebate.co.uk/porcelain-temple-jar-and-cover-with-blue-white-glaze/): This elegant blue and white temple jar is hand-crafted and hand-painted in Jingdezhen, China's world-famous porcelain capital, where the finest porcelain has been produced for over a thousand years. Decorated with two dragons soaring amongst stylised clouds above crashing waves, the design is inspired by the celebrated blue and white porcelains of the Ming dynasty.
- [Blue & White Floral Porcelain Pear Shaped Vase](https://anneliesebate.co.uk/blue-white-porcelain-pear-shaped-vase/): This Chinese reproduction pear shaped decorative vase is hand made on the potters wheel in the traditional way. It is then hand decorated before firing.
- [Blue & White Ginger Jar Table Lamp – Fishes](https://anneliesebate.co.uk/fish-pond-ginger-jar-lamp/): This elegant blue & white porcelain ginger jar lamp is hand made & hand painted in small family workshops in the historic porcelain city of Jingdezhen. The design of graceful carp swimming amongst lotus leaves, seed pods and aquatic plants is inspired by an important 14th century Yuan dynasty jar, the original which is now in The Museum of Oriental Ceramics in Osaka, Japan.
- [Blue & White Lotus Barrel Stool – Jingdezhen Porcelain](https://anneliesebate.co.uk/blue-white-lotus-barrel-stool-jingdezhen-porcelain/): This elegant blue and white porcelain barrel stool is hand-crafted and hand-painted in Jingdezhen, China's world-renowned porcelain capital. Decorated with an intricate scrolling lotus design, it draws inspiration from the refined floral patterns found on Chinese porcelain of the Ming dynasty. The pierced openings around the sides and centre of the seat remain faithful to the traditional form, while also making the stool easy to move around the home or garden.
- [Blue & White Lotus Moonflask](https://anneliesebate.co.uk/chinese-blue-white-lotus-moonflask/): This reproduction Chinese porcelain moonflask vase (bianping) is decorated in blue & white glaze. The painting depicts entwined lotus flowers
- [Blue & White Dragon Planter](https://anneliesebate.co.uk/blue-white-dragon-planter/): This striking blue and white porcelain planter is decorated with powerful dragons coiling amongst swirling clouds in pursuit of sacred flaming pearls. In Chinese culture, the dragon is an auspicious symbol associated with strength, wisdom, prosperity and imperial authority. Traditionally believed to command water, rain and storms, it was regarded as a benevolent force capable of bringing abundance and good fortune.
- [Blue & White Painted Indian Door & Frame](https://anneliesebate.co.uk/antique-indian-blue-white-painted-door-a03480/): These beautifully painted Indian doors with frame are from Gujarat and date to the 19th century. The painting is modern and is inspired by blue and white porcelain found on Chinese vases and is decorated with elephants, horses amongst floral designs. 
- [Blue & White Porcelain  Melon Knob](https://anneliesebate.co.uk/a4451/): These elegant blue and white porcelain melon knobs are perfect for small doors or drawers, especially for upcycling old furniture in a traditional manner. 
- [Blue & White Porcelain Baluster Jar – Story of Guiguzi](https://anneliesebate.co.uk/blue-white-porcelain-lidded-wine-jar/): This exquisitely decorated reproduction Chinese blue & white baluster jar is a beautifully hand painted reinterpretation of a Yuan dynasty jar which sold at Christie's in 2005. 
- [Blue & White Porcelain Bowl](https://anneliesebate.co.uk/c0761/): This porcelain bowl is hand made on the potters wheel in the traditional way. It is then decorated by hand before firing. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD.
From China
18 x 18 x 4 (w x d x h cms) UK Delivery Charge - except Highlands & Islands £7.50
More delivery options available on checkout
- [Blue & White Porcelain Bowl – Cloud Fungus Design](https://anneliesebate.co.uk/c0704/): This porcelain bowl is hand made on the potters wheel in the traditional way.It is then decorated by hand before firing.Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD.Blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907. From China41 x 41 x 19 (w x d x h cms)
- [Blue & White Porcelain Bowl – Republic Era](https://anneliesebate.co.uk/blue-white-porcelain-bowl-republic-era/): These original vintage Republic Era Chinese blue & white bowls are hand-painted by skilled artists using traditional techniques learned from their family and passed down through generations.
- [Blue & White Porcelain Double Gourd Jar – Fish Design](https://anneliesebate.co.uk/c0709/): Blue and White Porcelain Double Gourd Jar. This porcelain Jar is decorated with lotus leaves and fish. These lovely jars are made in small batches by hand. Most potters have learned their craft from the elders of their family. These skills have been handed down through the generations. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain (which also originated in China) didn't emerge in the region until the Han Dynasty (202 BC to 220 AD). Blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty (618 - 907).
- [Blue & White Porcelain Calligraphy Brush Pot Horse Design](https://anneliesebate.co.uk/blue-white-porcelain-calligraphy-brush-pot/): This pot is hand made on the potters wheel in the traditional way.It is then decorated by hand before firing.Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD.Blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907
- [Blue & White Porcelain Double Gourd Vase – Phoenix Design](https://anneliesebate.co.uk/blue-white-porcelain-double-gourd-vase-phoenix-design/): A Blue & White Porcelain vase made in the form of a double gourd. This vase is hand made on the potters wheel in the traditional way. It is then decorated by hand before firing. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD. Blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907.From China
- [Blue & White Porcelain Dragon Moonflask](https://anneliesebate.co.uk/porcelain-dragon-bianping-moonflask/): This reproduction Chinese porcelain moonflask vase (bianping) is decorated in blue & white glaze. The painting depicts dragons amongst clouds and is a reproduction of a Yongle period (1403-1424) vase found in the Princessehof National Museum of Ceramics - it is known there as "The 'Mona Lisa' of the Princessehof".
- [Blue & White Porcelain Facetted Temple Jar](https://anneliesebate.co.uk/octagonal-blue-white-porcelain-temple-jar-women/): This reproduction Chinese blue & white temple jar has beautifully painted domestic scenes of women & children. It is hand painted by skilled artists using traditional techniques and made in the Kangxi style (porcelain produced during the reign of Emperor Kangxi (1662 - 1722)).
- [Blue & White Porcelain Fengweizun Vase](https://anneliesebate.co.uk/c0747/): This vase is hand made on the potters wheel in the traditional way. It is then decorated by hand before firing. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD.
From China
22 x 22 x 35(w x d x h cms) UK Delivery Charge - except Highlands & Islands £15
More delivery options available on checkout
- [Blue & White Porcelain Fengweizun Vase](https://anneliesebate.co.uk/c0719/): This vase is hand made on the potters wheel in the traditional way. It is then decorated by hand before firing Known as the king of the flowers the peony is a symbol of royalty and virtue and is the national flower of China Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD.  Please note that these are hand made and hand painted in small batches and dimensions may vary with each piece From China
- [Blue & White Porcelain Fengweizun Vase – Double Happiness](https://anneliesebate.co.uk/blue-white-porcelain-vase-double-happiness/): This reproduction Chinese blue & white fengweizun vase is decorated with the classic Chinese double happiness symbol. It is hand painted by skilled artists using traditional techniques learned from their families and passed down through generations. Fengweizun refers to the shape being that of a phoenix tail. This piece has two facing lions on either side of the neck.
- [Blue & White Porcelain Fengweizun Vase](https://anneliesebate.co.uk/blue-white-porcelain-dragon-vase/): Dragon Vase made by hand  in Jingdezhen.
- [Blue & White Porcelain Fengweizun Vase – Peach Tree Design](https://anneliesebate.co.uk/blue-white-porcelain-vase-peach-tree-design/): This vase is hand made on the potters wheel in the traditional way. It is then decorated by hand before firing. The design features five peaches. The origin of the five peach design can be found in the story of a fisherman by Tao Qian (365-427) who found endless bliss in a peach orchard hidden within a crevice.
- [Blue & White Porcelain Fengweizun Vase – Dragon Design](https://anneliesebate.co.uk/blue-white-porcelain-fengweizun-dragon-vase/): This reproduction Chinese dragon vase is hand made on the potters wheel in the traditional way. It is then hand painted before firing.
- [Blue & White Porcelain Fish Bowl Planter](https://anneliesebate.co.uk/porcelain-fish-bowl-planter/): This reproduction Chinese blue & white porcelain fish bowl is hand painted and made in the classic Ming style. It is perfect for a garden planter. The fish is a longstanding symbol of wealth in China as the Chinese symbol for fish 'yu' can also be translated to 'abundance'. In ancient China, a fish in water symbolised marital harmony. 
- [Blue & White Porcelain Fish Bowl Planter – Dragon](https://anneliesebate.co.uk/blue-white-porcelain-fish-bowl-planter-dragon/): This reproduction Chinese blue & white porcelain fishbowl is hand painted and made in the classic Qing style (1644-1911). The painting depicts two five claw dragons chasing a flaming pearl amidst ruyi clouds over crashing waves. The scene is framed at the top by ruyi shaped lappets below a running dog motif with stylised lion handles.
- [Blue & White Porcelain Fish Bowl Planter – Pastoral Scene](https://anneliesebate.co.uk/blue-white-porcelain-fish-bowl-planter-pastoral-scene/): This reproduction Chinese blue & white porcelain fishbowl is hand painted and made in the classic Qing style (1644-1911). The painting depicts a pastoral scene. The scene is framed at the top by a floral motif above stylised lion handles.
- [Blue & White Porcelain Fish Design Jardinière](https://anneliesebate.co.uk/provincial-style-blue-white-porcelain-fish-design-jardiniere/): This Chinese porcelain jardinière is decorated with a delicate a provincial fish design and is ideally suited to be used as a flower vase, perhaps an orchid, or a flowing crawler such as a devil's ivy.
- [Blue & White Porcelain Frilled Temple Jar With Lid](https://anneliesebate.co.uk/blue-white-porcelain-frilled-temple-jar-with-lid/): This elegant blue and white temple jar is hand-crafted and hand-painted in Jingdezhen, China's renowned porcelain capital. Its distinctive frilled rim and domed lid are inspired by elegant Chinese porcelain forms of the Ming dynasty, while the decoration features the traditional Four Trees design, one of the most enduring themes in Chinese decorative arts.
- [Blue & White Porcelain Flower Vase – Dragon](https://anneliesebate.co.uk/blue-white-porcelain-flower-vase-dragons/): This reproduction Chinese porcelain flower vase is decorated in dark cobalt blue & white glaze. The painting depicts a five claw dragon. The five claw dragon became a symbol of the emperor during the Ming dynasty (1368 - 1644). Dragons are auspicious in China, granting good luck to those who are worthy enough. They have power over the water, rain, hurricanes, and floods. 
- [Blue & White Porcelain Garlic Mouth Vase](https://anneliesebate.co.uk/blue-white-porcelain-garlic-mouth-vase/): This reproduction Chinese blue & white garlic mouth vase features beautifully painted birds amongst waves. It is hand painted by skilled artists using traditional techniques learnt from their family passed down through generations.
- [Blue & White Porcelain Ginger Jar – 17cm Diameter](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-17cm/): Ginger Jars are steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD. Blue and white Ginger Jars are glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907 It is believed that the Chinese began creating porcelain Ginger Jars around that time. This one is from Jingdezhen, which is still the centre for the best quality porcelain. During the Ming Dynasty the. Emperor set up his famous imperial kilns From China
- [Blue & White Porcelain Ginger Jar  – Phoenix & Dragon Design](https://anneliesebate.co.uk/porcelain-ginger-jar-blue-white-dragon-phoenix-design/): This reproduction Chinese blue & white ginger jar is painted with mythical phoenix & dragons. Phoenixes are synonymous with good fortune and the auspicious dragon granted good luck to those worthy enough. It is hand painted by skilled artists using traditional techniques learned from their families and passed down through generations.
- [Blue & White Porcelain Ginger Jar & Lid – 15cm Diameter](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-lid-15cm-diameter/): Ginger Jars are steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD. Blue and white Ginger Jars are glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907 It is believed that the Chinese began creating porcelain Ginger Jars around that time. This one is from Jingdezhen, which is still the centre for the best quality porcelain. During the Ming Dynasty the. Emperor set up his famous imperial kilns From China
- [Blue & White Porcelain Ginger Jar – Ancestors](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-ancestors/): Ginger Jars are steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty - (202 BC to 220 AD. The currently popular blue and white Ginger Jars which are glazed using a transparent porcelain glaze date back to the Tang Dynasty -618 - 907 It is believed that the Chinese began creating porcelain Ginger Jars around that time. This one is from Jingdezhen, which is still the centre for the best quality porcelain. During the Ming Dynasty the. Emperor set up his famous imperial kilns From China
- [Blue & White Porcelain Ginger Jar – Bamboo & Prunus](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-bamboo-prunus-design/): This reproduction Chinese blue & white ginger jar has a beautifully intricate bamboo & prunus design. Prunus (or plum blossom) is the symbol of resilience & perseverance, especially in the harsh winters. It's also the national flower of Taiwan. Bamboo symbolises loyalty, integrity, and honesty as even during storms, it bends without breaking. 
- [Blue & White Porcelain Ginger Jar – Birds & Flowers Design](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-birds-flowers/): Ginger Jars are steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD.
- [Blue & White Porcelain Ginger Jar – Chrysanthemum Design](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-chrysanthemum-design/): Ginger Jars are steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD. Blue and white Ginger Jars are glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907 It is believed that the Chinese began creating porcelain Ginger Jars around that time. This one is from Jingdezhen, which is still the centre for the best quality porcelain. During the Ming Dynasty the Emperor set up his famous imperial kilns
- [Blue & White Porcelain Ginger Jar – Butterflies Design](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-assorted-butterflies/): Ginger Jars are steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD.
- [Blue & White Porcelain Ginger Jar – Chrysanthemum Design](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-chrysanthemum/): This reproduction Chinese blue & white ginger jar has a beautifully intricate chrysanthemum design - a symbol of happiness & vitality. It is hand painted by skilled artists using traditional techniques learned from their families and passed down through generations.
- [Blue & White Porcelain Ginger Jar – Couple in Cherry Blossom](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-couple-in-cherry-blossom/): Ginger Jars are steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD.
- [Blue & White Porcelain Ginger Jar – Double Acanthus](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-double-acanthus/): This reproduction Chinese blue & white ginger jar has a beautifully intricate double acanthus design - a symbol of immortality and rebirth. It is hand painted by skilled artists using traditional techniques learned from their families and passed down through generations.
- [Blue & White Porcelain Ginger Jar – Double Happiness](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-double-happiness/): Ginger Jars are steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD. Blue and white Ginger Jars are glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907
- [Blue & White Porcelain Ginger Jar – Double Happiness](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-double-happiness-1/): Ginger Jars are steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD. Blue and white Ginger Jars are glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907
- [Blue & White Porcelain Ginger Jar – Double Happiness](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-double-happiness-2/): This beautiful ginger jar is hand made and hand painted in small workshops in Jingdezhen which is still the centre for the best quality porcelain. During the Ming dynasty, the Emperor set up his famous imperial kilns.
- [Blue & White Porcelain Ginger Jar – Double Happiness Design](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-large/): This reproduction Chinese blue & white ginger jar is decorated with the classic Chinese double happiness symbol. It is hand painted by skilled artists using traditional techniques learned from their families and passed down through generations.
- [Blue & White Porcelain Ginger Jar – Dragon](https://anneliesebate.co.uk/dragon-ginger-jar-blue-white-porcelain/): This reproduction Chinese blue & white ginger jar is hand painted by skilled artists using traditional techniques learned from their family passed down through generations. The dragon was used by Chinese emperors to instil their power and strength and is possibly the most famous Chinese symbol. Auspicious with control over water, rain, hurricanes, and floods the dragon grants good luck for those who are worthy enough. 
- [Blue & White Porcelain Ginger Jar – Fish Design](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-assorted-1/): Ginger Jars are steeped in centuries of Chinese culture and history.Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD. Blue and white Ginger Jars are glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907 It is believed that the Chinese began creating porcelain Ginger Jars around that time. This one is from Jingdezhen, which is still the centre for the best quality porcelain. During the Ming Dynasty the. Emperor set up his famous imperial kilns
- [Blue & White Porcelain Ginger Jar – Fish Design](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-fish-design/): This reproduction Chinese blue & white ginger jar depicts fish among aquatic plants. This design is inspired by an important 14th century, Yuan style jar found in The Museum of Oriental Ceramics in Osaka, Japan. It is hand painted by skilled artists using traditional techniques learned from their families and passed down through generations.
- [Blue & White Porcelain Ginger Jar – Floral Design](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-vases-on-a-table/): Ginger Jars are steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD.)
- [Blue & White Porcelain Ginger Jar – Fruit Trees](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-fruit-trees/): This reproduction Chinese blue & white ginger jar has a beautiful fruit trees design depicting peach trees. It is hand painted by skilled artists using traditional techniques learned from their families and passed down through generations.
- [Blue & White Porcelain Ginger Jar – Peony & Butterfly Design](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-peony-butterfly-design/): Ginger Jars are steeped in centuries of Chinese culture and history.Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD.
- [Blue & White Porcelain Ginger Jar – Peacocks](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-peacocks/): Blue & White Porcelain Ginger Jar with Peacocks Design. Peacocks can represent many things in Chinese art but are often associated with divinity, culture, beauty and the goddess Guan Yin. Ginger Jars are steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD.
- [Blue & White Porcelain Ginger Jar – Phoenix In Clouds](https://anneliesebate.co.uk/blue-white-ginger-jar-phoenix/): Ginger Jars are steeped in centuries of Chinese culture and history.Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD. Blue and white Ginger Jars are glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907 It is believed that the Chinese began creating porcelain Ginger Jars around that time. This one is from Jingdezhen, which is still the centre for the best quality porcelain. During the Ming Dynasty the. Emperor set up his famous imperial kilns
- [Blue & White Porcelain Ginger Jar – Prunus Design](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-prunus-design/): Ginger Jars are steeped in centuries of Chinese culture and history.Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD.
- [Blue & White Porcelain Ginger Jar – Qilin Design](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-qilin-design/): Ginger Jars are steeped in centuries of Chinese culture and history.Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD.
- [Blue & White Porcelain Ginger Jar – Lucky Symbols](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-lucky-symbols/): Blue & White Porcelain Ginger Jar with Lucky Symbols. Ginger Jars are steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD.
- [Blue & White Porcelain Ginger Jar – Scholar On Reindeer](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-scholar-on-reindeer/): Blue & White Porcelain Ginger Jar with Phoenix Design. As a Chinese celestial sign this mythical bird is synonymous with good fortune. Ginger Jars are steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD.
- [Blue & White Porcelain Ginger Jar – Scholarly Objects](https://anneliesebate.co.uk/blue-white-ginger-jar-scholarly-objects/): Blue & White Porcelain Ginger Jar with Scholarly Objects Design. These are objects often associated with scholarly pursuits. Ginger Jars are steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD.
- [Blue & White Porcelain Ginger Jar – Scholarly Objects](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-wise-objects/): Blue & White Porcelain Ginger Jar with Scholarly Objects Design. These are objects often associated with scholarly pursuits. Ginger Jars are steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD.
- [Blue & White Porcelain Ginger Jar – Scholarly Pursuits](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-scholarly-pursuits/): Ginger Jars are steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD.
- [Blue & White Porcelain Ginger Jar – Wise Man Design](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-wise-man-design/): Ginger Jars are steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD.
- [Blue & White Porcelain Ginger Jar – Wise Objects & Swastikas](https://anneliesebate.co.uk/blue-white-porcelain-ginger-jar-wise-objects-swastikas/): Ginger Jars are steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain - which also originated in China - didn't emerge in the region until the Han Dynasty -(202 BC to 220 AD.
- [Blue & White Porcelain Hat Stand – Lucky Symbols](https://anneliesebate.co.uk/blue-white-porcelain-hat-stand-lucky-symbols/): This reproduction Chinese hexagonal blue & white glazed porcelain hat stand has been hand painted with scholarly symbols meant to bring great wisdom.
- [Blue & White Porcelain Hexagonal Tea Caddy – Calligraphy Design](https://anneliesebate.co.uk/hexagonal-blue-white-tea-caddy-calligraphy/): Blue and White Porcelain Tea Caddy, hand made on the potters wheel in the traditional way. It is then decorated before firing. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD. Blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907.
- [Blue & White Porcelain Hexagonal Tea Caddy – Peony Design](https://anneliesebate.co.uk/blue-white-porcelain-tea-caddy-peony-octagonal-peony/): Blue and White Porcelain Tea Caddy. It is hand made on the potters wheel in the traditional way. It is then decorated by hand before firing. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD. Blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907.From China
- [Blue & White Porcelain Hexagonal Tea Caddy Lamp](https://anneliesebate.co.uk/blue-white-porcelain-lamp/): This beautiful table lamp has been converted from a reproduction Chinese porcelain tea caddy decorated with calligraphy designs. A truly unique lamp that would look great in any room.
- [Blue & White Porcelain Hexagonal Vase – Peony Design](https://anneliesebate.co.uk/blue-white-porcelain-hexagonal-vase-w-o-lid-peony/): Blue and White Porcelain Tea Caddy. It is hand made on the potters wheel in the traditional way. It is then decorated by hand before firing. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD. Blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907.From China
- [Blue & White Porcelain Holy Water Bottle – Lotus](https://anneliesebate.co.uk/blue-white-porcelain-holy-water-bottle-lotus/): This beautiful reproduction porcelain Chinese vase is hand painted with lotus designs. It is hand turned on the potters wheel and painted by hand before firing all using traditional techniques. This small vase is perfectly suited for a single statement flower or dried flowers. 
- [Blue & White Porcelain Holy Water Bottle Vase](https://anneliesebate.co.uk/blue-white-porcelain-holy-water-bottle/): This beautiful reproduction porcelain Chinese vase is hand painted with floral and phoenix designs. It is hand turned on the potters wheel and painted by hand before firing all using traditional techniques. This small vase is perfectly suited for a single statement flower or dried flowers. 
- [Blue & White Porcelain Hourglass Table Lamp](https://anneliesebate.co.uk/blue-white-4-sided-hourglass-lamp-with-base-lucky-symbols/): These beautiful table lamps are crafted from a Chinese blue and white porcelain vase decorated with traditional Chinese good luck symbols. The lamp base is made by hand in the traditional way with a classic black base, twisted brown-gold flex, and antique brass fittings. 
- [Blue & White Porcelain Jar – Auspicious Symbols](https://anneliesebate.co.uk/blue-white-porcelain-jar-auspicious-symbols/): This elegant blue and white porcelain jar is richly decorated with a series of auspicious Buddhist and Daoist symbols surrounded by beautifully painted scrolling lotus flowers and foliage. The shoulder is adorned with traditional emblems representing good fortune, longevity, spiritual protection and wisdom, while the main body features an intricate floral design inspired by classic Ming dynasty porcelain. The harmonious balance of symbolic decoration and refined cobalt painting makes this an eye-catching decorative piece for both traditional and contemporary interiors.
- [Blue & White Porcelain Jardinière](https://anneliesebate.co.uk/blue-white-porcelain-jardiniere-trees/): This porcelain jardinière is decorated with a delicate tree design and is ideally suited for a plant, bonsai tree, perhaps an orchid, or a flowing crawler such as a devil's ivy. Two tiger faces on each side act as handles. The exterior is decorated with prunus (or plum blossom) designs; the symbol of resilience & perseverance, especially in the harsh winters. Prunus is also the national flower of Taiwan.
- [Blue & White Porcelain Jardinière – Peonies & Phoenix](https://anneliesebate.co.uk/blue-white-porcelain-jardiniere-peonies-phoenix/): This reproduction Chinese Blue & White planter is hand turned on the potters wheel in the traditional way by skilled families of master potters. It is then hand painted before firing. The design is a classical Ming style design and depicts peonies & a phoenix for good luck. The peony is considered 'The King of Flowers' in China and symbolises beauty, riches and honour.
- [Blue & White Porcelain Jardinière – Fish Design](https://anneliesebate.co.uk/blue-white-porcelain-jardiniere-fish-design/): This reproduction Chinese porcelain jardinière is decorated with a delicate fish design and is ideally suited for a plant, perhaps an orchid, or a flowing crawler such as a devil's ivy. The fish is a longstanding symbol of wealth in China as the Chinese symbol for fish 'yu' can also be translated to 'abundance'. In ancient China, a fish in water symbolised marital harmony.
- [Blue & White Porcelain Jardinière – Trailing Leaf Design](https://anneliesebate.co.uk/blue-white-porcelain-jardiniere-trailing-leaf-design/): This vase is hand made on the potters wheel in the traditional way.It is then decorated by hand before firing.Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD. Blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907.
- [Blue & White Porcelain Jardinière – Trailing Leaf Design](https://anneliesebate.co.uk/blue-white-porcelain-jardiniere/): This porcelain jardinière is decorated with a delicate trailing leaf design and is ideally suited for a plant, perhaps an orchid, or a flowing crawler such as a devil's ivy. 
- [Blue & White Porcelain Jardinière – Trailing Peony Design](https://anneliesebate.co.uk/blue-white-porcelain-jardiniere-trailing-peony-design/): This reproduction Chinese Blue & White planter is a copy of a rare Yuan dynasty (1279-1368) jar which sold at Christie's auction in 2016 for over £820,000. 
- [Blue & White Porcelain Jardinière – Trailing Peony Design](https://anneliesebate.co.uk/blue-white-porcelain-jardiniere-trailing-peony-design-1/): This reproduction Chinese Blue & White planter is hand turned on the potters wheel in the traditional way by skilled families of master potters. It is then hand painted before firing. The design is a classical Ming style design and depicts peonies & a phoenix for good luck. The peony is considered 'The King of Flowers' in China and symbolises beauty, riches and honour.
- [Blue & White Porcelain Lamp Base – Lucky Symbols](https://anneliesebate.co.uk/blue-white-short-lamp-with-base-lucky-symbols/): This beautiful table lamp is crafted from a Chinese blue and white porcelain vase decorated with traditional Chinese good luck symbols. The lamp base is made by hand in the traditional way with a classic black base, twisted brown-gold flex, and antique brass fittings. 
- [Blue & White Porcelain Lidded Meiping Jar – Peony](https://anneliesebate.co.uk/blue-white-porcelain-lidded-temple-jar-peony-design/): These beautiful Chinese porcelain jars are decorated with blue and white glaze. This shape is called a meiping vase, and it is glazed in the style of a Ming Yongle style decorated with peonies.
- [Blue & White Porcelain Lidded Rice Jar](https://anneliesebate.co.uk/blue-white-porcelain-lidded-rice-jar-frog/): This beautiful Chinese porcelain rice jar is hand made and hand painted in small workshops in Jingdezhen which is still the centre for the best quality porcelain. It comes with a lid topped with a frog shaped handle  During the Ming dynasty, the Emperor set up his famous imperial kilns. It is hand painted by skilled artists using traditional techniques learned from their families and passed down through generations.
- [Blue & White Porcelain Lidded Temple Jar – Floral Design](https://anneliesebate.co.uk/blue-white-floral-porcelain-lidded-temple-jar-c2157v1/): This beautiful reproduction porcelain temple jar is decorated in the classic Chinese blue and white glaze and takes the elegant form of the meiping, or plum vase. This example is glazed in the Ming Yongle style and features lotus and trailing peony designs, with decorative spirals on the base and lid.
- [Blue & White Porcelain Lidded Temple Jar – Lotus](https://anneliesebate.co.uk/blue-white-porcelain-lidded-temple-jar-lotus/): These beautiful Chinese porcelain jars are decorated with blue and white glaze. This shape is called a meiping vase, and it is glazed in the style of a Ming Yongle style decorated with lotus.
- [Blue & White Porcelain Lidded Urn – Lotus](https://anneliesebate.co.uk/blue-white-porcelain-lidded-lidded-urn-lotus/): This reproduction Chinese porcelain lidded urn is decorated with a delicate trailing lotus design hand painted in a dazzling blue glaze. This beautifully decorative jar is an iconic addition to any home. 
- [Blue & White Porcelain Lotus Mouth Vase](https://anneliesebate.co.uk/blue-white-porcelain-lotus-mouth-vase/): This elegant Blue & White Lotus Mouth Vase is a faithful reproduction of an imperial Chinese porcelain design from the reign of the Yongzheng Emperor (1722–1735). Handcrafted in Jingdezhen, the vase combines refined proportions with exquisite hand-painted decoration, reflecting the sophistication for which Yongzheng porcelain is renowned.
- [Blue & White Porcelain Meiping Vase – Chrysanthemum](https://anneliesebate.co.uk/blue-white-porcelain-meiping-vase-chrysanthemum/): This fabulous reproduction Chinese blue & white porcelain meiping vase is decorated with a flaming lotus and a chrysanthemum flower entwined in scrolling leaves. The classic meiping shape (often called plum shape) was designed to hold a single branch of tree blossom. This elegant vase was inspired by the shape of the female body and was particularly popular during the Song (960 - 1279 AD) & Ming (1368 - 1644 AD) dynasties. 
- [Blue & White Porcelain Meiping Vase – Dragon Design](https://anneliesebate.co.uk/blue-white-meiping-vase-dragon-design/): This elegant Blue & White Porcelain Meiping Vase is a faithful reproduction of one of China's most celebrated ceramic forms, handcrafted in Jingdezhen using traditional techniques that have been refined over centuries. Hand-thrown on the potter's wheel and meticulously painted by skilled artisans, the vase is decorated with a powerful dragon soaring amongst trailing clouds – a timeless symbol of strength, wisdom, prosperity and imperial authority in Chinese culture.
- [Blue & White Porcelain Meiping Vase – Fish Design](https://anneliesebate.co.uk/blue-white-porcelain-meiping-vase-fish-design/): This fabulous Blue & White Porcelain Meiping vase is hand made on the potters wheel in the traditional way. It was hand painted before firing. The name "Meiping" means literally "Plum Vase" and is a style originating in the Song dynasty (960 - 1279) for use as a wine vessel. Usually they'd depict plum blossoms, but in this case, a fish design has been used. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD. Blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907.From China
- [Blue & White Porcelain Meiping Vase – Fish Design](https://anneliesebate.co.uk/blue-white-porcelain-meiping-vase-fish-design-1/): A Blue & White Porcelain Meiping vase with fish design. This vase is hand made on the potters wheel in the traditional way. It is then decorated by hand before firing. The name "Meiping" means literally "Plum Vase" and is a style originating in the Song dynasty (960 - 1279) for use as a wine vessel. Usually they'd depict plum blossoms, but in this case, a dragon design has been used. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD. Blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907.
- [Blue & White Porcelain Meiping Vase – Trailing Peony Design](https://anneliesebate.co.uk/blue-white-porcelain-meiping-vase-peony-design/): A blue & white porcelain meiping vase with Peony and trailing leaf design. This vase is hand made on the potters wheel in the traditional way. It is then decorated by hand before firing. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD. From China
- [Blue & White Porcelain Meiping Vase – Wave Dragon](https://anneliesebate.co.uk/blue-white-porcelain-meiping-vase-wave-dragon/): This reproduction Chinese porcelain meiping vase is skillfully decorated in inverted blue & white glaze. The painting depicts five claw white dragons on a background of waves. Although the dragon was claimed as the symbol of the emperor during the Han dynasty (206 BC - 22 AD) it wasn't until the Ming dynasty (1368-1644) that the five claw dragon became the specific symbol of imperial might. It was then that the use of the five claw dragon outside of the imperial court became treasonous
- [Blue & White Porcelain Meiping Vase – Xuande Fish](https://anneliesebate.co.uk/blue-white-porcelain-meiping-vase-fish/): This fabulous reproduction Chinese blue & white porcelain meiping vase is decorated with Xuande fish, lotus & aquatic plants patterns. The design is inspired by Xuande period (1399 - 1435) vases and bowls. 
- [Blue & White Porcelain Octagonal Candlestick](https://anneliesebate.co.uk/blue-white-porcelain-octagonal-candlestick-yongle-style/): These reproduction Chinese blue & white octagonal candlesticks are copies of a pair of Ming dynasty Yongle candlesticks that sold at Bonhams for £3 million. Original candlesticks can be found in the Beijing Palace Museum, Guangdong Museum, Shanghai Museum & Idemitsu Museum of Arts in Tokyo. 
- [Blue & White Porcelain Octagonal Wine Jar Vase](https://anneliesebate.co.uk/blue-white-porcelain-wine-jar-floral/): This reproduction Chinese vase is made in the Yuan Dynasty (1279-1368) style. It is a faithful reproduction of a vase in the Liaoning Provincial Museum in Shenyang. This beautifully hand decorated vase features eight cartouches showcasing scenes of pine trees, lotus ponds, bamboo and plum blossoms. The style of painting is sophisticated and fluid. The tiger head handles are playful yet strong. 
- [Blue & White Porcelain Octagonal Planter](https://anneliesebate.co.uk/blue-white-porcelain-octagonal-fish-bowl-planter/): This reproduction Chinese blue & white porcelain fish bowl is hand painted and made in the classic Ming style. It is perfect for a garden planter or for indoor houseplants. It features a beautiful scrolling lotus design. The lotus flower is well associated with royalty and literati. It symbolises the soul's power to emerge from the physical world to achieve enlightenment as the lotus rises undefiled from the muddy waters. 
- [Blue & White Porcelain Planter – Qilin In Clouds](https://anneliesebate.co.uk/blue-white-porcelain-planter/): This reproduction Chinese blue & white porcelain fish bowl is hand painted and made in the classic Ming style. It is perfect for a garden planter and has been decorated with qilin (mythical animals bringing good luck & prosperity).
- [Blue & White Porcelain Plate  – Dragon Design](https://anneliesebate.co.uk/c0735/): This porcelain plate is hand made in the traditional way and decorated by hand with the Chinese Dragons design before firing. Chinese dragons traditionally symbolize potent and auspicious powers, particularly control over water, rainfall, hurricane, and floods. The dragon is also a symbol of power, strength, and good luck for people who are worthy of it. The Emperors of China used the dragon as a symbol of their imperial power and strength Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD From China
- [Blue & White Porcelain Plate – Republic Era](https://anneliesebate.co.uk/blue-white-porcelain-plate-republic-era/): These original vintage Republic Era (1911 - 1949) Chinese blue & white plate is hand-painted by skilled artists using traditional techniques learned from their family and passed down through generations. Reasonably priced original Chinese porcelain is becoming harder and harder to source. 
- [Blue & White Porcelain Plate – 19thC](https://anneliesebate.co.uk/c0532/): Blue & White Porcelain Plate - 19thC . Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD. Blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907. This item shows signs ear commensurate with age. From China
- [Blue & White Porcelain Rice Bowl](https://anneliesebate.co.uk/c0762/): This porcelain rice bowl is hand made on the potters wheel in the traditional way. It is then decorated by hand before firing. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD. From China
- [Blue & White Porcelain Square Tea Caddy – Peony Design](https://anneliesebate.co.uk/square-blue-white-tea-caddy-peony/): Blue and White Porcelain Tea Caddy, hand made on the potters wheel in the traditional way. It is then decorated before firing. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD. Blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907.From China
- [Blue & White Porcelain Rice Jar – Double Happiness Design](https://anneliesebate.co.uk/blue-white-porcelain-rice-jar-double-happiness-design/): This Rice jar is hand made on the potters wheel in the traditional way, then hand painted with the Double Happiness symbol before firing. This is the most sought after of all designs, it's an old tradition in China and used commonly at weddings and celebrations. Blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907
- [Blue & White Porcelain Rice Bowl – Ming Style](https://anneliesebate.co.uk/blue-white-porcelain-rice-bowl/): This porcelain rice bowl is hand made on the potters wheel in the traditional way. It is then decorated by hand before firing. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD.
- [Blue & White Porcelain Squared Vase – Pastoral Scenes](https://anneliesebate.co.uk/porcelain-squared-vase-pastoral-scenes/): This elegant blue and white porcelain vase features hand-painted pastoral scenes rendered in deep cobalt tones. Delicate landscapes unfold across its squared body — with flowing rivers, pagodas, trees, and distant mountains — a serene depiction of rural life inspired by traditional Chinese art. The tall, flared form and refined brushwork recall the enduring legacy of Ming and Qing dynasty porcelain, where technical mastery met artistic expression.
- [Blue & White Porcelain Squared Vase – Seven Masters](https://anneliesebate.co.uk/blue-white-porcelain-squared-vase-seven-masters/): This reproduction Chinese blue & white squared vase has beautifully intricate scenes of the Seven Masters. It is made in the Kangxi style (porcelain produced during the reign of Emperor Kangxi (1662 - 1722). It is hand painted by skilled artists using traditional techniques learnt from their family passed down through generations.
- [Blue & White Porcelain Small Bottle Vase – Wave Design](https://anneliesebate.co.uk/blue-white-porcelain-small-bottle-vase/): This delicate little porcelain bottle vase is the perfect gift. It has been hand made on a potters wheel in the traditional way and decorated by hand before firing with a swirling wave pattern.
- [Blue & White Porcelain Stool – Fish Design](https://anneliesebate.co.uk/reproduction-blue-white-porcelain-stool-fish/): These reproduction Chinese porcelain stools are hand crafted and hand painted in small workshops in Jingdezhen which is still the centre for the best quality porcelain. They're perfect for use as an extra stool around a table or as a side table. Each stool is decorated with a traditional fish design inspired by an important 14th century, Yuan style jar found in The Museum of Oriental Ceramics in Osaka, Japan.
- [Blue & White Porcelain Squared Vase – Women](https://anneliesebate.co.uk/blue-white-porcelain-women/): This reproduction Chinese blue and white vase is inspired by the elegant porcelain of the Kangxi period (1662–1722). The squared form and beautifully hand-painted scenes depict graceful women relaxing amidst tranquil garden settings — a subject often found in classical Chinese art symbolising refinement and harmony.
- [Blue & White Porcelain Stool – Peony Design](https://anneliesebate.co.uk/blue-white-porcelain-stool/): This porcelain seat is hand made on the potters wheel in the traditional way. It is then decorated by hand before firing. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD. From China
- [Blue & White Porcelain Stool- Kylin Design](https://anneliesebate.co.uk/porcelain-seat-blue-white-kylin-design/): These reproduction Chinese porcelain stools are hand crafted and hand painted in small workshops in Jingdezhen which is still the centre for the best quality porcelain. This style of porcelain stool is used both inside the house and outside in gardens in China. They're perfect for use as an extra stool around a table or as a side table. Each stool is decorated with Kylin, a mythical and sacred Chinese creature, which was believed to foretell good fortune.
- [Blue & White Porcelain Table Lamp](https://anneliesebate.co.uk/porcelain-wine-jar-lamp/): This beautiful table lamp has been converted from a reproduction Chinese porcelain wine jar.
- [Blue & White Porcelain Table Lamp](https://anneliesebate.co.uk/blue-white-porcelain-peony-lamp/): This striking blue and white table lamp is hand painted with trailing peony flowers and is a contemporary addition to any room. Wired and tested in the U.K. and finished with dark walnut wood trim, it fits into both a contemporary design or a more traditional style home.
- [Blue & White Porcelain Table Lamp – Peony](https://anneliesebate.co.uk/blue-white-porcelain-lamp-with-base-peony-design/): This striking blue and white table lamp is hand painted with trailing peony flowers and is a contemporary addition to any room. Wired and tested in the U.K. and finished with dark walnut wood trim, it fits into both a contemporary design or a more traditional style home.
- [Blue & White Porcelain Tall Ginger Jar – Double Happiness](https://anneliesebate.co.uk/blue-white-tall-giner-jar-double-happiness/): This beautiful reproduction Chinese blue and white porcelain ginger jar has been decorated with the 'double happiness' symbol on a beautifully detailed floral background. Double happiness means 'Joy and Happiness' and is often on objects gifted at weddings. It is hand made and hand painted using traditional techniques handed down the generations in small workshops in Jingdezhen, the porcelain capital of the world. It is still the centre for the best quality porcelain. 
- [Blue & White Porcelain Tall Table Lamp – Lucky Symbols](https://anneliesebate.co.uk/blue-white-hexagonal-hourglass-lamp-with-base-lucky-symbols/): This beautiful table lamp is crafted from a Chinese blue and white porcelain vase decorated with traditional Chinese good luck symbols. The lamp base is made by hand in the traditional way with a classic black base, twisted brown-gold flex, and antique brass fittings. 
- [Blue & White Porcelain Tea Caddy – Calligraphy Design](https://anneliesebate.co.uk/blue-white-porcelain-tea-caddy-calligraphy/): This hand painted Chinese reproduction blue & white porcelain tea caddy is hand painted and hand made in the traditional way.
- [Blue & White Porcelain Tall Temple Jar & Cover](https://anneliesebate.co.uk/c0707/): These beautiful reproduction Chinese porcelain temple jars are hand made and hand painted in small workshops in Jingdezhen which is still the centre for the best quality porcelain. During the Ming dynasty, the Emperor set up his famous imperial kilns. It is hand painted by skilled artists using traditional techniques learned from their families and passed down through generations. 
- [Blue & White Porcelain Tall Temple Jar & Cover – Qilin](https://anneliesebate.co.uk/c0706/): These beautiful reproduction Chinese porcelain temple jars are hand made and hand painted in small workshops in Jingdezhen which is still the centre for the best quality porcelain. During the Ming dynasty, the Emperor set up his famous imperial kilns. It is hand painted by skilled artists using traditional techniques learned from their families and passed down through generations. 
- [Blue & White Porcelain Tea Caddy – Double Happiness Design](https://anneliesebate.co.uk/blue-white-porcelain-tea-caddy-double-happiness-design/): Blue and White Porcelain Tea Caddy.
- [Blue & White Porcelain Tea Caddy – Double Happiness Design](https://anneliesebate.co.uk/reproduction-chinese-blue-white-porcelain-tea-caddy-double-happiness-design/): Blue and White Porcelain Tea Caddy.
- [Blue & White Porcelain Tea Caddy – Peony Design](https://anneliesebate.co.uk/blue-white-porcelain-tea-caddy-peony/): Blue and White Porcelain Tea Caddy. It is hand made on the potters wheel in the traditional way. It is then decorated by hand before firing. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD. Blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907.
- [Blue & White Porcelain Tea Caddy Table Lamp](https://anneliesebate.co.uk/blue-white-porcelain-tea-caddy-table-lamp/): This beautiful table lamp has been converted from a reproduction Chinese porcelain tea caddy decorated with peony designs. A truly unique lamp that would look great in any room.
- [Blue & White Porcelain Temple Jar – Butterfly Design](https://anneliesebate.co.uk/blue-white-porcelain-temple-jar-butterfly-design-qing-style/): Blue and White Porcelain Temple Jar and Lid. This porcelain Temple Jar is decorated with butterflies The jar is hand made on the potters wheel in the traditional way. It is then decorated by hand before firing. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD. Blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907.From China
- [Blue & White Porcelain Temple Jar – Battle Design](https://anneliesebate.co.uk/blue-white-porcelain-temple-jar-battle-design/): This reproduction Chinese blue & white temple jar is hand painted and decorated by skilled artists using traditional techniques learnt from their family passed down through generations. The form is a large temple jar or baluster jar depicts Chinese warlords on horseback with flags raised. 
- [Blue & White Porcelain Temple Jar – Copper Fish](https://anneliesebate.co.uk/iron-red-blue-white-porcelain-temple-jar-fishes/): This reproduction Chinese blue & white temple jar has a delicate fish design painted in iron red. It is hand painted by skilled artists using traditional techniques learned from their family passed down through generations.
- [Blue & White Porcelain Temple Jar – Crane Design](https://anneliesebate.co.uk/blue-white-porcelain-temple-jar-crane-design/): This Chinese blue & white temple jar has a beautifully intricate crane design. It is hand painted by skilled artists using traditional techniques learnt from their family passed down through generations.
- [Blue & White Porcelain Temple Jar – Double Happiness Design](https://anneliesebate.co.uk/blue-white-porcelain-temple-jar-1/): This beautiful temple jar is hand made and hand painted in small workshops in Jingdezhen which is still the centre for the best quality porcelain. During the Ming dynasty, the Emperor set up his famous imperial kilns. This design is inspired by an important 14th century, Yuan style jar found in The Museum of Oriental Ceramics in Osaka, Japan. It is hand painted by skilled artists using traditional techniques learned from their families and passed down through generations.
- [Blue & White Porcelain Temple Jar – Dragon Design](https://anneliesebate.co.uk/blue-white-porcelain-temple-jar-dragon-design/): This reproduction Chinese blue & white temple jar is crafted in the traditional Chinese style. The painting depicts five claw dragons. Although the dragon was claimed as the symbol of the emperor during the Han dynasty (206 BC - 22 AD) it wasn't until the Ming dynasty (1368-1644) that the five claw dragon became the specific symbol of imperial might. It was then that the use of the five claw dragon outside of the imperial court became treasonous.
- [Blue & White Porcelain Temple Jar – Dragons](https://anneliesebate.co.uk/blue-white-porcelain-temple-jar-dragon/): This reproduction Chinese blue & white temple jar is crafted in the traditional Chinese style. The painting depicts five claw dragons. Although the dragon was claimed as the symbol of the emperor during the Han dynasty (206 BC - 22 AD) it wasn't until the Ming dynasty (1368-1644) that the five claw dragon became the specific symbol of imperial might. It was then that the use of the five claw dragon outside of the imperial court became treasonous.
- [Blue & White Porcelain Temple Jar – Fishes](https://anneliesebate.co.uk/blue-white-porcelain-temple-jar-fish-design/): These beautiful temple jars are hand made and hand painted in small workshops in Jingdezhen which is still the centre for the best quality porcelain. During the Ming dynasty, the Emperor set up his famous imperial kilns. This design is inspired by an important 14th century, Yuan style jar found in The Museum of Oriental Ceramics in Osaka, Japan. It is hand painted by skilled artists using traditional techniques learned from their families and passed down through generations. Two sizes are available depicting fish among aquatic plants. 
- [Blue & White Porcelain Temple Jar – Four Tree Design](https://anneliesebate.co.uk/blue-white-porcelain-temple-jar-four-tree-design/): Blue and White Porcelain Temple Jar and Lid. This porcelain Temple Jar is decorated with a four trees design. The jar is hand made on the potters wheel in the traditional way. It is then decorated by hand before firing. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD. Blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907.From China
- [Blue & White Porcelain Temple Jar – Four Tree Design](https://anneliesebate.co.uk/blue-white-porcelain-temple-jar-four-tree-design-1/): These beautiful Chinese reproduction porcelain temple jars are hand made and hand painted in small workshops in Jingdezhen which is still the center for the best quality porcelain. During the Ming dynasty, the Emperor set up his famous imperial kilns. It displays a classic 'four trees' design. 
- [Blue & White Porcelain Temple Jar – Lucky Symbols Design](https://anneliesebate.co.uk/blue-white-porcelain-temple-jar/): These beautiful Chinese reproduction porcelain temple jars are hand made and hand painted in small workshops in Jingdezhen which is still the center for the best quality porcelain. During the Ming dynasty, the Emperor set up his famous imperial kilns.
- [Blue & White Porcelain Temple Jar – Mythical Creatures](https://anneliesebate.co.uk/blue-white-porcelain-temple-jar-mythical-beasts/): These reproduction Chinese blue & white temple jars are crafted in the traditional Chinese style. The painting depicts a series of mythical creatures.
- [Blue & White Porcelain Temple Jar – Pastoral Scenes](https://anneliesebate.co.uk/blue-white-porcelain-temple-jar-pastoral-scenes/): This porcelain Temple Jar is decorated with pastoral scenes & figures. It's hand made on the potters wheel in the traditional way. It is then decorated by hand before firing. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty 202 BC to 220 AD. Blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty (618 - 907.)From China
- [Blue & White Porcelain Temple Jar – Phoenix In Blossoms](https://anneliesebate.co.uk/blue-white-porcelain-temple-jar-phoenix-in-blossoms/): This reproduction Chinese blue & white temple jar has been beautifully decorated with an intricate phoenix design. It is hand painted by skilled artists using traditional techniques learned from their family passed down through generations. The Chinese phoenix (fenghuang) symbolises virtue, harmony and prosperity and is said to represent balance, yin and yang. Temple jars are also known as baluster jars. 
- [Blue & White Porcelain Temple Jar – Phoenix, Qilin & Lotus](https://anneliesebate.co.uk/blue-white-porcelain-temple-jar-qilin/): This porcelain Temple Jar is decorated with Qilin & Phoenixes. It's hand made on the potters wheel in the traditional way. It is then decorated by hand before firing. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD. Blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty (618 - 907.)
- [Blue & White Porcelain Temple Jar – Precious Objects](https://anneliesebate.co.uk/blue-white-porcelain-temple-jar-precious-objects/): This porcelain Temple Jar is decorated with precious Chinese objects. It's hand made on the potters wheel in the traditional way. It is then decorated by hand before firing. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty 202 BC to 220 AD. Blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty (618 - 907.)From China
- [Blue & White Porcelain Temple Jar – Qilin Design](https://anneliesebate.co.uk/blue-white-porcelain-temple-jar-qilin-design/): This striking blue and white porcelain temple jar is decorated with a majestic Qilin, one of the most revered mythical creatures in Chinese culture. Traditionally regarded as a symbol of wisdom, prosperity and benevolent rule, the Qilin was believed to appear only during the reign of a just emperor or at the birth or passing of a great sage. Depicted standing amongst bamboo, grasses and stylised clouds, the creature is rendered with remarkable detail, from its finely painted scales to its expressive features.
- [Blue & White Porcelain Temple Jar – Seven Masters](https://anneliesebate.co.uk/blue-white-porcelain-temple-jar-seven-masters/): This reproduction Chinese blue & white temple jar has a beautifully intricate seven masters design. It is made in the Kangxi style (porcelain produced during the reign of Emperor Kangxi (1662 - 1722)). It is hand painted by skilled artists using traditional techniques learned from their family passed down through generations.
- [Blue & White Porcelain Temple Jar – Snow Lion](https://anneliesebate.co.uk/blue-white-porcelain-temple-jar-snow-lion/): Inspired by a celebrated 14th century Yuan dynasty temple jar in the Museum of Oriental Ceramics, Osaka, this beautifully hand-painted porcelain temple jar is produced in the renowned porcelain city of Jingdezhen. For over a thousand years, Jingdezhen has been regarded as the heart of Chinese porcelain production, supplying the Imperial Court during the Ming dynasty and continuing its remarkable ceramic traditions today.
- [Blue & White Porcelain Tianqiuping Dragon Vase](https://anneliesebate.co.uk/blue-white-porcelain-tianqiuping-vase-dragon/): Inspired by one of the finest surviving examples of early Ming porcelain, this elegant blue and white tianqiuping (globular bottle) vase is a faithful reproduction of the celebrated Yongle period (1403–1424) original in the Princessehof National Museum of Ceramics, affectionately known as the "Mona Lisa of the Princessehof."
- [Blue & White Porcelain Tianqiuping Flower Vase](https://anneliesebate.co.uk/blue-white-assorted-porcelain-flower-vases/): This vase is hand made on the potters wheel in the traditional way.It is then decorated by hand before firing.Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD. Blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907.
- [Blue & White Porcelain Tianqiuping Dragon Vase](https://anneliesebate.co.uk/blue-white-porcelain-tianqiuping-vase-dragons/): This dramatic and large tianqiuping blue & white porcelain dragon vase is a reproduction of similar vases sold at auctions. Our reproduction Chinese blue & white vases are turned and hand painted by skilled artists using traditional techniques learned from their families and passed down through generations.
- [Blue & White Porcelain Tianqiuping Vase](https://anneliesebate.co.uk/blue-white-porcelain-tianqiuping-vase-pond/): This porcelain bottle vase is the perfect gift. It has been hand made on a potters wheel in the traditional way and decorated by hand before firing with a pond design featuring wild fowl.
- [Blue & White Porcelain Tianqiuping Vase – Lotus Design](https://anneliesebate.co.uk/blue-white-porcelain-bottle-vase-lotus/): This vase is hand made on the potters wheel in the traditional way. It is then decorated by hand before firing. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD. Blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907.
- [Blue & White Porcelain Tianqiuping Vase – Wave Dragons](https://anneliesebate.co.uk/porcelain-tianqiuping-vase-wave-dragons/): This reproduction Chinese porcelain tianqiuping bottle vase is decorated in an inverted blue & white glaze. The painting depicts five claw white dragons on a background of waves. Although the dragon was claimed as the symbol of the emperor during the Han dynasty (206 BC - 22 AD) it wasn't until the Ming dynasty (1368 0 1644) that the five claw dragon became the specific symbol of imperial might. It was then that the use of the five claw dragon outside of the imperial court became treasonous
- [Blue & White Porcelain Trumpet Vase](https://anneliesebate.co.uk/c0743/): A Blue & White Porcelain Trumpet Vase with a trailing leaf design. This vase is hand made on the potters wheel in the traditional way. It is then decorated by hand before firing. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD.
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- [Blue & White Porcelain Trumpet Vase – Trailing Leaf Design](https://anneliesebate.co.uk/porcelain-trumpet-vase-blue-white/): A Blue & White Porcelain Trumpet Vase with a trailing leaf design. This vase is hand made on the potters wheel in the traditional way. It is then decorated by hand before firing. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD.
- [Blue & White Porcelain Trumpet Vase With Floral Design](https://anneliesebate.co.uk/porcelain-vase-blue-white-with-flower-design-trumpet-vase/): A Blue and White Porcelain floral Trumpet Vase. This vase is hand made on the potters wheel in the traditional way. It is then decorated by hand before firing.
- [Blue & White Porcelain Umbrella Stand – Dragon](https://anneliesebate.co.uk/c0434/): This reproduction Chinese blue & white porcelain umbrella stand is hand painted and made in the classic Ming style. 
- [Blue & White Porcelain Vase – Chrysanthemum Design](https://anneliesebate.co.uk/c0717/): Chinese Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 2000 years ago- most experts believe that true porcelain - which also originated in China - did not emerge in the region until the Han Dynasty - 202 BC to 220 AD. The currently popular blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty - 618 - 907. The Chrysanthemum signifies intellectual accomplishments, cleansing qualities and longevity of life. This flower attracts good luck in the home.   It is good to give old people chrysanthemum flowers because they symbolize a strong life.
- [Blue & White Porcelain Vase – Chrysanthemum Design](https://anneliesebate.co.uk/blue-white-porcelain-vase-chrysanthemum-design/): The chrysanthemum signifies intellectual accomplishment and longevity of life. This flower attracts good luck in the home. It is considered good to give old people chrysanthemum flowers as they symbolise strong life. This vase is hand made on the potter's wheel in the traditional way. It is then decorated by hand before firing. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD.
- [Blue & White Porcelain Umbrella Stand](https://anneliesebate.co.uk/blue-white-porcelain-umbrella-stand/): This Blue and White Porcelain Umbrella Stand features a charming design of Fishes and Lotus leaves. It is handcrafted in small batches like all of our porcelain products. The skills used to create this stand have been passed down through generations from family elders, making it a true work of art.
- [Blue & White Porcelain Umbrella Stand – Lucky Symbols](https://anneliesebate.co.uk/blue-white-porcelain-umbrella-stand-1/): This reproduction Chinese porcelain blue & white glazed umbrella stand has been hand painted with traditional Chinese scholarly symbols meant to bring great wisdom. It has been hand made on the potters wheel using traditional techniques.
- [Blue & White Porcelain Vase – Dragon Design](https://anneliesebate.co.uk/blue-white-porcelain-dragon-vase-1/): This reproduction Chinese blue & white vase is hand painted by skilled artists using traditional techniques learned from their families and passed down through generations.
- [Blue & White Porcelain Vase Lamp – Dragon Design](https://anneliesebate.co.uk/blue-white-porcelain-dragon-vase-lamp/): This striking blue and white table lamp Is made from a Chinese vase  Its is hand painted with an iconic dragon design.
- [Blue & White Porcelain Vase – Figures in Tradtional Dress](https://anneliesebate.co.uk/blue-white-porcelain-vase-figures/): This delicate little porcelain vase is the perfect gift, decorated with Chinese wise men wearing traditional garb. It has been hand made on a potters wheel in the traditional way.
- [Blue & White Porcelain Vase Lamp – Phoenix Design](https://anneliesebate.co.uk/blue-white-porcelain-yuhuchunping-vase-lamp/): This lamp has been converted from a vase which was hand-made on the potters wheel in the traditional way. Finished with dark walnut wood it would be suitable for both contemporary & traditional homes.  This lamp is truly striking and would be an iconic addition to any room.
- [Blue & White Porcelain Wine Jar – Fish Design](https://anneliesebate.co.uk/blue-white-porcelain-wine-jar-fish-design/):  This beautiful Wine Jar is made by hand. Before firing it is decorated with leaves and fish. 
- [Blue & White Porcelain Yuhuchunping Vase – Phoenix Design](https://anneliesebate.co.uk/blue-white-porcelain-yuhuchunping-vase-phoenix/): This vase is hand made on the potters wheel in the traditional way. It is then decorated by hand before firing.
- [Blue & White Porcelain Yuhuchunping Vase – Pomegranate](https://anneliesebate.co.uk/blue-white-porcelain-yuhuchunping-vase-pomegranate/): This blue & white pear shaped (Yuhuchunping) vase is decorated with central pomegranates. Pomegranates represented fertility, abundance, healthy & numerous offspring, and a blessed future.
- [Blue & White Porcelain Yuhuchunping Vase – Wave Dragons](https://anneliesebate.co.uk/blue-white-porcelain-trumpet-mouth-vase-wave-dragons/): This reproduction Chinese porcelain yuhuchunping vase is skillfully decorated in inverted blue & white glaze. The painting depicts five claw white dragons on a background of waves. Although the dragon was claimed as the symbol of the emperor during the Han dynasty (206 BC - 22 AD) it wasn't until the Ming dynasty (1368-1644) that the five claw dragon became the specific symbol of imperial might. It was then that the use of the five claw dragon outside of the imperial court became treasonous
- [Blue & White Small Yuhuchunping Vase – Assorted Designs](https://anneliesebate.co.uk/blue-white-small-yuhuchunping-vase-assorted-designs/): An assortment of Yuhuchunping Vases with various designs. These vases are hand made on the potters wheel in the traditional way. They are then decorated by hand before firing. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain -which also originated in China - didn't emerge in the region until the Han Dynasty -202 BC to 220 AD.
- [Blue & White Wine Jar Vase – Cherry Tree Design](https://anneliesebate.co.uk/blue-white-vase-cherry-tree-design/): Made in the Yuan Dynasty Style, this Chinese porcelain wine jar is made using a blue and white glaze and is perfect to use as a flower vase.
- [Blue & White Temple Jar Lamp – Fish Design](https://anneliesebate.co.uk/blue-white-temple-jar-lamp-fish-design/): This Chinese porcelain temple jar is decorated with Lotus leaves and Fish, and has been converted into a spectacular lamp. The jar is hand made on the potters wheel in the traditional way. It is then decorated by hand before firing. 
- [Blue & White Wine Jar Vase – Pine Tree Design](https://anneliesebate.co.uk/blue-white-wine-jar-vase-pine-tree-design/): Made in the Yuan Dynasty Style, this Chinese porcelain wine jar is made using a blue and white glaze and is perfect to use as a flower vase.
- [Blue 4 Door Sideboard Made From Reclaimed Pine](https://anneliesebate.co.uk/blue-4-door-sideboard-made-from-reclaimed-pine/): This Chinese blue painted sideboard is made from reclaimed pine from old Chinese doors. With four handy doors this sideboard is great for storage and would look great in a hallway. 
- [Blue And Red Tibetan ground Rug – Ca 1920’s](https://anneliesebate.co.uk/blue-and-red-tibetan-rug/): A striking rich blue and soft coral coloured piled wool rug that's in very good condition. The design is of mirrored images of butterflies and flowers surrounded by a beautiful border of flowers and stylised Tibetan clouds. Circa 60 years old  
- [Blue and Tangerine Nui Burst Cushion & Pad](https://anneliesebate.co.uk/auk398/): Blue & Tangerine Nui Burst Cushion. This beautiful design uses the 'Nui' Shibori technique to create the floral/geometric repeat which is then digitally printed onto gorgeous soft pile velvet. The Blue and Tangerine pop of colour makes it a perfect cushion for your home. Cushion front fabric is soft pile poly velvet Luxurious indigo velvet backing and piping Includes extra stuffed 100% duck feather-filled cushion pad Concealed zip fastening Dry clean onlyFrom UK
- [Blue And White Porcelain Planter](https://anneliesebate.co.uk/c0700/): Blue and White Porcelain Planter This porcelain Temple Jar is decorated with Lucky Symbols. These lovely jars are made in small batches by hand. Most potters have learnt their craft from the elders of their family. These skills been handed down through the generations. Porcelain is steeped in centuries of Chinese culture and history. Even though pottery developed in China 15,000 years ago, most experts believe that true porcelain (which also originated in China) didn't emerge in the region until the Han Dynasty (202 BC to 220 AD). Blue and white porcelain is glazed using a transparent porcelain glaze dating back to the Tang Dynasty (618 - 907). From China
- [Blue Bandhani Silk Scarf from Rajasthan](https://anneliesebate.co.uk/silk-bandhani-scarf-royal-blue/): These wonderful Bandhani scarves come from Rajasthan. The art of Bandhani is highly skilled. The technique involves dyeing a fabric which is tied tightly with a thread at several points and involves several processes. A variety of patterns like Leheriya, Mothra, Ekdali and Shikari are produced depending on the manner in which the cloth is tied.From 
- [Blue Boteh Scarf – Merino Wool](https://anneliesebate.co.uk/blue-boteh-scarf-merino-wool/): Blues & Greys Boteh Scarf - Merino Wool100 Percent Merino Wool from India Dry Clean Only.
- [Blue Carved Mirror Made From Old Teak Door – Ca 1920](https://anneliesebate.co.uk/carved-mirror-made-from-teak-door-frame-ca-1920/): This mirror is made using a blue painted teak door frame. Adorned with beautiful brass stud details and a central peacock motif, this mirror would make a stunning addition to any room. 
- [Blue Cast Iron Outdoor Bench – Ca 1940](https://anneliesebate.co.uk/cast-iron-garden-bench-1/): This cast iron and wooden bench is an Early 20th century Indian copy of an English style bench from the 19th Century. The dense cast iron ends would have been used as ballast on returning trade ships. It is the perfect counterpoint or companion to modern garden furniture. Already showing hallmarks of a lifetime of utility, this hefty bench promises to continue doing so for many years to come.
- [Blue Embroidered Jutti Slippers](https://anneliesebate.co.uk/a4797/): These lovely handmade leather jutti (or jooti) embroidered slippers are traditionally worn in Rajasthan by men and women. These ethnic slippers are seen throughout Northern India and are Indo-Persian in style. They are often referred to as Punjabi jutti.
- [Blue Cast Iron Garden Bench – 1930](https://anneliesebate.co.uk/cast-iron-garden-bench/): Of unrivaled strength and stoutness, this cast iron and wooden bench is an Early 20th century Indian copy of an English style bench from the 19th Century. The dense cast iron ends would have been used as ballast on returning trade ships. It is the perfect counterpoint or companion to modern garden furniture. Already showing hallmarks of a lifetime of utility, this hefty bench promises to continue doing so for many years to come.
- [Blue Floral Hand painted Metal Bin / Planter](https://anneliesebate.co.uk/blue-floral-hand-painted-metal-bin-planter/): These old Indian iron drums have been up-cycled.
- [Blue Floral Rajasthani Metal Bin / Planter](https://anneliesebate.co.uk/blue-floral-hand-painted-metal-bin/): These Indian bins are perfect as planters and have been recycled and repainted in the typical Rajasthani style with floral patterns and vibrant colours by skilled artisans in Jodhpur, India. They're useful, pretty and can help keep your home or office tidy.
- [Blue Gingko Velvet Drum Shade](https://anneliesebate.co.uk/gingko-drum-lampshade-blue/): Digitally printed onto gorgeous soft pile velvet. A must for any interior setting.
- [Blue Glazed Tang Horse Statue](https://anneliesebate.co.uk/blue-glazed-tang-horse/): Blue & Tang Glazed Terracotta Tang Style Horse - Reproduction. These are still made in the traditional way by hand in Henan Province China. They make a statement in any room. A perfect gift for horse enthusiasts. From China
- [Blue Glass Hundi Lamp – 19thC Unwired](https://anneliesebate.co.uk/a3367/): A Blue Glass Hundi Lamp - 19thC - unwired.These glass lamps are known in India as Handis or Hundis named after a cooking pot. Rather surprisingly they are not Indian, but European in origin. They were exported to India as lighting for large homes and palaces in the 19th Century. Candles or oil lamps were placed inside the glass bell and the glass lid prevented soot from marking the ceiling of the palace or the tent. Many survived on the tall ceilings unlike their European counterparts which were taken down and smashed when electricity arrived. Our antique hundi are mostly 19th or early 20th century. Please note that this is hand blown old glass and may have small imperfections and some small scratches, but it is not surprising for glass that has survived around 100yrs.The height could be a little less with chain links removed.Most hundis can be wired at extra cost with a 3 way or single fitting and brass ceiling hooks can also be supplied if required. Please contact us directly via the link.We also stock reproduction hundis which are made in India.From India28 dia x 54 h cm approx
- [Blue Lacquered Mongolian Sideboard](https://anneliesebate.co.uk/blue-painted-mongolian-sideboard-made-from-old-wood/): This blue lacquered sideboard is a contemporary piece crafted in a traditional Mongolian style, using reclaimed timbers selected for their texture and character. Its long, grounded proportions draw on vernacular storage furniture, with a softened surface and restrained detailing.
- [Blue Painted & Limed Stone Jali Panel From Rajasthan – 19th Century](https://anneliesebate.co.uk/a00613/): These Jodhpur blue antique jali panels are hand carved from a single piece of stone. Crafted with expert traditional techniques, these panels date to the 19th century and are intricately hand-carved with unmistakable Mughal influences. 
- [Blue Painted 4 Door Sideboard Made From Reclaimed Pine](https://anneliesebate.co.uk/c1093/): Sideboard with 4 doors. Ideal as a hall piece or used behind a sofa. It has been cleverly distressed and although it is not old it is made from reclaimed pine wood which usually comes from old Chinese doors or floors.
- [Blue Painted Banswara Window Mirror – 19thC (68 x 78cm)](https://anneliesebate.co.uk/old-painted-indian-window-mirror-from-banswara/): This mirror is made from an old carved teak wall niche & comes from the Banswara district of Rajasthan. This piece has been modified to use as a mirror or as a simple piece of wall art.
- [Blue Painted Bucket From Rajasthan](https://anneliesebate.co.uk/a4167/): Used for generations in India to collect Water from the village well - This Iron Bucket has been upcycled - It has been given a more recent paint finish.Great used in a modern setting or in an inglenook fireplace. Planted up it can be used outside in a garden, but will lose it's paint eventually.
- [Blue Painted Chest From Gujarat – Ca 1900](https://anneliesebate.co.uk/blue-painted-indian-chest-1/): This rustic Indian chest is covered with a light blue paint finish. It dates to the end of the 19th century, circa 1900, and has a shabby chic look perfect to use as a coffee table. Constructed from teak wood.Chests like this were €œcustom made€� by the head of the family, who commissioned a carpenter to make one to store valuables such as textiles, jewelry, dowry and cash. They were locked with strong padlocks for maximum security.Chests and boxes from India are found in an extraordinary variety of styles reflecting the many cultures that influenced India
- [Blue Painted Chinese Bamboo Ladder](https://anneliesebate.co.uk/c9755/): This Chinese bamboo ladder features a beautiful blue painted design. Made from durable bamboo, this ladder adds both functionality and style to your home. With its sturdy construction and eye-catching color, it is the perfect addition to any room.
- [Blue Painted Console Table Made from Reclaimed Teak](https://anneliesebate.co.uk/reclaimed-teakwood-console-table-2/): This Indian hallway table has been lovingly constructed from reclaimed teak from old Indian buildings that have fallen into a state of disrepair. The legs are repurposed old teak pillars whilst the carved panel is from an old Gujarati door lintel. With each carving completely unique, this console table is truly one of a kind. Each piece of wood dates back to the 19th century.
- [Blue Painted Dog Gate From Gujarat – 19th Century](https://anneliesebate.co.uk/blue-painted-dog-gate-from-gujarat-19thc/): This charming 19th-century dog gate from Gujarat was originally positioned behind the main entrance doors of a traditional haveli, serving as a practical barrier to keep animals from entering the household while allowing light and airflow to pass through.
- [Blue Painted Dog Gate From Gujarat – 19th Century](https://anneliesebate.co.uk/teak-dog-gate-from-gujarat/): Dog gates were used in front of the main entrance door of Gujarati Havelis to keep animals out. This one is made from teak wood and has beautifully aged blue paint. 
- [Blue Painted Ganesh Door Mirror From Andhra Pradesh – 19th Century](https://anneliesebate.co.uk/blue-painted-ganesh-door/): This ornately carved blue painted Indian mirror is made from an original Indian door from Gujarat. At the top of the door, you can see Ganesh, the Hindu elephant god, and the remover of obstacles. 
- [Blue Painted Glazed Large Wall Cabinet – Ca 1920](https://anneliesebate.co.uk/large-blue-painted-wall-cabinet/): An elegant solution for storing your collectibles, this large teak wall cabinet is almost 100 years old. It has a single simple shelf and a glass panel. These cabinets are great for a kitchen as a spice cabinet or a bathroom toiletries cabinet. It also has a handy drawer at the bottom adding additional storage.
- [Blue Painted Glazed Side Cabinet From Gujarat – Ca 1910](https://anneliesebate.co.uk/antique-indian-blue-painted-glazed-cabinet-a03136/): This charming blue painted teak side cabinet comes from Gujarat, India, and dates to the early 20th century. It retains its original worn paint finish with a wonderfully weathered patina. Glazed on three sides, making it ideal for displaying treasured objects, glassware, or folded linens.
- [Blue Painted Glazed Teak Wall Cabinet – 1940](https://anneliesebate.co.uk/blue-painted-glazed-wall-cabinet/): A beautifully simple mid-20th century glazed wall cabinet handcrafted in teak and finished in vibrant weathered blue paint. Originating from India, the cabinet combines practical storage with a relaxed rustic aesthetic, its softly worn surface revealing layers of age and use that give the piece warmth and individuality. The subtle cresting detail above the door adds a gentle decorative touch while maintaining the cabinet’s clean, functional form.
- [Blue Painted Glazed Wall Cabinet – Ca 1920](https://anneliesebate.co.uk/blue-painted-glazed-wall-cabinet-2/): An elegant solution for storing and displaying your collectibles, this teak wall cabinet is almost 100 years old. It has three shelves and a glass panel. These cabinets are great for a kitchen as a spice cabinet or a bathroom toiletries cabinet.
- [Blue Painted Glazed Wall Cabinet – Ca 1920](https://anneliesebate.co.uk/painted-glazed-wall-cabinet-2/): An elegant solution for storing your collectibles, this teak wall cabinet is over 100 years old. With two simple shelves and a glass panel, it's great for a kitchen or bathroom. This piece is also supplied with sturdy wall hangers on the back. Contact us for further advice on hanging.
- [Blue Painted Glazed Wall Cabinet – Ca 1930](https://anneliesebate.co.uk/blue-painted-glazed-wall-cabine/): An elegant solution for storing and displaying your collectibles, this teak wall cabinet is almost 100 years old. It has three shelves and a glass panel. These cabinets are great for a kitchen as a spice cabinet or a bathroom toiletries cabinet.
- [Blue Painted Horse Head Corbels On Stand – 19th Century](https://anneliesebate.co.uk/painted-carved-horse-head-corbels-a02893/): These carved teak horse heads have been turned into decorative ornaments. Originally, a pair of corbels, they would have adorned the sides of a large door in a grand Indian home in Andhra Pradesh.
- [Blue Painted Indian Mihrab Mirror](https://anneliesebate.co.uk/indian-mirror-made-from-an-old-teak-window-19thc-5/): This striking 19th-century mirror has been created from an original Indian window frame, beautifully preserving the architectural character of the piece. The frame features a graceful Mughal-inspired arch, with its softly scalloped inner profile reflecting the refined curves seen in historic North Indian architecture.
- [Blue Painted Indian Glazed Side Cabinet – 19th Century](https://anneliesebate.co.uk/antique-indian-painted-glazed-cabinet-a03135/): This charming blue painted teak side cabinet comes from Gujarat, India, and dates to the 19th century. It retains its original worn paint finish with a wonderfully weathered patina. Glazed on three sides, making it ideal for displaying treasured objects, glassware, or folded linens.
- [Blue Painted Indian Chest From Gujarat – 19thC](https://anneliesebate.co.uk/blue-painted-indian-chest/): This rustic chest was made to last in the 19thC from thick teakwood and then iron and brass bound to give it extra strength.
- [Blue Painted Indian Mirror – 19thC (60 x 92cm)](https://anneliesebate.co.uk/blue-painted-antique-indian-mirror/): This carved mirror is made from old reclaimed wood taken from grand houses in Gujarat which have fallen into disrepair. The simple multicoloured repeating motif around the edge of the mirror gives this piece a unique character.
- [Blue Painted Indian Glazed Wall Cabinet – Ca 1930](https://anneliesebate.co.uk/blue-vintage-painted-teak-glazed-wall-cabinet/): Handcrafted in Gujarat around 1930, this vintage Indian wall cabinet is made from solid teak and finished in a timeworn, distressed blue paint. Its gently faded surface and carved pediment lend it a rustic elegance, while the glazed door retains its original glass€”softened by decades of use.
- [Blue Painted Indian Door & Frame – Early 19th Century](https://anneliesebate.co.uk/blue-painted-indian-door-frame/): This beautifully carved Indian antique door is from Gujarat and dates to the early 19th century. Constructed from teak wood these sturdy doors have beautiful, deep floral carvings flanked by corbels. These doors are truly a magnificent example of traditional Indian craftsmanship.
- [Blue Painted Iron Grain Storage Bin From Rajasthan – Ca 1920](https://anneliesebate.co.uk/blue-painted-iron-storage-bin/): This old Indian storage bin was originally used for grain over one hundred years ago and is from Rajasthan. Today, it would make a brilliant planter or log storage bin. It's incredibly sturdy and its iron handles make it easy to move.
- [Blue Painted Indian Slatted Shelf – Ca 1930](https://anneliesebate.co.uk/vintage-blue-painted-shelf-1/): This Anglo-Indian teak shelving unit dates from the late Raj period, circa 1940s, and is a wonderfully characterful example of practical colonial furniture. Crafted from solid teak, it retains a rich surface of original sky blue paint, now beautifully weathered and softly worn through years of use. Areas of natural paint loss reveal the warm tones of the teak beneath, creating a layered, timeworn patina that cannot be replicated.
- [Blue Painted Mango Console Table](https://anneliesebate.co.uk/indian-reclaimed-blue-painted-console-table-a03521/): This painted Indian console table is inspired by Mughal and Rajasthani traditional carving and made using sustainable mango wood and painted with a blue wash to fit into a contemporary home.
- [Blue Painted Large Triple Mirror From Madyha Pradesh – 19th Century](https://anneliesebate.co.uk/blue-painted-indian-triple-arch-mirror/): This impressive 19th-century triple arch mirror from Madhya Pradesh is a striking architectural piece, created from a beautifully carved wooden window frame. Featuring three elegant Mughal-style arches supported by slender columns, the composition is both balanced and graceful, making it a highly decorative focal point for any interior.
- [Blue Painted Lattice Door Screen From Shanxi – 19thC](https://anneliesebate.co.uk/antique-chinese-lattice-door-screen-19thc/): Blue Painted Lattice Door Screen From Shanxi - 19thCFrom China
- [Blue Painted Mihrab Mirror](https://anneliesebate.co.uk/painted-mihrab-mirror-a04057v4/): This characterful painted mihrab mirror is handcrafted from reclaimed teak and inspired by the pointed architectural arches found throughout Mughal and North Indian design. The recessed mirror opening creates a simple, distinctive shape that gives the piece an architectural quality.
- [Blue Painted Mihrab Mirror Made From Old Teak](https://anneliesebate.co.uk/mihrab-mirror-made-from-old-teak-panel/): This mihrab mirror is handcrafted from reclaimed teak, with a pointed arch inspired by traditional Mughal and North Indian architecture.
- [Blue Painted Mirror Made From Old Architectural Teak](https://anneliesebate.co.uk/blue-painted-mirror-made-from-an-old-teak-window/): This simple yet characterful mirror is made from an old Indian window frame originating from a traditional building in Gujarat. Crafted from solid reclaimed teak, it bears traces of its original paintwork, now beautifully worn to reveal subtle layers of colour and texture — evidence of its long history.
- [Blue Painted Military Chest From Rajasthan -19th Century](https://anneliesebate.co.uk/painted-brass-bound-military-chest/): These Anglo-Indian Military chests were originally used by officers of the British Indian Army to carry their kit and personal possessions whilst on tour. This example dates from the 19th century and has been painted blue and constructed from teak with brass corners and handles.
- [Blue Painted Mirror Made From Old Architectural Teak](https://anneliesebate.co.uk/rustic-blue-painted-mirror/): This simple yet striking mirror is crafted from reclaimed teak taken from an old 19th-century building in Gujarat. Its deep frame retains traces of original blue paintwork, creating a beautifully worn, time-layered surface that reflects generations of use. The subtle moulding lines give the frame a clean, architectural look, making it an easy piece to incorporate into both contemporary and rustic interiors.
- [Blue Painted Mirror Made From Old Architectural Teak](https://anneliesebate.co.uk/blue-painted-indian-mirror/): This simple blue painted Indian mirror is made from teak wood from an old Indian 19th-century building in Gujarat.
- [Blue Painted Mirror Made From Old Architectural Teak](https://anneliesebate.co.uk/antique-indian-carved-painted-mirro-a03305/): This unique mirror is made from teak wood salvaged from an old Indian 19th-century building in Gujarat that has fallen into disrepair. It still has patches of old blue paint clinging to the simple repeating carved pattern. 
- [Blue Painted Reclaimed Louvre Sideboard](https://anneliesebate.co.uk/4-door-painted-louvre-sideboard/): This louvre sideboard is constructed from Rajasthani vintage window shutters and painted with a distressed blue green painted finish. This rustic piece would be perfectly suited in a seaside home with superb storage in the form of four doors and drawers.
- [Blue Painted Pithara Console Chest From Southern Gujarat- 19thC](https://anneliesebate.co.uk/iron-bound-painted-pithara-dowry-chest-gujarat/): This iron bound teak dowry chest has been reduced in depth to create a dramatic console table.
- [Blue Painted Reclaimed Teak Cabinet Made From Old Doors](https://anneliesebate.co.uk/blue-painted-reclaimed-teak-cabinet/): Crafted from reclaimed teak, this exquisite cabinet features a stunning Mughal-style design with two intricately carved door panels rescued from a dilapidated building. The doors are adorned with large metal handles and secured with rotating pegs, opening to an ample storage space. A one-of-a-kind focal point for any space.
- [Blue Painted Sideboard From Gansu](https://anneliesebate.co.uk/vintage-blue-painted-sideboard-from-gansu/): This charming sideboard crafted in the Gansu style is a bijou piece of Chinese furniture. Smaller in scale than most traditional sideboards, it offers versatility without sacrificing character, making it ideal for more compact spaces while still providing useful storage.
- [Blue Painted Shelf From Gujarat – Ca 1930](https://anneliesebate.co.uk/blue-painted-teak-slatted-shelf-1/): This teak shelf dates from the days of the Raj, circa 1930's. Still coated in its original blue paint, this would fit perfectly into a wide range of interior styles. At nearly one hundred years old, it's still a very sturdy and reliable piece.
- [Blue Painted Storage Bin From Rajasthan – Ca 1920](https://anneliesebate.co.uk/blue-iron-grain-storage-bin/): This vintage cylindrical grain storage bin from Rajasthan is crafted from heavy-gauge iron and retains traces of its original blue painted finish, worn and weathered to reveal a rich, mottled patina. Once a practical container for storing grain or other dry goods, its robust build and honest, age-softened surface now give it strong decorative appeal.
- [Blue Painted Slatted Shelf From Rajasthan – Ca 1930](https://anneliesebate.co.uk/slatted-teakwood-shelf-from-rajasthan-1/): This Anglo-Indian teak shelving unit dates to the late Raj period, circa 1930s, and is a particularly attractive variation on the classic colonial open shelf. Crafted from solid teak, it retains its original blue painted finish, now softly weathered and beautifully worn with age. Layers of fading colour and natural paint loss reveal the timber beneath, creating an authentic patina that speaks to decades of practical use.
- [Blue Painted Sunburst Door & Frame – 19th Century](https://anneliesebate.co.uk/blue-painted-sunburst-door-frame/): This 19th century Indian antique door and frame from The Rann of Kutch is a stunning example of traditional craftsmanship. Expertly carved and produced from teak wood, it features dramatic sunburst panels and a vivid blue paint finish. It's decorated with intricate floral and peacock carvings, accentuated by ornate corbels, and is truly a magnificent work of art.
- [Blue Painted Teak Chest From Gujarat – 1920](https://anneliesebate.co.uk/blue-painted-teak-chest-from-gujarat/): This colourful Indian chest has been decorated with painted hearts and tulips in the style of Pennsylvania German chests. The paintwork is modern but the chest underneath is an antique dating to the 1920's. The interior consists of a large storage space with a fitted candle box. The date 1798 painted on the rear defines it as paintwork copied from an original chest in the collection of the Philadelphia Museum of Art which is illustrated in The Pennsylvania German Decorated Chest by Fabian, fig. 221.
- [Blue Painted Teak Dog Gate From Gujarat – 19th Century](https://anneliesebate.co.uk/light-blue-painted-teak-dog-gate-from-gujarat-19thc-1/): This striking antique dog gate once stood before a traditional Haveli doorway in Gujarat, India. Serving both a decorative and practical purpose, it kept animals out while enhancing the entrance’s architectural beauty. Crafted from solid teak and iron, it retains its original blue paint and aged hardware, with a rich patina developed through decades of weathering.
- [Blue Painted Teak Dog Gate From Gujarat – 19th Century](https://anneliesebate.co.uk/blue-painted-teak-dog-gate/): These 19th century Indian dog gates from Gujarat would have been used in front of the main entrance door of Gujarati havelis to keep animals out. This one is made from blue painted teak wood and iron. 
- [Blue Painted Teak Dog Gate From Gujarat – Late 19th Century](https://anneliesebate.co.uk/antique-indian-blue-painted-teak-dog-gate/): This striking antique dog gate once stood in front of a traditional Haveli doorway in Gujarat, India, serving the practical purpose of keeping animals out while offering an extra layer of decorative grandeur. Crafted from solid teak and iron, it features beautifully aged blue paint, ornate cut-out spindles, and original iron hardware with a wonderfully rustic patina.
- [Blue Painted Teak Door From Gujarat – 19th Century](https://anneliesebate.co.uk/carved-teak-doors-from-india-19thc/): These substantial 19th-century teak doors originate from Gujarat in western India and retain a wonderfully distressed blue painted finish. Generations of use have worn away areas of the paint to reveal layers of earlier colour and the natural teak beneath, creating a richly textured surface and distinctive antique patina.
- [Blue Painted Teak Door From Kutch – 19th Century](https://anneliesebate.co.uk/carved-teak-door-from-gujarat/): This beautifully carved 19th century blue painted Indian door has been salvaged from an old building in Kutch. the layers of old paint still visible on this original piece. They could be used as doors, freestanding, or hung as wall art. 
- [Blue Painted Teak Glazed Wall Cabinet – Ca 1930](https://anneliesebate.co.uk/blue-painted-teak-glazed-wall-cabinet-ca-1930/): An elegant solution for storing your collectibles, this teak wall cabinet is almost 100 years old. With a simple shelf and glass panel, it's great for a kitchen or bathroom.
- [Blue Painted Teak Glazed Wall Cabinet – Ca 1930](https://anneliesebate.co.uk/painted-teak-glazed-wall-cabinet-a03115/): This blue-painted teak glazed wall cabinet, dating to circa 1930, is a practical and decorative piece with nearly a century of history. Its vibrant yet timeworn paint, softened by age, gives it a distinctive character and patina. The simple glazed double doors open to reveal a single interior shelf, perfect for storing and displaying your treasured items.
- [Blue Painted Teak Glazed Wall Cabinet – Ca 1930](https://anneliesebate.co.uk/rustic-blue-indian-glazed-wall-cabinet-a03110/): This charming blue-painted teak wall cabinet dates to around 1930 and offers an elegant way to store and display your treasures. With its distressed paintwork and timeworn patina, it carries the character of decades of use while remaining highly functional. The cabinet features a glass-panelled door that allows your collectibles, toiletries, or kitchen spices to be easily seen, while the simple shelf interior provides useful storage.
- [Blue Painted Teak Glazed Wall Cabinet – Ca 1930](https://anneliesebate.co.uk/blue-painted-teak-glazed-wall-cabinet/): This Indian glazed wall cabinet is an elegant solution for storing your collectibles - it's over 100 years old. It has a large interior space with two shelves, a bottom storage space accessible by a flip hatch, and a distressed blue paint finish. These cabinets are great for a kitchen as a spice cabinet or a bathroom toiletries cabinet.
- [Blue Painted Teak Glazed Wall Cabinet – Ca 1930](https://anneliesebate.co.uk/vintage-indian-blue-painted-glazed-wall-cabinet-a03114/): This antique glazed teak wall cabinet dates back nearly a century and is finished in a beautifully distressed blue paint. Its bold colour and patina reflect years of use, creating a unique character that makes it as decorative as it is practical. With its glass-fronted door and carved crest detail, the cabinet has an elegant presence that suits both traditional and contemporary interiors.
- [Blue Painted Teak Peacock Dog Gate From Gujarat – 19th Century](https://anneliesebate.co.uk/blue-painted-teak-peacock-dog-gate/): These 19th century Indian dog gates from Gujarat would have been used in front of the main entrance door of Gujarati havelis to keep animals out. This one is made from blue painted teak wood and boasts beautifully carved peacocks and a repeating jali lattice.
- [Blue Painted Teak Shelf From Gujarat – Ca 1930](https://anneliesebate.co.uk/blue-painted-teak-shelf/): This teak shelf dates from the days of the Raj, circa 1930's. Still coated in its original blue paint, this would fit perfectly into a wide range of interior styles. At nearly one hundred years old, it's still a very sturdy and reliable piece.
- [Blue Painted Tribal Door From Orissa – 19th Century](https://anneliesebate.co.uk/antique-indian-blue-painted-tribal-door/): This striking 19th century tribal door from Orissa is richly layered with history, texture and folk symbolism. Retaining traces of its original blue painted surface, the door reveals an extraordinary series of deeply carved panels beneath, each depicting tribal figures, birds, monkeys, tigers and other animals in a naïve yet highly decorative style. The weathered paint and worn timber give the piece remarkable depth and character, making it as much a work of art as an architectural fragment.
- [Blue Painted Wall Cabinet – Ca 1930](https://anneliesebate.co.uk/vintage-indian-blue-painted-glazed-wall-cabinet-a03116/): An elegant solution for storing your collectibles, this glazed teak wall cabinet is nearly 100 years old. It has a large interior space with a glass shelf, an additional drawer, glass panels, and a distressed blue painted finish. These cabinets are great for a kitchen as a spice cabinet or a bathroom toiletries cabinet. Supplied with easy-to-mount wall hangers. Contact us for further advice on hanging.
- [Blue Slatted Teak Shelf From Rajasthan – Ca 1930](https://anneliesebate.co.uk/blue-slatted-teakwood-shelf-from-rajasthan-ca-1930/): This Anglo-Indian teak shelf from the days of The Raj. This very useful teak shelf dates from the 1930's. Still coated in its original blue paint, this would fit perfectly into a wide range of interior styles. At nearly one hundred years old, it's still a very sturdy and reliable piece.
- [Blue Stone Lamp Niche From Jaisalmer – 19th Century](https://anneliesebate.co.uk/3-way-stone-lamp-niche-1/): Hand-carved from the distinctive yellow sandstone of Jaisalmer, this 19th-century three-way lamp niche once flanked a doorway in the desert city’s golden havelis. Designed to hold small oil lamps or candles, such niches illuminated entrances at dusk, casting a warm glow across intricately carved façades. This example features three slender arched openings divided by delicately carved columns, crowned with foliate detailing and framed by a geometric border — a beautiful interplay of architectural rhythm and decorative craftsmanship.
- [Blue Teak Shelf From Rajasthan – Ca 1930](https://anneliesebate.co.uk/blue-slatted-teakwood-shelf/): This Anglo-Indian teak shelf dates from the days of the Raj, circa 1930's. It still shows the remains of its original blue paint. This vintage style fits perfectly into a wide range of modern interior styles. Useful in kitchens for  pots & pans or for storing jars  of flour etc. Or maybe for storing the family wellies in the hall. 
- [Blue Tibetan Saddle Rug – Ca 1920’s](https://anneliesebate.co.uk/horse-design-tibetan-saddle-rug/): This very decorative, Tibetan wool rug was used as saddle rug for a pony but would make a pretty hearth rug in a small cottage. It has a traditional key design around the border and mirrored images of horses tethered to a tree.
- [Bo Choba Dansu From Japan Edo Period – 19th Century](https://anneliesebate.co.uk/mikuni-bo-dansu/): This antique Japanese choba dansu is defined by its bo, the central locking bar that keeps the drawers secure. This chest is made predominantly from keyaki (red elm) and is unusually heavy for a tansu. Keyaki was prized for its deep colours and beautiful grain structure. This tansu chest retains the original iron hardware and urushi lacquer finish. The handles are made in the kakute squared style.
- [Bobbin Shelf from Gujarat – 19thC](https://anneliesebate.co.uk/a4276/): This pretty bobbin shelf would have been custom made for a wealthy Gujarati family. It dates from the mid 19thC & is made from Teak wood.
- [Bohemian Cut Glass Flask – 19th Century](https://anneliesebate.co.uk/m245/): Bohemian - Possibly Biedermeier - Flash Cut Clear and Rose Glass Scent Bottle - Beautifully decorated in Gilt.Dating from 19th Century In good condition for it's age - Sadly the screw stopper is missing which is reflected in the price.
- [Bohra Takhat From Gujarat With Lacquered Legs – 19th Century](https://anneliesebate.co.uk/antique-indian-bohra-takhat-coffee-table/): This antique Indian coffee table dates to the 19th century and is a piece from the Bohra community, a Muslim trading group known for commissioning finely made domestic furniture. These tables are locally called takhat — a low daybed traditionally used by the wealthy merchant classes of various North Western Indian states. Crafted from richly patinated teak, it features three deep drawers and bold turned red lacquered legs, a distinctive hallmark of Gujarati craftsmanship.
- [Bone & Resin Inlay Tissue Box From Rajasthan](https://anneliesebate.co.uk/bone-resin-inlay-tissue-box-from-rajasthan/): This  bone inlay tissue box features an art deco black and white design that would fit into any home or office.
- [Bone Inlay & Brass Mughal Style Box](https://anneliesebate.co.uk/a3172/):  
- [Bone Inlaid Teak Chest Of Drawers – Ca 1920](https://anneliesebate.co.uk/chest-of-drawers-teak-bone-inlay/): These stunning teak chest of drawers from Punjab dates to circa 1920, the twilight days of the Raj. The chest of drawers itself is old and the intricate camel bone inlay has been added more recently.
- [Bone Inlay Box Mughal Style](https://anneliesebate.co.uk/a6240/): This bone inlay box features a black and white chevron design that would fit into any home or office. Its size and design makes it very versatile and it can be used for jewelry, sewing bits or as even as a keepsake box.  
- [Bone Inlay Box Mughal Style](https://anneliesebate.co.uk/bone-inlay-box-with-mughal-design/): This bone inlay box features a black and white chevron design that would fit into any home or office. Its size and design makes it very versatile and it can be used for jewelry, sewing bits or as even as a keepsake box.  
- [Bone Inlay Chair With Arms](https://anneliesebate.co.uk/a5653/): A chair from the Days of The Raj. Chairs were generally made from teakwood or rosewood. This chair is an antique piece with later intricate bone inlay work in traditional style. The seat is made from cane & has been replaced.
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- [Bone Inlay Chest Of Drawers – Ca 1920](https://anneliesebate.co.uk/chest-of-drawers-teak-with-bone-inlay/): These stunning teak chest of drawers from Punjab dates to circa 1920, the twilight days of the Raj. The chest of drawers itself is old and the intricate camel bone inlay has been added more recently.
- [Bone Inlay Chest Of Drawers – Ca 1920](https://anneliesebate.co.uk/bone-inlay-chest-of-drawers-1/): This stunning teak chest of drawers from Punjab dates to circa 1920, the twilight days of the Raj. The chest of drawers itself is old and the intricate camel bone inlay has been added more recently. The flowing bone inlay is shaped is florid leaves with a central star design on the top.
- [Bone Inlay Chest Of Drawers – Ca 1920](https://anneliesebate.co.uk/bone-inlay-chest-of-drawers-2/): This stunning teak chest of drawers from Punjab dates to circa 1920, the twilight days of the Raj. The chest of drawers itself is old and the intricate camel bone inlay has been added more recently. The flowing bone inlay is shaped as florid leaves with a central Mughal star design on top.
- [Bone Inlay Lamp Table](https://anneliesebate.co.uk/bone-inlay-lamp-table-from-india/): 44 x 44 x 77 (wxdxh cms)
- [Bone Inlay Hexagonal Side Table](https://anneliesebate.co.uk/bone-inlay-hexagonal-side-table/): This stunning decorative Indian hexagonal side table has amazingly intricate bone inlay work. The bone inlay is laid in a Mughal jali design with hints of Arabic & Moorish themes. 
- [Bone Inlay Mirror From Rajasthan](https://anneliesebate.co.uk/bone-inlay-mughal-jali-design-mirror-from-rajasthan/): These stunning decorative Indian mirrors have amazingly intricate bone inlay work and are made in small workshops in Rajasthan by skilled craftsmen. The bone inlay is laid in a Mughal design with hints of Arabic & Moorish themes. 
- [Bone Inlay Mughal Style Box](https://anneliesebate.co.uk/bone-inlay-mughal-style-box-a03228/): A small cylindrical box crafted from wood with bone and resin inlay in a classic Mughal trellis pattern. The interior is painted black€”perfect for storing jewellery, tea, or trinkets.
- [Bone Inlay Sideboard – Teakwood  – 19thC](https://anneliesebate.co.uk/a4151/): A very decorative and useful piece, this cabinet is made from teakwood with intricate bone inlay work. The cabinet is an antique piece the bone inlay has been added in recent times - from Gujarat From India 98 x 33 x 91 (w x d x h cms)
- [Bone Inlay Teak Arm Chair – 19thC From Punjab](https://anneliesebate.co.uk/a4221/): A chair from the Days of The Raj. Chairs were generally made from teakwood or rosewood. This chair is an antique piece with later intricate bone inlay work in traditional style. The seat is made from cane & has been replaced. From Punjab
From India
54 x 54 x 90 UK Delivery Charge - except Highlands & Islands £40
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- [Bone Inlay Teak Chest – 19th Century](https://anneliesebate.co.uk/bone-inlay-teak-chest-1/): This highly decorative Indian teak chest dates from the days of the Raj, circa 19th century, and captures the timeless elegance of Mughal-influenced design with its bone inlay patterns. Originally used for storing valuables or ceremonial objects, its solid teak frame has aged beautifully with time.
- [Bone Inlay Teak Chest – 19th Century](https://anneliesebate.co.uk/indian-vintage-bone-inlay-teak-chest-a03445/): This highly decorative Indian teak chest dates from the days of the Raj, circa 19th century, and captures the timeless elegance of Mughal-influenced design with its bone inlay patterns. Originally used for storing valuables or ceremonial objects, its solid teak frame has aged beautifully with time.
- [Bone Inlay Wooden Duck From Rajasthan](https://anneliesebate.co.uk/bone-inlay-wooden-duck/): This charming wooden duck has been beautifully embellished with bone inlay. Although not antique, it's a fine example of traditional Indian craftsmanship and shows great skill with the inlay work.   Circa 30 yrs old.  From Rajasthan
- [Book Chair With Rattan Seat From Zhejiang – 19th Century](https://anneliesebate.co.uk/chinese-catalpa-book-chair/): These antique Chinese chairs are called meigui yi or book chairs. Book chairs were unusual for Chinese chairs as they were the only style of Chinese chair made in larger sets. This set of six Chinese book chairs is from Zhejiang and dates to the late 19th century. 
- [Bookshelf Made From Reclaimed Pine](https://anneliesebate.co.uk/reclaimed-bleached-pine-bookcase/): Constructed using reclaimed pine from vintage benches and doors, this shelving unit is both durable and spacious with four long shelves and two bottom compartments hidden behind hinged doors.
- [Bowl of Mandarins Diffuser by True Grace](https://anneliesebate.co.uk/orange-blossom-amber-room-diffuser-by-true-grace/): True Grace's zesty scented Bowl of Mandarins diffuser features notes of guaiac wood, tangerine, orange blossom, and mandarins. 
- [Bownat Rug – Ca 1930](https://anneliesebate.co.uk/bownat-rug-ca-1930/): The rich history of the Persian carpet goes back to at least 400BC when according to Xenophon, they were so highly prized they were often used as diplomatic gifts. Today, they have gained notoriety across the globe for their beautiful, colourful and complex designs and are well known for their quality and durability with the potential for a single rug to last centuries given the right care.This particular rug is known as a 'Bownat' and is woven by the nomadic kashgai or Qashgai peoples. Traditionally they weave the rugs from the wool provided by their own sheep which they move from region to region to graze alongside other herd animals such as horses. Even though this rug is nearly 100 years old, it's still in very good condition and has the potential to last many many years given the right care.
- [Boxed Set Of Calligraphy Brushes](https://anneliesebate.co.uk/boxed-set-of-calligraphy-brushes/): Set of 10 Calligraphy Brushes. Perfect for all artists. Supplied in a Chinese Silk covered box. A great gift.
- [Brass & Iron Bound Chest On Wheels From Gujarat – 19th Century](https://anneliesebate.co.uk/brass-and-iron-bound-teak-chest/): This antique iron-bound chest dates to the 19th century and comes from Gujarat, India. Constructed from solid teak, it is reinforced with substantial iron strapping and retains a rich, well-aged surface and patina.
- [Brass & Iron Indian Pithara Dowry Chest On Wheels – 19th Century](https://anneliesebate.co.uk/antique-indian-pithara-chest-on-wheels/): This Indian pithara dowry Chest, dating back to the 19th century, features a combination of wood, brass and iron in its construction. Originally built with wheels for easy transportation, this teak dowry chest offers ample storage and is ideal for larger spaces.
- [Brass & Iron Marwari Trousseau Box From Shekhawati – 19th Century](https://anneliesebate.co.uk/brass-iron-marwari-trousseau-box-from-shekhawati/): This beautiful antique Indian brass trousseau box is from Shekhawati and is an excellent example of the style and dates to the 19th century. These boxes are locally called peti (casket) and were originally used to store the trousseau (bridal clothes & jewellery). Each box is lined with fabric to safeguard the expensive contents. This box unusually is adorned with mirrors fixed to the inside of the lid. The body of the box is constructed from roheda wood which is clad with iron and brass. 
- [Brass & Iron Trousseau Box From Shekhawati – 19th Century](https://anneliesebate.co.uk/antique-indian-shekhawati-dowry-box/): This sturdy iron and teak wood antique Indian box is decorated with hand beaten brass border and panels. It dates from the 19th century.
- [Brass & Iron Trousseau Box From Shekhawati – 19th Century](https://anneliesebate.co.uk/iron-teak-dowry-box-from-shekhawati-19thc/): This sturdy iron and teak wood antique Indian box is decorated with hand beaten brass border and panels. It dates from the 19th century.
- [Brass & Iron Trousseau Box From Shekhawati – 19th Century](https://anneliesebate.co.uk/shekhawati-brass-etched-box/): This Indian antique etched brass box is from Shekhawati and is an excellent example of the style and dates to the 19th century. These boxes are locally called peti (casket) and were originally used to store the trousseau (bridal clothes & jewellery). Each box is lined with fabric to safeguard the expensive contents. The body of the box is constructed from roheda wood which is clad with iron and brass. 
- [Brass & Iron Trousseau Box From Shekhawati – 19th Century](https://anneliesebate.co.uk/chithai-work-brass-iron-trousseau-box-from-shekhawati/): This Indian antique etched brass box is from Shekhawati and is one of the best examples of a Shekhawati trousseau box we've found and dates to the 19th century. These boxes are locally called peti (casket) and were originally used to store the trousseau (bridal clothes & jewellery). Each box is lined with fabric to safeguard the expensive contents. The body of the box is constructed from roheda wood which is clad with iron and brass. This worked, hand beaten, etched and chased work is referred to as chithai work and depicts a trailing acanthus flower.
- [Brass & Lacquered Chest From Bikaner – Early 19th Century](https://anneliesebate.co.uk/bikaner-brass-lacquered-chest/): This rare antique Indian chest is from Bikaner in Rajasthan. It dates to the early 19th century (or earlier). Beautifully constructed with a double hasp and green & red lacquer work, this would have been made for a wealthy client and features a mix of brass and iron hardware. 
- [Brass & Rosewood ‘Malabar’ Chest From Kutch – 19th Century](https://anneliesebate.co.uk/brass-rosewood-malabar-chest-from-kutch/): This beautifully carved Indian chest is known as a Malabar chest and dates to the middle of the 19th century. It is made from solid rosewood and bound with brass. These chests were used as dhow trade chests for transporting spices like pepper and cloves, Indian cotton, and gemstones. The main trade hubs were Diu, Surat, Basra, Zanzibar & Bombay.
- [Brass & Rosewood Prayer Table from Gujarat – 19thC](https://anneliesebate.co.uk/brass-rosewood-prayer-table-from-gujarat-19thc/): A very pretty hexagonal prayer table is known as a 'Bajot' in India. Made from rosewood and hand beaten brass, this bajot is over 100 years old and originally from Gujarat, India.
- [Brass & Rosewood Singhasan From Rann of Kutch  – 19th Century](https://anneliesebate.co.uk/brass-rosewood-singhasan/): An exquisitely detailed god throne dating from the 19th century, known in Hindi as a 'singhasan' or 'puja mandir'. 
- [Brass & Teak Indian Tobacco Box – 19th Century](https://anneliesebate.co.uk/brass-teak-indian-antique-tobacco-box/): This style of pot was used for tobacco and opium and is a real collector's piece. This piece dates to the 19th century and has been beautifully constructed using brass and teakwood which has developed a great patina with age. These pots are found in Rajasthan & Gujarat and are made from a single piece of wood. The top on this piece has long since been lost and has an old replacement from the mid 20th century. These pots were well cared for and in constant use.  
- [Brass & Teak Indian Tobacco Pot From Rajasthan – 19thC](https://anneliesebate.co.uk/antique-indian-brass-teak-tobacco-pot/): This style of pot was used for tobacco and opium and is a real collector's piece. These pots were well cared for and in constant use. This piece dates to the 19th century and has been beautifully constructed using carved brass and teakwood which has developed a great patina with age. These pots are found in Rajasthan & Gujarat and are made from a single piece of wood. They were used in conjunction with opium retorts and kharals and integral to the hukka smoking culture of urban. 
- [Brass & Teak Tobacco Box From Rajasthan – Ca 1910](https://anneliesebate.co.uk/brass-teak-tobacco-box/): This style of Indian pot was used for tobacco and opium. These pots were in constant use. This piece dates to 1910 and has been beautifully constructed using a single piece of teakwood which has developed a great patina with age. The exterior of this box has been decorated with brass studding. 
- [Brass 2 Way Dusakar Pickle Dish – Ca 1940](https://anneliesebate.co.uk/brass-2-way-dusakar-pickle-dish/): These two way pickle dishes (or Dusakar) were originally used to serve food or condiments. Today, they are often used as a unique small storage solution for keys, change etc  or as planters or desk tidy. 
- [Brass And Copper Holy Water Pot – 19thC](https://anneliesebate.co.uk/brass-and-copper-holy-water-pot/): Ganga Jumna Lota  - a holy water vessel used in puja ceremonies. Ganga Jumna refers to the confluence of the river Ganges and river Jamuna - this is also symbolised by the two metals used - copper and brass -  from Haryana  -19thC
- [Brass And Copper Holy Water Pot -19thC](https://anneliesebate.co.uk/brass-and-copper-holy-water-pot-1/): Ganga Jumna Lota  - a holy water vessel used in puja ceremonies. Ganga Jumna refers to the confluence of the river Ganges and river Jamuna - this is also symbolised by the two metals used - copper and brass -  from Haryana  -19thC
- [Brass Bastar Elephant & Riders – Ca 1975](https://anneliesebate.co.uk/brass-dhokra-work-elephant-1/): This Indian brass elephant figure featuring two riders under a parasol is from the Bastar tribes of Chhattisgarh and Bengal. This Indian figure features two riders, most likely Lakshmi & Narayana, the dual representation in Hinduism of Vishnu & Lakshmi
- [Brass Betel Nut Supari Box from Brunei – 19th Century](https://anneliesebate.co.uk/brass-supari-betelnut-box/): These 19th century brass supari boxes are from the Indonesian Archipelago and would have been used for storing betel nut supari, also known as paan. Paan is a preparation, which combines a paste of spices in a betel leaf, which is chewed for its stimulant and psychoactive effects. 
- [Brass Betel Nut Supari Box from Brunei – 19th Century](https://anneliesebate.co.uk/antique-brass-betel-supari-box-brunei-1/): These 19th century brass supari boxes are from the Indonesian Archipelago and would have been used for storing betel nut supari, also known as paan. Paan is a preparation, which combines a paste of spices in a betel leaf, which is chewed for its stimulant and psychoactive effects. 
- [Brass Betel Nut Supari Box from Brunei – 19th Century](https://anneliesebate.co.uk/antique-brass-betel-supari-box-brunei/): These 19th century brass supari boxes are from the Indonesian Archipelago and would have been used for storing betel nut supari, also known as paan. Paan is a preparation, which combines a paste of spices in a betel leaf, which is chewed for its stimulant and psychoactive effects. 
- [Brass Betel Nut Supari Box from Brunei – Early 20thC](https://anneliesebate.co.uk/a7162/): This early 20th century brass supari box is from the Indonesian Archipelago and would have been used for storing betel nut supari, also known as paan. Paan is a preparation, which combines a paste of spices in a betel leaf, which is chewed for its stimulant and psychoactive effects. 
- [Brass Bhuta Figure Of Panjurli Boar – 18th Century](https://anneliesebate.co.uk/a-bronze-figure-of-panjurli-boar/): The tribal cultures of South India are fascinating, none more so than the Bhuta traditions on the Malabar Coast. This brass cast boar is from Karnataka in South India and depicts Panjurli, the Bhuta boar spirit.
- [Brass Bound  Rosewood Jewellery Box From Kutch – 19Th C](https://anneliesebate.co.uk/a4059/): Chests and boxes from India are found in an extraordinary variety of styles reflecting the many cultures that influenced India. They were usually made from Teak, rosewood or jackfruit wood. They were used for storing valuables such as textiles, jewellery and cash. Our pieces are mostly from the 19th century & occasionally 18th and early 20th century. From India
- [Brass Bhuta Figure Of Panjurli Boar – Late 19th Century](https://anneliesebate.co.uk/bronze-panjurli-boar/): The tribal cultures of South India are fascinating, none more so than the Bhuta traditions on the Malabar Coast. This brass cast boar is from Karnataka in South India and depicts Panjurli, the Bhuta boar spirit.
- [Brass Bound ‘Pithara’ Console Chest From Gujarat – 19th Century](https://anneliesebate.co.uk/brass-bound-pithara-console-chest/): This antique Indian dowry chest is constructed from teak bound with brass. It dates to the 19th century and is from Gujarat. This style of chest is known locally as a pithara (or pataro) and is usually 2.5x deeper. These chests are reduced in depth to create dramatic console tables. We fell in love with the hand beaten peacocks and tigers that decorate the front of this chest.
- [Brass Bound Anglo-Indian Chest From Rajasthan – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-chest-3/): This antique brass bound Anglo-Indian chest dates to the 19th century and is the perfect size for a coffee table. It is constructed from beautifully patinated teak and has original brass fittings and handles. A sturdy chain that prevents the lid from falling open and straining the hinges. In its interior is an original candle compartment with lid. This piece is a fine example of an Anglo-Indian military chest. 
- [Brass Bound Burmese Military Chest -19th Century](https://anneliesebate.co.uk/brass-bound-teak-military-chest-11/): This handsome antique Anglo-Burmese military chest dates to the 19th century and is crafted from beautifully patinated teak, richly decorated with delicate brass wire inlay characteristic of Burmese workmanship. The front panels feature finely etched ornamental motifs framed within geometric borders, while the solid brass lock plate and fittings add both strength and visual presence.
- [Brass Bound Indian “Pithara” Chest From Gujarat – 19thC](https://anneliesebate.co.uk/brass-iron-bound-pithara-dowry-chest-from-gujarat/): This brass & iron bound dowry chest has been reduced in depth to create a dramatic console table. It is perfect for storage of bedding for occasional guests.
- [Brass Bound Indian Jewellery Box – 19th Century](https://anneliesebate.co.uk/antique-indian-brass-bound-jewellery-box/): A fine late 19th century Indian brass bound jewellery box, beautifully constructed from richly patinated hardwood and retaining its original brass mounts, corner bindings and carrying handles. Compact yet substantial, this elegant chest would originally have served as a dowry box, used for storing precious textiles, family jewellery, documents and household valuables.
- [Brass Bound Chest From Rann Of Kutch – 18th Century](https://anneliesebate.co.uk/brass-kutchi-chest/): This is an excellent example of a Kutchi chest from the Rann of Kutch on the west coast of India. Bound with brass and made from solid teak, it dates from the 18th century and has a wonderful patina. There are clear similarities with Dutch East India Company VOC chests. 
- [Brass Bound Burmese Teak Military Chest – 19th Century](https://anneliesebate.co.uk/burmese-brass-bound-teak-chest/): This 19th century Burmese chest is made to British military standards from the 19th century. Also called a Burmese campaign chest, these were Burmese copies of the Anglo-Indian Military chests which were originally used by officers of the British Indian Army to carry their kit and personal possessions whilst on tour. There was a British presence in Burma in the 19th century so it is likely this was made for someone stationed in Burma. 
- [Brass Bound Indian ‘Pithara’ Chest From Gujarat – 19th Century](https://anneliesebate.co.uk/brass-bound-indian-pithara-1/): This antique iron bound teak dowry chest known as a pithara in India has been reduced in depth to create a dramatic console table. it dates to the 19th century.
- [Brass Bound Indian Chest With Secret Compartment – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-chest-from-gujarat/): This antique Indian brass bound chest dates to the 19th century. The style is from Gujarat in Northern India and would have been used for storing valuables such as textiles, jewelry & cash. There is an interior box for storing candles which would have been valuable, especially in the darker times of the year.
- [Brass Bound Indian Merchants Box – 19th Century](https://anneliesebate.co.uk/antique-indian-brass-bound-merchants-box-a02744/): These Indian boxes were used in the old days by merchants and traders in the bazaars for storing their cash and ledgers. They were also used by Indian families for the dowry of their daughters, as a trousseau (bridal clothes & jewellery). Locally, these boxes were called peti (casket). The body of the box is constructed from roheda wood which is bound with iron and brass. 
- [Brass Bound Indian Military Chest -19th Century](https://anneliesebate.co.uk/brass-bound-teak-military-chest-8/): This antique brass bound Anglo-Indian military chest dates to the 19th century and is the perfect size for a coffee table. 
- [Brass Bound Indian Military Chest From Rajasthan  -19thC](https://anneliesebate.co.uk/indian-brass-bound-military-chest/): Indian military chests were originally used by officers of the British Indian Army to carry their kit and personal possessions whilst on tour. As they had to with-stand a lot of punishment in transit, they were exceptionally well made.This Indian chest is constructed from teak although chests were also constructed from rosewood or jackfruit wood. They were made to order by skilled carpenters and depending on rank, these were re-enforced with corners of brass or iron. Brass being higher valued than iron. Our pieces are mostly from the 19thC and early 20thC From India90 x 58 x 64  cms ( w x d x h)
- [Brass Bound Indian Military Chest -19th Century](https://anneliesebate.co.uk/brass-bound-teak-military-chest-9/): This handsome 19th century Anglo-Indian brass bound military chest is a superb example of the robust campaign furniture commissioned by officers serving in British India. Crafted from beautifully figured solid teak, it retains a rich, warm patina developed over generations of use, while its original brass corner straps, reinforcing mounts and iron carrying handles speak to its practical military origins. Designed to endure the rigours of long-distance travel, these chests combined exceptional craftsmanship with outstanding durability.
- [Brass Bound Indian Military Chest -19th Century](https://anneliesebate.co.uk/brass-bound-teak-military-chest-10/): This antique brass bound Anglo-Indian campaign chest dates to the 19th century and is a great size for a coffee table. Military chests were used by officers of the British Indian Army to carry their kit and personal possessions whilst on tour, they were made to order and had to withstand a lot of punishment in transit.
- [Brass Bound Indian Military Chest From Rajasthan -19th Century](https://anneliesebate.co.uk/brass-bound-teak-chest-2/): This handsome Anglo-Indian military chest dates to the 19th century and is a fine example of campaign furniture made for officers of the British Indian Army. Constructed from solid teak with original brass and iron fittings, it bears the mellow patina of long service and travel. The interior opens to a spacious single compartment with a sturdy chain support that prevents the lid from overextending — a thoughtful detail typical of well-made military chests of the period.
- [Brass Bound Indian Military Document Box – 19th Century](https://anneliesebate.co.uk/antique-indian-brass-bound-military-document-box-a03395/): Military boxes and chests were used by officers of the British Indian Army to carry their kit and personal possessions whilst on tour, they were made to order and had to withstand a lot of punishment in transit. This box has a rich patina and the interior is split into three seperate compartments. Perfect for a jewelery box or desk tidy.
- [Brass Bound Indian Sheesham Chest – Early 19th Century](https://anneliesebate.co.uk/antique-indian-brass-bound-chest-a03324/): This antique Indian brass bound Indian chest dates to the early 19th century and is the perfect size for a coffee table. It is constructed from beautifully patinated sheesham wood (similar to rosewood) and has its original brass fittings and iron handles. Sheesham wood chests are less common to find as most Indian chests are made from teak.
- [Brass Bound Indian Teak Chest  – 19th Century](https://anneliesebate.co.uk/brass-bound-indian-teak-chest-19th-century/): This antique Indian brass bound chest dates to the 19th century. The style is from Gujarat in Northern India and would have been used for storing valuables such as textiles, jewellery & cash. There is an interior box for storing candles which would have been valuable, especially in the darker times of the year. 
- [Brass Bound Indian Teak Chest – 18th Century](https://anneliesebate.co.uk/brass-bound-teak-chest-18th-century/): This antique Indian brass bound chest dates to the 19th century. It would have been used for storing valuables such as textiles, jewelry & cash. There is an interior box for storing candles which would have been valuable, especially in the darker times of the year.
- [Brass Bound Indian Teak Chest – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-chest/): Chests and boxes from India are found in an extraordinary variety of styles reflecting the many cultures that influenced India. They were usually made from Teak, rosewood or jackfruit wood and used for storing valuables such as textiles, jewellery and cash. Our pieces are mostly from the 19th century & occasionally 18th and early 20th century.
- [Brass Bound Indian Teak Military Chest – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-military-chest-19thc/): This antique brass-bound Anglo-Indian military chest dates to the 19th century and is an excellent size for use as a coffee table. Constructed from beautifully patinated teak, it retains its original brass and iron fittings, including robust corner braces, lock plate, and side carrying handles. The warm, even colouring of the timber and the honest wear across its surface give the piece a wonderfully authentic character.
- [Brass Bound Indian Teak Military Chest – 19thC](https://anneliesebate.co.uk/brass-bound-indian-teak-military-chest-19thc/): These Anglo-Indian Military chests were originally used by officers of the British Indian Army to carry their kit and personal possessions whilst on tour. As they had to with-stand a lot of punishment in transit, they were exceptionally well made.
- [Brass Bound Jackfruit Chest From South India – 18th Century](https://anneliesebate.co.uk/brass-bound-south-indian-chest/): This is a nice early example of a Jackfruit wood Indian storage chest from South India. It has brass corners and hand forged iron lifting handles. The interior is spacious with an internal candle box. A sturdy chain stops the chest lid from falling back straining the hinges. 
- [Brass Bound Indian Teak Military Chest -19thC](https://anneliesebate.co.uk/brass-bound-teak-indian-military-chest-19thc/): This original military chest is made to Anglo-Indian military standards. These trunks were originally used by officers of the British Indian Army to carry their kit and personal possessions whilst on tour. The British East India Company had stations across Northern India & Burma throughout much of the 19th century. It is constructed from beautifully patinated teak and has its original brass fittings and handles. The interior has a chain that prevents the lid from falling open and straining the hinges. Military chests were used by officers of the British Indian Army to carry their kit and personal possessions whilst, on tour, they were made to order and had to withstand a lot of punishment in transit. 
- [Brass Bound Jackfruit Grain Measure From Kerala – 19th Century](https://anneliesebate.co.uk/antique-indian-brass-bound-grain-measure-a03319/): This antique Indian grain measure dates to the 19th century. The design and brass binding is of a south Indian design from Kerala. Grain measures like these were used in markets for measuring wheat, corn, rice, and pulses. In the old days, the Indian measures were Seers & Pattis.
- [Brass Bound Jackfruit Pen Box From Andhra Pradesh – 19thC](https://anneliesebate.co.uk/brass-bound-antique-indian-jackfruit-pen-box/): This exquisite Indian pen box is practical and sturdy and made from jackfruit wood. It is bound with brass. Inside there are two pen trays that can be removed to reveal a secret compartment beneath. A key is also supplied with this box. Perfect for a study or desk tidy. 
- [Brass Bound Jewellery Box From Kutch – 19th Century](https://anneliesebate.co.uk/antique-indian-brass-bound-jewellery-box-a03397/): This is an excellent example of a small Kutchi chest from the Rann of Kutch on the west coast of India. Bound with brass and made from solid teak, it dates from the 19th century and has a wonderful patina. 
- [Brass Bound Jewellery Box From Rajasthan – 19th Century](https://anneliesebate.co.uk/brass-bound-jewellery-box/): A practical yet charming Indian jewellery or cash box with a compartmentalised interior. Dating to the 19th century it is made from teak wood in the Anglo-Indian style. It likely would have belonged to a merchant or East Indiaman. 
- [Brass Bound Mandalay Dowry Box – 19th Century](https://anneliesebate.co.uk/small-brass-inlaid-teak-military-chest-from-burma/): An exceptional 19th century Anglo-Burmese military chest, richly crafted from solid teak and intricately inlaid with etched brass wire decoration throughout. Combining practicality with extraordinary craftsmanship, this rare campaign chest retains its original brass fittings, carrying handles and decorative mounts, all beautifully aged alongside the deep patina of the teak.
- [Brass Bound Military Chest Belonging to JR Honeyford -19th Century](https://anneliesebate.co.uk/brass-bound-teak-indian-military-chest/): This antique brass bound Anglo-Indian campaign chest Has 'J R Honeyford' inlaid in brass lettering on the lid. It belonged to John Robert Honeyford (14th October 1864 - 20th March 1896) in Delhi, India. It was likely commissioned in the late 1880's or 1890's.
- [Brass Bound Mandalay Dowry Box From Burma – 1900](https://anneliesebate.co.uk/burmese-teak-dowry-chest/): A beautifully crafted brass bound Mandalay dowry box from Burma dating to around 1900, constructed from richly patinated hardwood and intricately decorated with etched brass inlay throughout. These highly decorative dowry chests were traditionally commissioned as part of a bride’s marriage trousseau and were intended to store valuable textiles, jewellery and personal possessions.
- [Brass Bound Military Chest From Gujarat – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-chest-from-gujarat-1/): This antique Indian brass bound teak chest dates to the 19th century. The style is from Gujarat in Northern India. These chests are often referred to as military chests and would have been used for storing valuables such as textiles, jewelry & cash. Its low height and depth make it perfect for a coffee table or bedding storage. It has its original brass fittings and handles. The top is made from two solid planks of teak wood. 
- [Brass Bound Military Chest From Kutch – 19th Century](https://anneliesebate.co.uk/brass-bound-military-chest-from-india-a03517/): This antique brass bound military chest from Kutch, Gujarat, dates to the 19th century and is a fine example of Anglo-Indian craftsmanship. Originally made for officers of the British Indian Army, such chests were commissioned to carry uniforms, equipment, and personal possessions while on tour. Built to endure long journeys and harsh conditions, they were designed with durability and security in mind.
- [Brass Bound Military Chest From Rajasthan – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-military-chest-from-rajasthan/): This antique brass-bound Anglo-Indian military chest dates to the 19th century and is constructed from richly patinated teak. Retaining its original brass, along with side carrying handles, it embodies the rugged yet elegant design of campaign furniture. Its scale makes it particularly well-suited for use as a distinctive coffee table today.
- [Brass Bound Military Chest From South India  – 19th Century](https://anneliesebate.co.uk/south-indian-military-chest/): This practical and charming antique Indian military chest dates to the 19th century. It is made from jackfruit wood in the Anglo-Indian style and likely would have belonged to a merchant or East Indiaman. The recessed brass bindings are typical of the campaign style introduced by the British East India Company. Its jackfruit construction and more elaborate corners point to it being from South India. 
- [Brass Bound Military Chest From Kutch -19th Century](https://anneliesebate.co.uk/brass-bound-teak-chest-from-kutch/): This is a fine example of an Anglo-Indian military chest from the 19th century with two drawers at the bottom for additional storage space. It would make a bijou coffee table with a concealed space below a layer of compartments. It is constructed from beautifully patinated teak and has its original brass fittings and handles.
- [Brass Bound Pithara Console Chest From Saurashtra – 18th Century](https://anneliesebate.co.uk/brass-bound-indian-pithara-chest/): This antique iron-bound teak dowry chest, known in India as a pithara, has been sensitively reduced in depth to form a dramatic console table. Originating from a Kathi home in Saurashtra, this chest — or pataro in the local dialect — would once have held an elaborate dowry. It is constructed from solid teak with intricate grid panelling, each small square inset with animals, geometric motifs and brass studs, showcasing exceptional 18th-century craftsmanship. The combination of dark aged wood, decorative metalwork, and patinated brass gives this piece wonderful depth and character.
- [Brass Bound Rosewood Box From Kutch – 19th Century](https://anneliesebate.co.uk/brass-bound-rosewood-box/): This charmingly decorated jewellery box still has some of the original painted mica panels. The naive style depicts a range of characters and floral designs on natural earthen coloured fields  
- [Brass Bound Rosewood Box From Kutch – 19th Century](https://anneliesebate.co.uk/brass-bound-rosewood-box-1/): This beautifully crafted rosewood Indian jewellery box is an excellent example of 19th century craftsmanship, combining local woodworking traditions with stylistic influences from the British presence in India. Made from richly grained rosewood, the piece has developed a warm, characterful patina over time, highlighting both the depth of the timber and the careful hand-finishing of its maker. The exterior is fitted with decorative brass mounts, further reflecting the hybrid Anglo-Indian design sensibility of the period.
- [Brass Bound Rosewood Cabinet From Kerala-South India – 19thC](https://anneliesebate.co.uk/a3750/): This piece is from Kerala in the South of India. It is part cabinet and part medicine chest - the drawers have smaller partitions inside. From India
- [Brass Bound Rosewood Chest From Kutch – 18th Century](https://anneliesebate.co.uk/brass-bound-rosewood-chest/): An excellent example of a Kutchi chest from The Rann of Kutch on the west coast of India. Bound with brass and made from solid rosewood, it dates from the 18th century. The mix of styles found on this chest reflects the many influences exerted on India in the 17th, 18th & 19th centuries.
- [Brass Bound Rosewood Chest From Gujarat – 18th Century](https://anneliesebate.co.uk/brass-bound-rosewood-chest-from-gujarat/): This impressive brass-bound rosewood chest originates from Gujarat and dates firmly to the 18th century. Robustly constructed and richly ornamented, it is a fine example of a large Indian dowry or storage chest, made to be both highly decorative and exceptionally durable. The exterior is densely mounted with decorative brass studs arranged in a repeating lattice pattern, complemented by brass strapwork, substantial brass ring handles to the sides, and iron swing handles to the front, all set against the warm, time-darkened rosewood ground.
- [Brass Bound Rosewood Chest From Kutch – 19th Century](https://anneliesebate.co.uk/brass-bound-indian-chest-a01249/): This beautifully patinaed antique Indian chest comes from the Rann of Kutch and would make a fantastic coffee table or bottom of bed storage. It has been reinforced with brass corners and the interior features a built-in compartment for storing valuables. A sturdy chain protects the hinges by preventing the lid from falling open. Wheels fitted to the base make it easy to move even when fully loaded.
- [Brass Bound Rosewood Chest from Kutch – 19thC](https://anneliesebate.co.uk/a4419/): Chests and boxes from India are found in an extraordinary variety of styles reflecting the many cultures that influenced India. They were usually made from Teak, rosewood or jackfruit wood. They were used for storing valuables such as textiles, jewellery and cash. Our pieces are mostly from the 19th century & occasionally 18th and early 20th century. From India 90 x 49 x 53 (w x d x h cms)
- [Brass Bound Rosewood Document Box From Kerala – 19th Century](https://anneliesebate.co.uk/south-indian-rosewood-document-box/): This beautiful old Indian document box is crafted from luxurious solid rosewood. It's an excellent example of Indian craftsmanship with brass bindings over its exterior and delicate rosewood detailings on the interior. These rosewood Indian boxes were made for carrying documents and writing supplies. They would also have been used for storing valuables. You can see a clear influence in style from the British occupation in India. This style of box is from Kerala, South India and is from the 19th century and in excellent condition restored by our UK workshops. 
- [Brass Bound Rosewood Document Box From Lucknow – 19th Century](https://anneliesebate.co.uk/antique-indian-rosewood-jewelery-box/): This charming antique Indian document box originates from Lucknow, India. Crafted from solid rosewood with delicately recessed brass it has both a beautiful grain and patina. The top section has a removable separator while the bottom drawer slides out using a locking mechanism in the top section of the box interior. This would have been used to keep valuables safe. 
- [Brass Bound Rosewood Jewellery Box From Kerala – 18th Century](https://anneliesebate.co.uk/brass-bound-merchants-box/): This fine brass-bound rosewood jewellery box dates from the Mughal period, circa 18th century, and originates from Kerala, South India. Crafted from richly grained rosewood and reinforced with brass bindings, it reflects the refined craftsmanship of the time while offering both strength and elegance. The top is beautifully decorated with brass strapping framed by foliate engraving, while the panelled sides feature recessed mouldings and brass fittings typical of high-status boxes of the period.
- [Brass Bound Rosewood Jewellery Box from Kutch – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-box-from-kutch-19thc/): This 19th century jewellery box from the Kutch region of Gujarat is a fine example of Anglo-Indian craftsmanship. Made from richly figured rosewood and strengthened with hand-cut brass bindings, it was designed to safely store treasured possessions including jewellery, textiles, documents and cash.
- [Brass Bound Rosewood Malabar Box – Early 19th Century](https://anneliesebate.co.uk/brass-bound-rosewood-malabar-cash-box/): This finely made brass bound Malabar strongbox originates from Kutch, India, and dates to the early 19th century. This style is known as a Malabar cash box. Produced within a long tradition of Gujarati merchant craftsmanship, the box reflects a sophisticated decorative vocabulary combining indigenous Indian ornamentation with forms that appealed to both local elite and traders travelling on the Asian trade routes during the late 18th and early 19th centuries. These boxes would have been used by merchants & captains of ships of the dhow trade. 
- [Brass Bound Rosewood Military Chest – 19thC](https://anneliesebate.co.uk/brass-bound-rosewood-military-chest-19thc/): Military chests were originally used by officers of the British Indian Army. They were used to carry the officers clothes and personal possessions while on tour.
- [Brass Bound Rosewood Pithara Console Chest, Gujarat – 19th Century](https://anneliesebate.co.uk/antique-indian-brass-bound-pithara-a03311/): This incredibly sturdy Indian pithara dowry Chest, dating back to the 19th century, features a combination of wood, brass and iron in its construction. This teak dowry chest offers ample storage and is ideal for larger spaces. The brass decorative panels each contain various Indian animals as well as stylised horse riders. The heavy lid features old patches where repair work has once taken place. 
- [Brass Bound Sheesham Military Chest From India – 19thC](https://anneliesebate.co.uk/antique-indian-military-chest-sheesham/): These Anglo-Indian Military chests were originally used by officers of the British Indian Army to carry their kit and personal possessions whilst on tour.As they had to withstand a lot of punishment in transit, they were exceptionally well made.This particular Indian chest is particularly unusual being made from Sheesham wood as opposed to teak. The style indicates it is from Rajasthan.
- [Brass Bound South Indian Grain Measure – 19th Century](https://anneliesebate.co.uk/antique-indian-brass-bound-grain-measure-a03320/): Beautifully patinated and deeply tactile, this antique grain measure from Kerala offers a rare glimpse into 19th-century agrarian life in southern India. Hand-carved from solid jackfruit wood and reinforced with heavy brass bands, it once served as a standardised vessel for measuring rice and grain in bustling market settings.
- [Brass Bound Teak Campaign Box – 19th Century](https://anneliesebate.co.uk/indian-teak-coin-chest/): This handsome 19th century Anglo-Indian military chest is a fine example of colonial craftsmanship, combining robust construction with thoughtful interior detailing. Made from richly patinated teak and reinforced with brass corner straps, it was built to endure the rigours of travel across the Indian subcontinent. Pieces such as this would have accompanied British officers on campaign, serving as both practical storage and a personal repository for important belongings.
- [Brass Bound Teak Chest – 19thC](https://anneliesebate.co.uk/brass-bound-teak-chest-19thc/): Chests and boxes from India are found in an extraordinary variety of styles reflecting the many cultures that influenced India. They were usually made from Teak, rosewood or jackfruit wood. They were used for storing valuables such as textiles, jewellery and cash.
- [Brass Bound Teak Campaign Box From Rajasthan – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-jewellery-box/): This practical and charming antique Indian military box dates to the 19th century. It is made from teak wood in the Anglo-Indian style and likely would have belonged to a merchant or East Indiaman. The brass bindings are typical of the campaign style introduced by the British East India Company. 
- [Brass Bound Teak Campaign Box From Rajasthan – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-jewellery-box-from-rajasthan/): A practical and charming antique Indian military box dating to the 19th century. It is made from teak wood in the Anglo-Indian style and likely would have belonged to a merchant or East Indiaman. The brass bindings are typical of the campaign style introduced by the British East India Company. 
- [Brass Bound Teak Chest From Gujarat – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-chest-7/): This antique Indian brass bound chest dates to the 19th century. The style is from Gujarat in Northern India and would have been used for storing valuables such as textiles, jewelry & cash. There is also an interior box for storing candles which would have been valuable, especially in the darker times of the year.
- [Brass Bound Teak Anglo-Indian Chest From Rajasthan -19thC](https://anneliesebate.co.uk/brass-bound-indian-chest/): This antique brass and iron bound chest dates to the 19th century and is from Rajasthan. It would be the perfect size for a coffee table. . It is constructed from beautifully patinated teak and has its original brass fittings and handles. The interior consists of one large space, two candle boxes, and a hidden compartment for valuables. Two large drawers sit under the main storage area and there is another hidden compartment underneath the chest. A sturdy chain prevents the lid from falling open and straining the hinges.
- [Brass Bound Teak Chest From Gujarat – 19th century](https://anneliesebate.co.uk/brass-bound-teak-chest-with-drawers/): This handsome 19th century brass bound teak chest from Gujarat is a fine example of the robust travelling chests produced during the British colonial period in India. Constructed from beautifully figured teak and reinforced with brass corner straps and mounts, it was built to endure the rigours of long-distance travel while developing the rich patina that only generations of use can create.
- [Brass Bound Teak Chest From India – 19thC](https://anneliesebate.co.uk/brass-bound-teak-chest-from-india/): Chests and boxes from India are found in an extraordinary variety of styles reflecting the many cultures that influenced India. They were usually made from Teak, Rosewood or Jackfruit wood and were used for storing valuables such as textiles, jewellery and cash. Our pieces are mostly from the 19th century & occasionally 18th and early 20th century. This one comes with attractive brass hasp and handles as well as two useful drawers. From India
- [Brass Bound Teak Chest From Gujarat – 19th Century (With Secret Compartment)](https://anneliesebate.co.uk/brass-bound-teak-chest-with-secret-compartment-from-gujarat/): This antique Indian brass bound chest dates to the 19th century. The style is from Gujarat in Northern India and would have been used for storing valuables such as textiles, jewelry & cash. There is an interior box for storing candles which would have been valuable, especially in the darker times of the year. 
- [Brass Bound Teak Chest From Kutch – 19th Century](https://anneliesebate.co.uk/antique-indian-brass-bound-teak-chest-from-kutch/): This substantial 19th century teak chest originates from the Kutch region of western India and is a fine example of traditional Indian storage furniture, built for both durability and long-distance travel. Constructed from solid teak, the chest is reinforced throughout with applied brass straps and studwork, lending it both structural strength and decorative richness.
- [Brass Bound Teak Chest From Kutch – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-chest-from-kutch-1/): This is a fine example of an Anglo-Indian military chest from the 19th century with two drawers at the bottom for additional storage space. It would make a great coffee table with a concealed space below a layer of compartments. It is constructed from beautifully patinated teak, bound with iron and has its original brass fittings and handles.
- [Brass Bound Teak Chest From Rajasthan – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-chest-5/): This antique Indian brass bound chest dates to the 19th century and emulates the classic military chest style which became so popular during the British occupation and British Raj. This style is from Rajasthan in Northern India and would have been used for storing valuables such as textiles, jewellery & cash. There is also an interior box for storing candles which would have been valuable, especially in the darker times of year. It is constructed from beautifully patinated teak and has its original brass fittings and handles. The perfect size for a coffee table with a sturdy chain that prevents the lid from falling open and straining the hinges. 
- [Brass Bound Teak Chest From Rajasthan – 19thC](https://anneliesebate.co.uk/antique-teak-indian-military-chest/): This antique brass and iron bound chest dates to the 19th century and is from Rajasthan. It would be the perfect size for a coffee table.
- [Brass Bound Teak Chest from Saurashtra – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-chest-from-saurashtra-19th-century/): This exceptional mid-19th century teak wood chest from Gujarat is a superb example of traditional Indian craftsmanship. Restored with care in our Wiltshire workshop, it retains its original charm while being made practical for contemporary living. The beautifully aged teak has developed a rich patina over time, enhanced by original hand-forged iron corner mounts and sturdy side handles.
- [Brass Bound Teak Chest From Shekhawati – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-military-chest-a4591/): This antique brass bound Anglo-Indian military chest dates to the 19th century and is the perfect size for a coffee table. 
- [Brass Bound Teak Chest From South India – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-chest-1/): A very decorative golden Teak chest with ornate original brass corners and a large showy brass hasp from South India. It dates to the 19th Century. Chests & furniture were made to order, so they can be an extraordinary variety of styles reflecting the many cultures that influenced India.
- [Brass Bound Teak Indian ‘Pithara’ Chest From Saurashtra – 18th Century](https://anneliesebate.co.uk/brass-bound-indian-pithara/): This style of pithara is from a Kathi home in Saurashtra and was known in the local Gujarati dialect as a pataro. The Kathi were a ruling caste in Saurashtra and these chests would have contained a grand dowry. It is perfect for the storage of bedding for occasional guests.
- [Brass Bound Teak Indian Campaign Chest, Rajasthan -19thC](https://anneliesebate.co.uk/brass-bound-teak-campaign-chest-from-rajasthan/): These Anglo-Indian Military chests were originally used by officers of the British Indian Army to carry their kit and personal possessions whilst on tour. As they had to with-stand a lot of punishment in transit, they were exceptionally well made. The top name plate originally would have shown the name of the owner, a soldier or officer. 
- [Brass Bound Teak Indian Anglo-Indian Chest, Rajasthan -19Thc](https://anneliesebate.co.uk/brass-bound-teak-indian-military-chest-rajasthan/): These Anglo-Indian Military chests were originally used by officers of the British Indian Army to carry their kit and personal possessions whilst on tour. As they had to withstand a lot of punishment in transit, they were exceptionally well made. This one comes with numerous hidden compartments.Constructed from Teak, Rosewood or Jackfruit wood they were made to order by skilled carpenters. Depending on rank, these were re-enforced with corners of brass or iron. Our pieces are mostly from the 19thC and early 20thC
- [Brass Bound Teak Indian Military Chest  – 19thC](https://anneliesebate.co.uk/brass-bound-teak-military-chest-from-hyderabad/): This original military chest is made to Anglo-Indian military standards. These trunks were originally used by officers of the British Indian Army to carry their kit and personal possessions whilst on tour. The British East India Company had stations across Northern India & Burma throughout much of the 19th century. It is constructed from beautifully patinated teak and has its original brass fittings and handles. The interior has a chain that prevents the lid from falling open and straining the hinges. Military chests were used by officers of the British Indian Army to carry their kit and personal possessions whilst, on tour, they were made to order and had to withstand a lot of punishment in transit. 
- [Brass Bound Teak Indian Military Chest -19th Century](https://anneliesebate.co.uk/brass-bound-teak-indian-military-chest-1/): These Anglo-Indian Military chests were originally used by officers of the British Indian Army to carry their kit and personal possessions whilst on tour. This example is from Rajasthan and dates from the 19th century. As they had to withstand a lot of punishment in transit, they were exceptionally well made.
- [Brass Bound Teak Indian Military Chest -19thC](https://anneliesebate.co.uk/brass-bound-teak-indian-military-chest-19thc-1/): This striking military chest is constructed from teak and has the original brass corners and fittings. It also has beautifully carved interior compartments which make it a very individual and special piece. This interior style places it from Southern India  - 19thC
- [Brass Bound Teak Indian Military Chest From Gujarat -19th Century](https://anneliesebate.co.uk/brass-bound-teak-indian-military-chest-from-gujarat-19thc/): These Anglo-Indian Military chests were originally used by officers of the British Indian Army to carry their kit and personal possessions whilst on tour. As they had to withstand a lot of punishment in transit, they were exceptionally well made.
- [Brass Bound Teak Indian Military Chest From Rajasthan -19th Century](https://anneliesebate.co.uk/brass-bound-teak-chest-6/): Thes Anglo-Indian Military chests were originally used by officers of the British Indian Army to carry their kit and personal possessions whilst on tour. This example is from Rajasthan and dates from the 19th century. As they had to withstand a lot of punishment in transit, they were exceptionally well made.
- [Brass Bound Teak Indian Military Chest From Rajasthan -19thC](https://anneliesebate.co.uk/antique-brass-bound-indian-teak-chest/): This antique brass bound Indian military chest dates to the 19th century and is the perfect size for a coffee table. It is constructed from beautifully patinated teak and has its original brass fittings. A fine example of an Anglo-Indian military chest. The top and front are made from single planks of teak wood with a distinctive grain.
- [Brass Bound Teak Indian Military Chest From South India -19thC](https://anneliesebate.co.uk/brass-bound-teak-military-chest-from-south-india/): This antique brass bound Indian military chest dates to the 19th century and is the perfect size for a coffee table. It is constructed from beautifully patinated teak and has its original brass fittings. This is a fine example of an Anglo-Indian military chest. The front is a single panel of teak wood with a distinctive grain.
- [Brass Bound Teak Indian Military Chest, Rajasthan -19thC](https://anneliesebate.co.uk/brass-bound-teak-military-chest-from-rajasthan-1/): These Anglo-Indian Military chests were originally used by officers of the British Indian Army to carry their kit and personal possessions whilst on tour.As they had to with-stand a lot of punishment in transit, they were exceptionally well made.Constructed from Teak, Rosewood or Jackfruit wood they were made to order by skilled carpenters. Depending on rank, these were re-enforced with corners of brass or iron. Our pieces are mostly from the 19thC and early 20thCFrom India
- [Brass Bound Teak Jewellery Box  From Rajasthan – 19thC](https://anneliesebate.co.uk/brass-bound-teak-jewellery-box-from-rajasthan-19thc/): Chests and boxes from India are found in an extraordinary variety of styles reflecting the many cultures that influenced India. They were usually made from Teak, rosewood or jackfruit wood and were used for storing valuables such as textiles, jewellery and cash.
- [Brass Bound Teak Jewellery Box From Rajasthan – 19th Century](https://anneliesebate.co.uk/brass-teak-jewellery-box/): A practical yet charming antique Indian jewelry box dating to the 19th century. It is made from teak wood in the Anglo-Indian style and likely would have belonged to a merchant or East Indiaman. 
- [Brass Bound Teak Jewellery Box From Rajasthan – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-jewellery-box-from-rajasthan-19th-century/): A practical and charming antique Indian jewelry box dating to the 19th century. It is made from teak wood in the Anglo-Indian style and likely would have belonged to a merchant or East Indiaman. 
- [Brass Bound Teak Military Chest (Etched MacDonald) – 19th Century](https://anneliesebate.co.uk/antique-etched-military-chest/): This antique brass bound Anglo-Indian campaign chest dates to the 19th century and is a great size for a coffee table. Military chests were used by officers of the British Indian Army to carry their kit and personal possessions whilst on tour, they were made to order and had to withstand a lot of punishment in transit.
- [Brass Bound Teak Military Chest – 18th Century](https://anneliesebate.co.uk/brass-bound-teak-military-chest-6/): This antique brass bound Anglo-Indian military chest dates to the 18th century and is a superb example of campaign furniture. Constructed from solid teak with a deep, time-worn patina, it features its original brass and iron fittings and sturdy side handles. The chest opens to reveal a spacious interior with a fitted candle box, a sturdy chain to prevent strain on the hinges, and a cleverly concealed sliding bottom of the candle box which may have once lead to a secret compartment.
- [Brass Bound Teak Military Chest – 19th Century](https://anneliesebate.co.uk/antique-indian-brass-bound-military-chest-a5959/): This antique brass bound Anglo-Indian military chest dates to the 19th century and is the perfect size for a coffee table.
- [Brass Bound Teak Military Chest – 19th Century](https://anneliesebate.co.uk/old-indian-rosewood-military-chest/): A superb 19th century Anglo-Indian military chest, expertly crafted from solid teak and reinforced with brass corner mounts and straps designed to endure the rigours of travel. Raised on turned bun feet and retaining its original brass carrying handles and iron lock plate, this handsome antique chest combines robust functionality with a warm, richly aged patina developed over more than a century of use.
- [Brass Bound Teak Military Chest – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-indian-military-chest-rajasthan-19thc/): This brass-bound Anglo-Indian military chest dates to the 19th century and is a superb example of campaign furniture made for officers of the British Indian Army. Constructed from beautifully patinated teak, the chest retains its original brass and iron fittings, including strapwork, corner reinforcements, carrying handles, lock escutcheon and latch. The warmth of the timber and the depth of its surface patina reflect decades of use and careful maintenance while travelling between postings.
- [Brass Bound Teak Military Chest – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-military-chest-3/): This superb 19th-century Anglo-Indian military chest is a fine example of the travelling furniture used by British officers stationed in India. Made from richly patinated teak, it retains all its original brass fittings, including the corner strapping and side carrying handles designed for durability and transport. The interior reveals a generous storage space with a fitted candle box and a sturdy chain that supports the lid when open, preventing strain on the hinges.
- [Brass Bound Teak Military Chest – 19th Century](https://anneliesebate.co.uk/antique-indian-brass-bound-military-chest-a03234/): This antique brass bound Anglo-Indian military chest dates to the 19th century and is the perfect size for a coffee table. 
- [Brass Bound Teak Military Chest – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-military-chest-a03599/): This antique Anglo-Indian military chest, dating to the 19th century, is a striking example of functional campaign furniture with enduring appeal. Bound with brass corner mounts and fittings, it was built to withstand the rigours of travel and service, making it both robust and elegant. With its handsome proportions, this chest is perfectly suited for repurposing as a unique coffee table or as practical storage with character.
- [Brass Bound Teak Military Chest – 19th Century](https://anneliesebate.co.uk/antique-indian-brass-bound-military-chest-a03325/): This bijou antique brass bound Anglo-Indian military chest dates to the 19th century and is the perfect size for a coffee table. Constructed from beautifully patinated teak it has its original brass and iron fittings and handles. The interior consists of one large space, removable top compartments, three fixed compartments, and a sturdy chain that prevents the lid from falling open and straining the hinges. This piece is a fine example of an Anglo-Indian military chest. 
- [Brass Bound Teak Military Chest -19th Century](https://anneliesebate.co.uk/brass-bound-teak-indian-chest/): This handsome 19th-century brass-bound Anglo-Indian military chest is crafted from beautifully patinated teak, retaining its original brass corner mounts, strapwork and recessed iron carrying handles. Its proportions make it an excellent candidate for use as a coffee table, while still offering the robust, practical character for which campaign furniture is admired.
- [Brass Bound Teak Military Chest From Burma – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-burmese-military-chest/): This antique brass bound Anglo-Burmese military chest dates to the 19th century and is decorated with brass inlaid wire work classically indicative of Burmese artistry. This piece is a fine example of an Anglo-Burmese military chest and the perfect size for a coffee table.
- [Brass Bound Teak Military Chest From Burma – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-military-chest-2/): This original Burmese military chest is made to Anglo-Indian military standards. Also called a Burmese campaign chest, these trunks were originally used by officers of the British Indian Army to carry their kit and personal possessions whilst on tour. The British East India Company had stations across Northern India & Burma throughout much of the 19th century. It's likely this chest was made for an East Indiaman stationed in Burma (modern-day Myanmar). The plaque would have originally born the owner's name. 
- [Brass Bound Teak Military Chest From Hyderabad -19th Century](https://anneliesebate.co.uk/brass-bound-teak-military-chest/): These Anglo-Indian military chests were originally used by officers of the British Indian Army to carry their kit and personal possessions whilst on tour. This one is from Hyderabad. The central plate would originally have been etched with a name. As they had to withstand a lot of punishment in transit, they were exceptionally well made. The front, sides, and top are all made from single planks of teak wood. 
- [Brass Bound Teak Military Chest From Rajasthan  -19thC](https://anneliesebate.co.uk/brass-bound-teak-military-chest-from-rajasthan-2/): These Anglo-Indian Military chests were originally used by officers of the British Indian Army to carry their kit and personal possessions whilst on tour. As they had to with-stand a lot of punishment in transit, they were exceptionally well made.
- [Brass Bound Teak Military Chest From Rajasthan – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-military-chest-1/): This original military chest is made to Anglo-Indian military standards. These trunks were originally used by officers of the British Indian Army to carry their kit and personal possessions whilst on tour. The British East India Company had stations across Northern India & Burma throughout much of the 19th century. It is constructed from beautifully patinated teak and has its original brass fittings and handles. The interior has a chain that prevents the lid from falling open and straining the hinges. This chest would have been considerably taller originally and has been reduced in height to create a practical coffee table. Military chests were used by officers of the British Indian Army to carry their kit and personal possessions whilst, on tour, they were made to order and had to withstand a lot of punishment in transit. Old repairs can be seen on the hinges. The name of the original owner can still be seen on the inside of the lid. E.C Basa of the 15th Regiment.
- [Brass Bound Teak Military Chest From Rajasthan – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-military-chest-4/): This antique brass bound Anglo-Indian military chest dates to the 19th century and is the perfect size for a coffee table.
- [Brass Bound Teak Military Chest From Rajasthan – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-military-chest-5/): A practical and charming antique Indian military box dating to the 19th century. It is made from teak wood in the Anglo-Indian style and likely would have belonged to a merchant or East Indiaman. The brass bindings and bun feet are typical of the campaign style introduced by the British East India Company. 
- [Brass Bound Teak Military Chest From Rajasthan – 19th Century](https://anneliesebate.co.uk/brass-bound-teak-military-chest-7/): This antique brass bound Anglo-Indian military chest dates to the 19th century and is the perfect size for a coffee table. 
- [Brass Bound Teak Military Chest From Rajasthan – 19th Century](https://anneliesebate.co.uk/antique-indian-military-chest-from-rajasthan-a02782/): This antique brass bound Anglo-Indian military chest dates to the 19th century and is the perfect size for a coffee table. 
- [Brass Bound Teak Military Chest From Rajasthan -19th Century](https://anneliesebate.co.uk/brass-bound-indian-military-chest-1/): This antique brass bound Anglo-Indian military chest dates to the 19th century and is the perfect size for a bijou coffee table. It is constructed from beautifully patinated teak and has its original brass fittings and handles. A sturdy chain that prevents the lid from falling open and straining the hinges. This piece is a fine example of an Anglo-Indian military chest. 
- [Brass Candlestick From Rajasthan – 19th Century](https://anneliesebate.co.uk/brass-temple-oil-lamp-candlestick-from-rajasthan/): This antique Indian brass candlestick was originally used in temples as an oil lamp. Dating to the 19th century from the desert state of Rajasthan.
- [Brass Bound Teak Military Chest From Rajasthan -19th Century](https://anneliesebate.co.uk/brass-bound-teak-chest-4/): This low antique Indian campaign chest is from Rajasthan & constructed from teak wood. It dates to the 19th century. It is the perfect height to be used as a coffee table whilst storing seasonal items. It has a large internal storage space and a smaller compartment often called a candle box originally used to store candles. 
- [Brass Bound Teak Military Chest Of Drawers – 18th Century](https://anneliesebate.co.uk/brass-bound-teak-military-chest-of-drawers/): This handsome late 18th century Anglo-Indian campaign chest is a refined example of military furniture designed for both durability and practicality. Crafted from richly patinated rosewood with brass corner mounts and iron carrying handles, the chest reflects the robust yet elegant aesthetic associated with British colonial campaign pieces produced in India during the period. The warm tones of the timber and beautifully worn surface reveal decades of use and careful preservation.
- [Brass Bound Trousseau From Shekhawati – 19th Century](https://anneliesebate.co.uk/brass-bound-trousseau-from-shekhawati/): This Indian antique etched brass box is from Shekhawati and is an superb example of the style and dates to the 19th century. These boxes are locally called peti (casket) and were originally used to store the trousseau (bridal clothes & jewellery).The body of the box is constructed from roheda wood which is clad with brass. 
- [Brass Bound Teak Military Chest From Rajasthan -19thC](https://anneliesebate.co.uk/antique-indian-military-chest/): This antique brass bound Anglo-Indian campaign chest dates to the 19th century and is a great size for a coffee table. Military chests were used by officers of the British Indian Army to carry their kit and personal possessions whilst on tour, they were made to order and had to withstand a lot of punishment in transit.
- [Brass Buddha Statue – Dhyana Mudra Pose](https://anneliesebate.co.uk/statue-of-buddha-dhyana-mudra-pose-1/): This beautiful Buddha is seated on a lotus throne in the meditation pose. His hands rest on his lap, right hand leaning on the palm of the left holding an alms bowl. The pose of Dhyana Mudra was used by Buddha during his final meditation beneath the Bodhi tree before achieving enlightenment.
- [Brass Candlestick From Rajasthan – Ca 1920](https://anneliesebate.co.uk/brass-indian-candlestick/): This elegant and functional Rajasthan candle stand has  a wonderful patina, it would have used daily for Puja's in a temple. Circa 100 years old.   
- [Brass Chapati Box – Ca 1900](https://anneliesebate.co.uk/brass-indian-chapati-box/): Brass chapati boxes were used in the old days of India as lunch boxes for packaging chapati (wheat bread) & naan bread in Rajasthan. Chapati boxes come in all sizes, but are generally round in shape with a hand engraved pattern on the top inspired by geometric motifs found in Indian temples.
- [Brass Clad Sheesham Door From Shekhawati – 19th Century](https://anneliesebate.co.uk/antique-indian-brass-sheesham-door/): A striking pair of doors from the Shekhawati region of Rajasthan, this substantial 19th century door has been transformed into a sculptural decorative statement. Crafted from richly patinated sheesham wood and clad with hand-worked brass panels, the door showcases a classic Mughal-inspired arched design framed by rows of decorative brass bosses. The combination of warm timber and aged brass creates a powerful visual presence, reflecting the craftsmanship and architectural traditions for which Shekhawati is renowned.
- [Brass Deepa Lakshmi Votive Lamp From Tamil Nadu – 19th Century](https://anneliesebate.co.uk/brass-deepa-lakshmi-votive-lamp/): These antique South Indian votive oil lamps are made from cast bronze and originate from Tamil Nadu. Lamps like these are used in a family shrine or Hindu temple. They are called deepa Lakshmi or kamakshi villaku and depict Lakshmi, the goddess of power and wealth on the backplate often flanked by elephants. The design is such that the light honors and illuminates the goddess. A wick would have been positioned in the lip at the front. Each piece is sold separately and may vary slightly from the images shown.
- [Brass Chapati Box From Bombay – Ca 1920](https://anneliesebate.co.uk/indian-brass-chapati-box/): This antique brass chapati box dates to around 1920 and would once have been used in Rajasthan for storing and transporting chapati (wheat flatbread) and naan. Circular in form with a hinged clasp fastening, it reflects the traditional style of Indian lunch boxes that were both practical and enduring.
- [Brass Deepa Lakshmi Votive Lamp From Tamil Nadu – 19th Century](https://anneliesebate.co.uk/brass-deepa-lakshmi-votive-lamp-1/): These antique South Indian votive oil lamps are made from cast bronze and originate from Tamil Nadu. Lamps like these are used in a family shrine or Hindu temple. They are called deepa Lakshmi or kamakshi villaku and depict Lakshmi, the goddess of power and wealth on the backplate often flanked by elephants. The design is such that the light honors and illuminates the goddess. A wick would have been positioned in the lip at the front.
- [Brass Dhokra Bastar Oil Lamp – Ca 1910](https://anneliesebate.co.uk/brass-dhokra-work-bastar-oil-lamp-1/): This decorative Indian brass oil lamp is from the Bastar tribes of Chhattisgarh, India. These oil lamps were used daily and would have traditionally been used with a wick and ghee oil. It dates to the early 20th century, circa 1910.
- [Brass Dhokra Bastar Oil Lamp – Ca 1910](https://anneliesebate.co.uk/brass-dhokra-bastar-oil-lamp-1/): This decorative Indian brass oil lamp is from the Bastar tribes of Chhattisgarh, India. These oil lamps were used daily and would have traditionally been used with a wick and ghee oil. It dates to the early 20th century, circa 1910.
- [Brass Dhokra Bastar Oil Lamp From Chhattisgarh – Ca 1910](https://anneliesebate.co.uk/brass-dhokra-bastar-oil-lamp/): This decorative Indian brass oil lamp is from the Bastar tribes of Chhattisgarh, India. These oil lamps were used daily and would have traditionally been used with a wick and ghee oil. It dates to the early 20th century, circa 1910.
- [Brass Dhokra Money Box From Orissa – 19th Century](https://anneliesebate.co.uk/brass-dhokra-work-money-box-from-orissa/): This old Indian brass box is from West India, probably the state of Orissa. It is made using the Dhokra technique (also spelled Dokra) and dates to the 19th century. The process is commonly known as Cire Perdue. 
- [Brass Dhokra Money Box From Orissa – Early 19th Century](https://anneliesebate.co.uk/brass-money-box-from-madhya-pradesh/): This old Indian brass box is from the Dhokra tribal area of Orissa. Dokra Damar tribes are the traditional metalsmiths of West Bengal. As well as money, this box has been used for storing slaked lime used in the consumption of paan which is chewed for its stimulant and psychoactive effects.
- [Brass Dhokra Pandan Box – Mughal Style – 19thC](https://anneliesebate.co.uk/a5165/): Old Brass Paan Box - Betelnut Box - Mughal Style - 19thC Paan is a preparation, which combines a paste of spices in a betel leaf, which is chewed for its stimulant and psychoactive effects. After chewing it is either spat out or swallowed. Paan has many variations. Slaked lime (chunnam) paste is commonly added to bind the leaves. The skilled paan maker is known as a paanwala in North India. From India 19 x 12 x 12 (w x d x h cms)
- [Brass Dhokra Peacock Oil Lamp From Orissa – Ca 1920](https://anneliesebate.co.uk/a5738/): This beautifully sculptural brass oil lamp dates to the early 20th century, circa 1920, and originates from eastern India. Although often associated with Orissa, lamps of this type were traditionally produced by the Dokra Damar tribes of Chhattisgarh, renowned for their mastery of metal casting using the ancient lost-wax technique. These lamps were used daily in domestic and devotional settings, fuelled with ghee oil and a simple cotton wick.
- [Brass Dhokra Shiva Statue from Orissa](https://anneliesebate.co.uk/a3025/): Brass Shiva - Hand Made Dokra Work From Orissa. Dokra metal casting is one of the oldest traditional techniques of metal casting in India that uses the lost wax casting method. Each piece is individually made by hand and has its own unique character. This is a very Good Quality Reproduction piece with a Verdi Gris finish. From India 26 x 54 cms
- [Brass Dhokra Tree Of Life Oil Lamp From Chhattisgarh – Ca 1900](https://anneliesebate.co.uk/brass-dhokra-tree-of-life-oil-lamp/): This stunning Indian oil lamp would make a truly unique ornament or table centerpiece. The central stem is called a stambha and is decorated with multiple peacocks, branches and smaller lamps and constructed in the 'tree of life' form (a common motif in Indian design and folklore) atop an elephant.
- [Brass Dhokra Work Bastar Oil Lamp From Chhattisgarh – Ca 1910](https://anneliesebate.co.uk/brass-dhokra-work-bastar-oil-lamp/): This decorative Indian brass oil lamp is from the Bastar tribes of Chhattisgarh, India. These oil lamps were used daily and would have traditionally been used with a wick and ghee oil. It dates to the early 20th century, circa 1910.
- [Brass Dhokra Work Elephant Oil Lamp From Chhattisgarh – Ca 1910](https://anneliesebate.co.uk/brass-oil-lamp-dhokra-work-from-orissa-circa-100-yrs-old-1/): This decorative Indian brass oil lamp is from the Bastar tribes of Chhattisgarh, India. These oil lamps were used daily and would have traditionally been used with a wick and ghee oil. It dates to the early 20th century, circa 1910.
- [Brass Dhokra Work Fish Money Box From Orissa – Ca 1920](https://anneliesebate.co.uk/antique-indian-brass-jali-dokra-fish-money-box/): This charming brass fish is from Orissa, on the east coast of India. There is a very long history of fishing there fish figures like this one would be given as a wedding gift to daughters during marriage. These jali fish were traditionally filled with sweet smelling spices and hung in huts, much the same as we used pot pourri, in Europe.
- [Brass Dhokra Work Horse Figure From Orissa – 1950](https://anneliesebate.co.uk/brass-dhokra-work-horse-figure/): This stunning Indian horse figure has been created using the 'lost wax technique'. A unique piece with a lot of character from the mid 20th century. The casting is made using the traditional Dhokra technique. Dokra Damar tribes are the traditional metalsmiths of West Bengal. Their technique of lost wax casting is named after their tribe. The tribe can be found across India extending from Bihar to West Bengal and Orissa. 
- [Brass Dhokra Work Jali Turtle From Orissa](https://anneliesebate.co.uk/brass-dhokra-work-jali-turtle-from-orissa/): Brass Dhokra Work Turtle From Orissa
- [Brass Dhokra Work Money Box From Orissa – 1960’s](https://anneliesebate.co.uk/a5442/): This old brass money box is from the Dhokra Damar tribes of Orissa in North East India. This style of Dhokra work dates to the late 19th & early 20th centuries. These caskets would have been used daily by families for keeping cash and valuables.The Dhokra tribe extends from Bihar to West Bengal and Orissa; members are distant cousins of the Madhya Pradesh Dhokras. A few hundred years ago the Dhokras of Central and Eastern India traveled south as far as Kerala and north as far as Rajasthan.These boxes were made using the lost wax casting technique also known as cire perdue. A box is first sculpted from wax and then coated with clay (usually made from termite hills) which creates the outer mold. Once the clay has dried, it is fired and molten brass is poured in to replace the original wax mold. Once cooled, the clay is broken to reveal a finished box.When cool the clay mold is broken off exposing the cast bronze box. The casting is then cleaned and finer details are carved to finish the piece. As the mold is broken, each piece is unique.
- [Brass Dhokra Work Money Box From Orissa – 19th Century](https://anneliesebate.co.uk/brass-dhokra-work-money-box/): This old brass money box is from the Dhokra Damar tribes of Orissa in North East India. This style of Dhokra work dates to the late 19th & early 20th centuries. These caskets would have been used daily by families for keeping cash and valuables.The Dhokra tribe extends from Bihar to West Bengal and Orissa; members are distant cousins of the Madhya Pradesh Dhokras. A few hundred years ago the Dhokras of Central and Eastern India traveled south as far as Kerala and north as far as Rajasthan.These boxes were made using the lost wax casting technique also known as cire perdue. A box is first sculpted from wax and then coated with clay (usually made from termite hills) which creates the outer mold. Once the clay has dried, it is fired and molten brass is poured in to replace the original wax mold. Once cooled, the clay is broken to reveal a finished box. When cool the clay mold is broken off exposing the cast bronze box. The casting is then cleaned and finer details are carved to finish the piece. As the mold is broken, each piece is unique.
- [Brass Dhokra Work Money Box From Orissa – 19thC](https://anneliesebate.co.uk/a5747/): This old brass money box is from the Dhokra Damar tribes of Orissa in North East India. This style of Dhokra work dates to the late 19th & early 20th centuries. These caskets would have been used daily by families for keeping cash and valuables.The Dhokra tribe extends from Bihar to West Bengal and Orissa; members are distant cousins of the Madhya Pradesh Dhokras. A few hundred years ago the Dhokras of Central and Eastern India traveled south as far as Kerala and north as far as Rajasthan.These boxes were made using the lost wax casting technique also known as cire perdue. A box is first sculpted from wax and then coated with clay (usually made from termite hills) which creates the outer mold. Once the clay has dried, it is fired and molten brass is poured in to replace the original wax mold. Once cooled, the clay is broken to reveal a finished box.When cool the clay mold is broken off exposing the cast bronze box. The casting is then cleaned and finer details are carved to finish the piece. As the mold is broken, each piece is unique.
- [Brass Dhokra Work Money Box From Orissa – 19thC](https://anneliesebate.co.uk/a5166/): This old brass money box is from the Dhokra Damar tribes of Orissa in North East India. This style of Dhokra work dates to the late 19th & early 20th centuries. These caskets would have been used daily by families for keeping cash and valuables.The Dhokra tribe extends from Bihar to West Bengal and Orissa; members are distant cousins of the Madhya Pradesh Dhokras. A few hundred years ago the Dhokras of Central and Eastern India traveled south as far as Kerala and north as far as Rajasthan.These boxes were made using the lost wax casting technique also known as cire perdue. A box is first sculpted from wax and then coated with clay (usually made from termite hills) which creates the outer mold. Once the clay has dried, it is fired and molten brass is poured in to replace the original wax mold. Once cooled, the clay is broken to reveal a finished box.When cool the clay mold is broken off exposing the cast bronze box. The casting is then cleaned and finer details are carved to finish the piece. As the mold is broken, each piece is unique.
- [Brass Dhokra Work Money Box From Orissa – 19thC](https://anneliesebate.co.uk/brass-dhokra-money-box/): This old brass money box is from the Dhokra Damar tribes of Orissa in North East India. This style of Dhokra work dates to the late 19th & early 20th centuries. These caskets would have been used daily by families for keeping cash and valuables.The Dhokra tribe extends from Bihar to West Bengal and Orissa; members are distant cousins of the Madhya Pradesh Dhokras. A few hundred years ago the Dhokras of Central and Eastern India traveled south as far as Kerala and north as far as Rajasthan. These boxes were made using the lost wax casting technique also known as cire perdue. A box is first sculpted from wax and then coated with clay (usually made from termite hills) which creates the outer mold. Once the clay has dried, it is fired and molten brass is poured in to replace the original wax mold. Once cooled, the clay is broken to reveal a finished box. When cool the clay mold is broken off exposing the cast bronze box. The casting is then cleaned and finer details are carved to finish the piece. As the mold is broken, each piece is unique.
- [Brass Dhokra Work Money Box From Orissa – Ca 1910](https://anneliesebate.co.uk/a5741/): Dhokra Damar tribes are the traditional metalsmiths of West Bengal. Their technique of lost wax casting is named after their tribe.The tribe extends from Bihar to West Bengal and Orissa; members are distant cousins of the Madhya Pradesh Dhokras. A few hundred years ago the Dhokras of Central and Eastern India traveled south as far as Kerala and north as far as Rajasthan.
- [Brass Dhokra Work Nandi Bull From Orissa](https://anneliesebate.co.uk/brass-dhokra-work-bull/): This charming Dhokra work bull is truly one of a kind. This piece is a not an antique but a fine example of the complicated craftmanship involved in its creation.
- [Brass Dhokra Work Oil Lamp From Chhattisgarh – Ca 1910](https://anneliesebate.co.uk/brass-oil-lamp-dhokra-work-from-orissa-circa-100-yrs-old/): This decorative Indian brass oil lamp is from the Bastar tribes of Chhattisgarh, India. These oil lamps were used daily and would have traditionally been used with a wick and ghee oil. It dates to the early 20th century, circa 1910.
- [Brass Dhokra Work Oil Lamp From Chhattisgarh- 19th Century](https://anneliesebate.co.uk/brass-dhokra-work-oil-lamp-from-chhattisgargh/): This brass oil lamp from the Bastar tribal region of Chhattisgarh, India was created using the ancient lost-wax casting tradition for which the Dokra Damar metalworking communities are renowned. 
- [Brass Dhokra Work Tiger From Orissa – Ca 1920’s](https://anneliesebate.co.uk/brass-dokra-work-tiger-from-orissa/): This brass dhokra work tiger is from Orissa and dates from the early 20th century.  Dokra Damar tribes are the traditional metalsmiths of West Bengal. Their technique of lost wax casting is named after their tribe. The tribe extends from Bihar to West Bengal and Orissa; members are distant cousins of the Madhya Pradesh Dokras. A few hundred years ago the Dokras of Central and Eastern India travelled south as far as Kerala and north as far as Rajasthan.
- [Brass Dokra Work Cow From Orissa](https://anneliesebate.co.uk/brass-dokra-work-cow-from-orissa/): Brass Cow From Orissa - ca 50 yrs old - Dokra Work Dokra Damar tribes are the traditional metalsmiths of West Bengal. Their technique of lost wax casting is named after their tribe. The tribe extends from Bihar to West Bengal and Orissa; members are distant cousins of the Madhya Pradesh Dokras. A few hundred years ago the Dokras of Central and Eastern India travelled south as far as Kerala and north as far as Rajasthan.
- [Brass Dokra Work Jali Horse From Orissa](https://anneliesebate.co.uk/brass-dokra-work-jali-horse-from-orissa/): Brass Horse From Orissa - ca 50 yrs old - Dokra Work Dokra Damar tribes are the traditional metalsmiths of West Bengal. Their technique of lost wax casting is named after their tribe. The tribe extends from Bihar to West Bengal and Orissa; members are distant cousins of the Madhya Pradesh Dokras. A few hundred years ago the Dokras of Central and Eastern India travelled south as far as Kerala and north as far as Rajasthan.
- [Brass Elephant Chariot Temple Toy From Andhra Pradesh – Late 19th Century](https://anneliesebate.co.uk/brass-elephant-and-carriage/): This Indian bronze elephant towing a chariot dates to 1890-1910 and is from Andhra Pradesh. This style of wheeled toy is commonly known as a temple toy. They were given as gifts to temples as donations of devotion, usually to Shiva or Khandoba, a warrior avatar of Shiva. Children would often play with these donations resulting in the name, 'temple toy'.
- [Brass Elephant Oil Lamp From Kerala – 19th Century](https://anneliesebate.co.uk/brass-elephant-lamp/): This charming old South Indian elephant oil lamp with hinged lid makes a wonderful unique ornament. Cast from solid brass, it has developed a wonderful patina with age and is a true collectors piece. 
- [Brass Elephant Temple Toy On Wheels – ca 75 yrs old](https://anneliesebate.co.uk/a4469/): Brass Elephant Temple Toy On Wheels - ca 75 yrs old. From Jhansi
From India
33 x 23 x 30 UK Delivery Charge - except Highlands & Islands £15
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- [Brass Food Caddy From Bombay – Ca 1950](https://anneliesebate.co.uk/vintage-brass-food-caddy-2/): This antique brass food caddy from northern India dates to around the 1950s and would once have been used for storing staples such as rice, flour, or biscuits. Their tall cylindrical shape and solid brass construction reflect the enduring practicality of traditional Indian kitchenware, while the warm golden patina tells the story of long domestic use.
- [Brass Gauri Head Pandan Box – Ca 1910](https://anneliesebate.co.uk/brass-gauri-head-betelnut-box/): An old early 20th century oval shaped Indian Gauri head brass paan box used for storing betelnut - circa 1910 from Dinajpur, North Bengal. Gauri is an incarnation of Parvati, a benevolent Hindu goddess, and consort to Shiva. She is beautiful, nurturing and the embodiment of motherhood. 
- [Brass Ganesha Votive Miniature – 18th Century](https://anneliesebate.co.uk/brass-miniature-votive-statue-of-lord-ganesh-2/): This 18th century Indian brass miniature Ganesh would have been used in personal home shrines. It has been used heavily in puja casing heavy wear and smoothing to the one defined features. He has four arms holding his battle hatchet, his broken tusk, sweets called laddu balls and possibly a rosary, lotus flower or noose. The snake wrapped around his big round belly is clearly recognizable. He is wearing a conical headdress and reaching for the laddu sweets with his trunk. The face's detail is worn off with years worth of devotional rubbing. The remnants of years worth of tika spice can be seen in the cracks and crevices. 
- [Brass Gauri Head Pandan Box – Ca 1910](https://anneliesebate.co.uk/brass-gauri-head-betelnut-box-1/): An old early 20th century oval shaped Indian Gauri head brass paan box used for storing betelnut - circa 1910 from Dinajpur, North Bengal. Gauri is an incarnation of Parvati, a benevolent Hindu goddess, and consort to Shiva. She is beautiful, nurturing and the embodiment of motherhood. 
- [Brass Grain Measure From Kerala – Ca 90 yrs old](https://anneliesebate.co.uk/brass-grain-measure-from-kerala-ca-90-yrs-old/): A very unusual old brass grain measure from Kerala. It is the first one that we have seen in the last 30 years.Grain measures were used in markets for measuring wheat, corn, rice and pulses. In the old days the measures were in Seers & Pattis.
- [Brass Hexagonal Bajot Prayer Table From Shekhawati – 19th Century](https://anneliesebate.co.uk/brass-hexagonal-bajot-prayer-table/): This rare Indian brass and rosewood temple prayer table originates from the puja room of a wealthy home in Shekhawati, dating back to the late 19th century. It features intricately etched brass and lacquered turned legs, with the wood showcasing a beautiful patina. These Bajot prayer tables, commonly used for daily prayers, were found in various styles across India.
- [Brass Horse & Khandoba From The Deccan – 19th Century](https://anneliesebate.co.uk/brass-horse-khandoba-1/): This small Indian cast Indian brass figure of Khandoba on horseback dates to the 19th century. It is from the Deccan Plateau, more specifically Southern Maharashtra or Karnataka.
- [Brass Horse Toy On Wheels – Ca 100 yrs old](https://anneliesebate.co.uk/a5707/): This beautifully patinated brass Temple Horse on Wheels is from Jhansi in Central India- C 100Yrs Old.This would look perfect on a desk and is heavy enough to use as a paperweight or doorstop. From India 17 x 9.5 x 21.5 (wxdxh cms)
- [Brass Horse Toy On Wheels – Ca 100 yrs old](https://anneliesebate.co.uk/a5708/): This beautifully patinated brass Temple Horse on Wheels is from Jhansi in Central India - Circa 100Yrs Old.This would look perfect on a desk and is heavy enough to use as a paperweight or doorstop.PLEASE NOTE there is a chip on one of the ears which is reflected in the price. From India 20 x 9.5 x 18.5 (wxdxh cms)
- [Brass Indian Chapati Box – Ca 1900](https://anneliesebate.co.uk/large-brass-indian-chapati-box-ca-1900/): These antique brass chapati boxes originate from Rajasthan in Northern India and date to the early 20th century. Traditionally used for carrying chapatis or naan bread, they formed part of daily domestic life and were often taken to work or on long journeys as practical portable food containers. Their simple rounded forms and engraved decoration reflect the enduring beauty of Indian utilitarian craftsmanship.
- [Brass Indian Chapati Box – Ca 1900](https://anneliesebate.co.uk/brass-indian-chapati-box-ca-1900/): These antique brass chapati boxes originate from Rajasthan in Northern India and date to the early 20th century. Traditionally used for carrying chapatis or naan bread, they formed part of daily domestic life and were often taken to work or on long journeys as practical portable food containers. Their simple rounded forms and engraved decoration reflect the enduring beauty of Indian utilitarian craftsmanship.
- [Brass Indian Chapati Box – Ca 1900](https://anneliesebate.co.uk/brass-indian-chapati-box-3-a02971v1/): This brass chapati box from Rajasthan, India, dating to circa 1900, is a fine example of traditional household craftsmanship. Chapati boxes were used as practical lunch boxes for carrying chapati (unleavened wheat bread) and naan, an essential part of Indian daily meals. Always round in form, these boxes often feature delicate hand-engraved decoration inspired by the geometric and floral motifs found in temple architecture.
- [Brass Jali Work Paan Box From India – Early 20th Century](https://anneliesebate.co.uk/brass-indian-jali-antique-paan-box/): These Indian brass boxes were used for storage of paan leaves and are often called pandan boxes. Paan is a preparation, which combines a paste of spices in a betel leaf, which is chewed for its stimulant and psychoactive effects. After chewing it is either spat out or swallowed. Paan has many variations. Slaked lime (chunam) paste is commonly added to bind the leaves. The skilled paan maker is known as a paanwala in North India. 
- [Brass Indian Chapati Box – Ca 1900](https://anneliesebate.co.uk/brass-indian-chapati-box-2/): Brass chapati boxes were used in the old days of India as lunch boxes for packaging chapati (wheat bread) & naan bread in Rajasthan. Chapati boxes come in all sizes, but are generally round in shape with a hand engraved pattern on the top inspired by geometric motifs found in Indian temples.
- [Brass Jali Box From Rajasthan – Early 20th Century](https://anneliesebate.co.uk/brass-jali-work-paan-box-from-rajasthan-early-20th-century-1/): This Indian jali work box was used for storage of Paan leaves. Paan is a preparation, which combines a paste of spices in a betel leaf, which is chewed for its stimulant and psychoactive effects. Slaked lime (chunam) paste is commonly added to bind the leaves. The skilled Paan maker is known as a paanwala in North India.
- [Brass Jali Work Paan Box From Rajasthan – Early 20th Century](https://anneliesebate.co.uk/brass-jali-work-paan-box-2/): This old Indian brass box was used for the storage of paan leaves. Paan is a preparation, which combines a paste of spices in a betel leaf, which is chewed for its stimulant and psychoactive effects. Slaked lime (chunam) paste is commonly added to bind the leaves. The skilled Paan maker is known as a paanwala in North India.
- [Brass Jali Work Paan Box From Rajasthan – Early 20thC](https://anneliesebate.co.uk/brass-jali-work-paan-box-from-rajasthan/): Used for storage of Paan leaves. Paan is a preparation, which combines a paste of spices in a betel leaf, which is chewed for its stimulant and psychoactive effects.  After chewing it is either spat out or swallowed. Paan has many variations. Slaked lime (chunam) paste is commonly added to bind the leaves. The skilled Paan maker is known as a paanwala in North India.
- [Brass Jali Work Paan Box From Rajasthan – Early 20th Century](https://anneliesebate.co.uk/brass-jali-work-paan-box-1/): This old Indian brass box was used for the storage of paan leaves. Paan is a preparation, which combines a paste of spices in a betel leaf, which is chewed for its stimulant and psychoactive effects. Slaked lime (chunam) paste is commonly added to bind the leaves. The skilled Paan maker is known as a paanwala in North India.
- [Brass Jali Work Singhasan Stand For A Statue – 19thC](https://anneliesebate.co.uk/a5436/): Fine Brass Jali work Singhasan for a small statue - 19thC from Rajasthan. From India 19 x 15 x 22 (wxdxh cms)
- [Brass Jali Work Pandan Box From India – Early 20th Century](https://anneliesebate.co.uk/brass-jali-work-paan-box/): These Indian brass boxes were used for storage of paan leaves. Paan is a preparation, which combines a paste of spices in a betel leaf, which is chewed for its stimulant and psychoactive effects. After chewing it is either spat out or swallowed. Paan has many variations. Slaked lime (chunam) paste is commonly added to bind the leaves. The skilled paan maker is known as a paanwala in North India. 
- [Brass Jewellery Box From Kerala – Late 19th Century](https://anneliesebate.co.uk/brass-jewellery-box/): This pretty little Indian brass box is from Kerala in South India and is often referred to as a 'vettile chellam'. It would have been used for storing valuables; jewelry, paan, and money and has an internal divider. Nowadays it could be used as a jewelry box. Designed with sturdy brass panels and intricate riveted detailing, it embodies both practicality and elegance. The box features a hinged lid with a bold handle and a secure clasp, making it an ideal vessel for storing treasures.
- [Brass Jewellery Box From Kerala – Late 19th Century](https://anneliesebate.co.uk/brass-jewellery-box-from-kerala/): This pretty little Indian brass box is from Kerala in South India and is often referred to as a 'vettile chellam'. It would have been used for storing valuables; jewelry, paan, and money and has an internal divider. Nowadays it could be used as a jewelry box. 
- [Brass Jewellery Box From Rajasthan – Early 20th Century](https://anneliesebate.co.uk/brass-paan-box-from-rajasthan-1/): This pretty little Indian brass box is from Kerala in South India and is often referred to as a 'vettile chellam'. It would have been used for storing valuables; jewelry, paan, and money and has an internal divider. 
- [Brass Jewellery Casket From Rajasthan – 18th Century](https://anneliesebate.co.uk/antique-indian-brass-jewellery-casket/): This antique Indian brass casket is from Rajasthan and has a tall gabled lid. It is over 230 years old and has a beautiful patina. The form of this box imitates the typical Rajasthani hut boxes of the 18th and 19th centuries. This style of box draws inspiration from the traditional huts and houses of the Thar desert.
- [Brass Jewellery Casket from The Rann Of Kutch – 19thC](https://anneliesebate.co.uk/a7237/): A mid 19thc jewellery casket from the Rann of Kutch. This is a rare example displaying beautiful workmanship. From India 27 x 19 x 26(w x d x h cms)
- [Brass Kattori Bowls Set Of 3 – Ca 1940](https://anneliesebate.co.uk/brass-kattori-bowls-set-of-3/): These brass kattori bowls date from around 1940 and would originally have been used throughout India for serving pickles, chutneys, spices and other condiments as part of a traditional meal. Small bowls such as these remain an essential part of Indian dining, accompanying larger serving dishes on a thali and adding colour and flavour to the table.
- [Brass Khandoba & Horse From Maharashtra – 18th Century](https://anneliesebate.co.uk/brass-horse-khandoba/): This large Indian cast bronze figure of Khandoba on horseback dates to the 18th century possibly 17th century. It is from Maharashtra or Karnataka. Khandoba is a warrior manifestation of Shiva most often worshipped in central and southern India. He is worshipped as Mallanna in The Deccan, & Khandero in Rajasthan. 
- [Brass Khandoba On Horse From The Deccan  – 19thC](https://anneliesebate.co.uk/a2832/): A bronze 19th Century Horse ridden by Khandoba, a manifestation of Shiva. From the Deccan Plateau in South India.
- [Brass Ladle From Haryana  – Ca 1900](https://anneliesebate.co.uk/brass-ladle-from-haryana-ca-1900/): Vintage Brass ladle with wooden handle.
- [Brass Lotus Incense Burner from South India – 19thC](https://anneliesebate.co.uk/brass-lotus-oil-lamp-from-south-india/): An excellent example of an Indian brass lotus bud incense burner which dates to the 19th century. The burner sits atop a yali lion. Yali lions featured prominently in South India and were protectors of temples. The yali lion stands poised to pounce atop a lotus throne riding a turtle. 
- [Brass Kondh Dhokra Tribal Peacock – 19th Century](https://anneliesebate.co.uk/bronze-kondh-dhokra-tribal-peacock/): This tribal Indian brass cast Kondh peacock is an original piece dating to the 19th Century. Peacocks were important in Kondh tribal culture due to their totemic significance. They were buried at the shrine of Zakari Pennu near the post of human sacrifice. These statues are from Kandhamal in Orissa (modern-day Odisha). Kondh warriors wore peacock feathers in their hair.
- [Brass Matka Water Pot From Kerala – 19th Century](https://anneliesebate.co.uk/brass-matka-water-pot-from-kerala/): This Indian brass water pot (matka) is hand beaten and was originally used for storage of drinking water with a cover of wood or metal. It dates to the 19th century and is from Kerala in South India.
- [Brass Matka Water Pot From Kerala – 19th Century](https://anneliesebate.co.uk/brass-matka-water-pot-from-kerala-1/): These pots are hand beaten and were originally used for drinking water with a cover of wood or metal. Pots that are made from Brass and Copper are often referred to as "Ganga Jumna" which signifies the confluence of the two most holy rivers in India - The Ganges and Jamuna.
- [Brass Miniature Votive Ganesha Statue From Andhra Pradesh – 18th Century](https://anneliesebate.co.uk/brass-miniature-votive-statue-of-lord-ganesh-1/): This 18th century Indian brass miniature Ganesh would have been used in personal home shrines. This one appears to come from Andhra Pradesh. It has been used heavily in puja casing heavy wear and smoothing to the one defined features. 
- [Brass Miniature Votive Statue Of Annapurna – Early 19th Century](https://anneliesebate.co.uk/brass-miniature-votive-annapurna/): This Indian bronze votive figure of Annapurna is from The Western Deccan Plateau in Central India, probably from the state of Maharashtra. This statue dates to the early 19th century. 
- [Brass Miniature Votive Statue Of Lord Ganesh – 19th Century](https://anneliesebate.co.uk/a3939v2/): Brass Ganesh Statue - 19th Century from Gujarat. Ganesh is the ever-blissful, elephant-headed god who is lovingly worshipped and revered by millions of Hindus worldwide. He is the God of good luck and auspiciousness. He is also worshipped as the God of wisdom, wealth, health, celibacy, fertility and happiness. The son of Shiva and Parvati, Ganesh has an elephantine countenance with a curved trunk and big ears and a huge pot-bellied body of a human being. Ganesh is also worshipped as the god of education, knowledge, success and the fine arts. He is one of the five prime Hindu deities. The mythological story of Ganesh is that Parvati was bathing in the forest and a boy was guarding her privacy. Shiva wanted to pass by to see Parvati, but the boy wouldn't allow him. Shiva became angry and cut off the boys' head. Parvati returned from bathing and exclaimed that the dead boy was her son. Shiva sent his men back to get his head but they could only find an elephant's head so they put that on instead & the boy lived again
- [Brass Miniature Votive Statue Of Ganesh – 18th Century](https://anneliesebate.co.uk/brass-statue-of-ganesh-1/): This 18th century Indian brass miniature Ganesh would have been used in personal home shrines. It has been used heavily in puja casing heavy wear and smoothing to the one defined features. His upper right arm is long missing. 
- [Brass Miniature Ganesh Votive – 18th Century](https://anneliesebate.co.uk/brass-miniature-votive-ganesh/): Ganesh is the ever-blissful, elephant-headed god who is lovingly worshipped and revered by millions of Hindus worldwide. He is the God of good luck and auspiciousness. He is also worshipped as the God of wisdom, wealth, health, celibacy, fertility and happiness. The son of Shiva and Parvati, Ganesh has an elephantine countenance with a curved trunk and big ears and a huge pot-bellied body of a human being. Ganesh is also worshipped as the god of education, knowledge, success and the fine arts. He is one of the five prime Hindu deities. The mythological story of Ganesh is that Parvati was bathing in the forest and a boy was guarding her privacy. Shiva wanted to pass by to see Parvati, but the boy wouldn't allow him. Shiva became angry and cut off the boys' head. Parvati returned from bathing and exclaimed that the dead boy was her son. Shiva sent his men back to get his head but they could only find an elephant's head so they put that on instead & the boy lived again. 
- [Brass Miniature Votive Statue Of Lord Ganesh – 19thC](https://anneliesebate.co.uk/a3939/): Brass Ganesh Statue - 19thC from Gujarat. Ganesh is the ever-blissful, elephant-headed god who is lovingly worshipped and revered by millions of Hindus worldwide. He is the God of good luck and auspiciousness. He is also worshipped as the God of wisdom, wealth, health, celibacy, fertility and happiness. The son of Shiva and Parvati, Ganesh has an elephantine countenance with a curved trunk and big ears and a huge pot-bellied body of a human being. Ganesh is also worshipped as the god of education, knowledge, success and the fine arts. He is one of the five prime Hindu deities. The mythological story of Ganesh is that Parvati was bathing in the forest and a boy was guarding her privacy. Shiva wanted to pass by to see Parvati, but the boy wouldn't allow him. Shiva became angry and cut off the boys' head. Parvati returned from bathing and exclaimed that the dead boy was her son. Shiva sent his men back to get his head but they could only find an elephant's head so they put that on instead & the boy lived again
From India UK Delivery Charge - except Highlands & Islands £7.50
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- [Brass Miniature Votive Statue Of Lord Ganesh – 19thC](https://anneliesebate.co.uk/a3939v1/): Brass Ganesh Statue - 19thC from Gujarat. Ganesh is the ever-blissful, elephant-headed god who is lovingly worshipped and revered by millions of Hindus worldwide. He is the God of good luck and auspiciousness. He is also worshipped as the God of wisdom, wealth, health, celibacy, fertility and happiness. The son of Shiva and Parvati, Ganesh has an elephantine countenance with a curved trunk and big ears and a huge pot-bellied body of a human being. Ganesh is also worshipped as the god of education, knowledge, success and the fine arts. He is one of the five prime Hindu deities. The mythological story of Ganesh is that Parvati was bathing in the forest and a boy was guarding her privacy. Shiva wanted to pass by to see Parvati, but the boy wouldn't allow him. Shiva became angry and cut off the boys' head. Parvati returned from bathing and exclaimed that the dead boy was her son. Shiva sent his men back to get his head but they could only find an elephant's head so they put that on instead & the boy lived again From India
- [Brass Miniature Votive Statues Of Lord Ganesh – 19th Century](https://anneliesebate.co.uk/a3936/): Brass Ganesh Statue - 19th Century from Gujarat. Ganesh is the ever-blissful, elephant-headed god who is lovingly worshipped and revered by millions of Hindus worldwide. He is the God of good luck and auspiciousness. He is also worshipped as the God of wisdom, wealth, health, celibacy, fertility and happiness. The son of Shiva and Parvati, Ganesh has an elephantine countenance with a curved trunk and big ears and the huge pot-bellied body of a human being. Ganesh is also worshipped as the god of education, knowledge, success and the fine arts. He is one of the five prime Hindu deities. The mythological story of Ganesh is that Parvati was bathing in the forest and a boy was guarding her privacy. Shiva wanted to pass by to see Parvati, but the boy wouldn't allow him. Shiva became angry and cut off the boys' heads. Parvati returned from bathing and exclaimed that the dead boy was her son. Shiva sent his men back to get his head but they could only find an elephant's head so they put that on instead & the boy lived again
- [Brass Oil Lamp From The Deccan – 19th Century](https://anneliesebate.co.uk/brass-oil-lamp-from-south-india/): These charming oil lamps are made from cast brass and are from the Deccan. They're called samayee and are used as votive oil lamps. They are likely from the South Indian state of Karnataka.
- [Brass Paan ( Betelnut) Box from Java  – 19th Century](https://anneliesebate.co.uk/brass-paan-betelnut-box-from-java/): This 19th century brass supari box is from the Indonesian Archipelago and would have been used for storing betel nut supari, also known as paan. Paan is a preparation, which combines a paste of spices in a betel leaf, which is chewed for its stimulant and psychoactive effects. 
- [Brass Peacock Coat Hook on Painted Teak Base -19thC](https://anneliesebate.co.uk/a4126/): In the 19th century, brass peacock coat hooks on painted teak bases adorned many elegant homes. Bring that timeless beauty to your own space with this elegant, vintage piece. Enjoy the sturdiness of brass and teak, while adding a touch of sophistication to your home.
- [Brass Peacock Chopra Box – Early 20thC](https://anneliesebate.co.uk/a3908/): A brass chopra makeup box from Rajasthan - decorated with peacocks - circa 75 - 100 years old - Broken Peacock so reduced price - from India From India
- [Brass Peacock Cosmetic Box From Rajasthan – 19th Century](https://anneliesebate.co.uk/brass-peacock-cosmetic-box/): This beautiful well patinated Indian brass box is formed in the shape of a blossoming lotus flower with a central peacock. The compartments all open to reveal storage for bindi, used in India for the application of tika powder to a Hindu's forehead.
- [Brass Peacock Cosmetic Box From Rajasthan – 19th Century](https://anneliesebate.co.uk/indian-brass-peacock-cosmetic-box/): This beautiful well patinated Indian brass box is formed in the shape of a blossoming lotus flower with a central peacock. The compartments all open to reveal storage for bindi, used in India for the application of tika powder to a Hindu's forehead.
- [Brass Rice Bin From Rajasthan – Circa 1920](https://anneliesebate.co.uk/a4195/): Brass Rice Bin From Rajasthan - Circa 1920 - This would make a very decorative log bin.
From India
50 x 50 x 48(w x d x h cms) UK Delivery Charge - except Highlands & Islands £20
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- [Brass Plated Square Bajot Prayer Table From Shekhawati – 19th Century](https://anneliesebate.co.uk/brass-plated-square-bajot-prayer-table-from-shekhawati/): This antique Indian bajot low table is a lovely little example of the style dating to the 19th century. It is from Shekhawati in Rajasthan and would have been multifunctional, used for day to day dining and also for displaying leisure paraphernalia such as opium or writing equipment. It is made from roheda wood bound with hand beaten sheet brass. 
- [Brass Rice Measure From Orissa – Early 20th Century](https://anneliesebate.co.uk/brass-dhokra-rice-measure-orissa/): Old Dhokra brass rice measure from Orissa in North East India. Used for measuring out rice in bazaars and for cooking. Dhokra metal casting is one of the oldest traditional techniques of metal casting in India that uses the lost wax casting method.Each piece is individually made by hand and has its own unique character, these would make great planters as well as desk tidies and storage pots. 
- [Brass Studded ‘Zanzibar’ Chest From Kutch – 19th Century](https://anneliesebate.co.uk/teak-brass-studded-zanzibar-chest/): This Indian teak chest dates to the 19th century and is an excellent example of a 'Zanzibar chest'. These chests were made in The Rann of Kutch and used as dhow trade chests for transporting spices like pepper and cloves, Indian cottons, gemstones. The main trade hubs were Diu, Surat, Basra, Zanzibar & Bombay.
- [Brass Studded Door & Frame From Kutch – 19th Century](https://anneliesebate.co.uk/brass-studded-door/): Looking for a dramatic entrance to your room or as a statement piece in your home, a retail space or film set? These Indian antique painted doors and frame hark from Kutch and have been reclaimed from an old haveli.
- [Brass Studded Rosewood Jewellery Box From Kutch – 19thC](https://anneliesebate.co.uk/antique-rosewood-kutchi-peacock-box/): This three drawer jewellery box from Kutch is a superb example of Indian craftsmanship combined with quirky Indian design. Carved from rosewood and adorned with brass metalwork, the three drawers are kept securely locked by three locking pins only accessible by unlocking the lid (the locking pins are visible in the image of the box open.) This style of box is only found in The Rann of Kutch and brass peacocks often adorn the front, These safe boxes would have been used for cash and jewellery.
- [Brass Studded Rosewood Bombay Chest – 19th Century](https://anneliesebate.co.uk/brass-studded-rosewood-chest-from-kutch/): This studded antique Indian chest is made from luscious rosewood. This style of Zanzibar chest is known as a Bombay chest, or a 'category 3 shisham chest' in S Unwin's seminal book. These chests were made South of Bombay. This one is larger than most chests of this style and has bum feet. You can see parallels with the Indo-Portuguese and Portuguese Brazilian furniture of earlier periods. A clear influence in style from the British occupation in India is also visible from the brass bindings on the side. 
- [Brass Studded Rosewood Peacock Box From Saurashtra – 19th Century](https://anneliesebate.co.uk/brass-studded-rosewood-peacock-box/): This three drawer jewellery box from Saurashtra is a superb example of Indian craftsmanship combined with quirky Indian design. Carved from rosewood and adorned with brass metalwork, the three drawers are kept securely locked by three locking pins only accessible by unlocking the lid (the locking pins are visible in the image of the box open.) This style of box is only found in Gujarat in the areas of Kutch & Saurashtra and brass peacocks often adorn the front, These safe boxes would have been used for cash and jewellery.
- [Brass Studded Rosewood Peacock Box From Saurashtra – 19th Century](https://anneliesebate.co.uk/brass-studded-rosewood-peacock-box-1/): This old Indian box from Gujarat dates to the 19th century and is a superb example of Indian craftsmanship combined with quirky Indian design. Carved from rosewood and adorned with brass metalwork. This style of box is only found in Gujarat in the areas of Kutch & Saurashtra and brass peacocks often adorn the front, These safe boxes would have been used for cash and jewellery.
- [Brass Studded Teak Zanzibar Chest From Surat  – 19th Century](https://anneliesebate.co.uk/brass-studded-teak-zanzibar-chest/): This beautiful Indian 'Zanzibar' chest dates to the 19th century and is an excellent example of a Surat style 'Zanzibar chest'. Made from solid teak wood and clad in brass. These chests were made in Surat in Gujarat by Parsees and used as dhow trade chests on ships for transporting spices like pepper and cloves, Indian cottons, gemstones. The main trade hubs were Diu, Surat, Basra, Zanzibar & Bombay hence these chests being found across much of the Arab Gulf.
- [Brass Studded Teak Zanzibar Chest From Surat  – 19th Century](https://anneliesebate.co.uk/brass-studded-teak-zanzibar-chest-from-surat-19th-century/): This exceptional 19th century brass-clad 'Zanzibar' chest is a superb example of the finest trading chests produced in Surat, Gujarat. Constructed from solid teak and richly embellished with hand-worked brass sheeting, intricate brass studwork and decorative mounts, it represents the remarkable craftsmanship of the Parsi workshops that supplied merchants trading across the Indian Ocean.
- [Brass Studded Zanzibar Chest From Surat  – Early 19th Century](https://anneliesebate.co.uk/brass-studded-teak-zanzibar-chest-1/): This beautiful Indian 'Zanzibar' chest dates to the 19th century and is an excellent example of a Surat style 'Zanzibar chest'. Made from solid teak wood and clad in brass. These chests were made in Surat in Gujarat by Parsees and used as dhow trade chests on ships for transporting spices like pepper and cloves, Indian cottons, gemstones. The main trade hubs were Diu, Surat, Basra, Zanzibar & Bombay hence these chests being found across much of the Arab Gulf.
- [Brass Temple Bucket (Marked KM) – Ca 1920](https://anneliesebate.co.uk/brass-temple-bucket-marked-asd-ca-1920-1/): These antique brass buckets would once have contained holy water used in Hindu puja ceremonies, and are sometimes referred to as 'campaign buckets' as they were carried by armies in India during the 19th and early 20th centuries. This example is distinguished by its flared base and the initials KM marked on the handle lug - likely an Indian manufacturer. It also has a Hindi inscription just underneath the rim.
- [Brass Temple Bucket – Ca 1930](https://anneliesebate.co.uk/brass-temple-bucket-from-rajasthan-asd/): This antique Indian brass bucket dates to the late 19th or early 20th century and was traditionally used to hold holy water for Hindu puja ceremonies. Robust and practical, vessels of this type were widely used in both domestic and ceremonial settings across India.
- [Brass Tower Inkwell From Uttar Pradesh – 19thC](https://anneliesebate.co.uk/a3919/): This is a scribes inkwell from Uttar Pradesh - it would hang on cord beside the scribes desk From India
- [Brass Tiger from Gujarat – Circa 85 yrs Old](https://anneliesebate.co.uk/a5706/): This Brass Tiger has a very nice patina Circa 85yrs old from Gujarat.This wood look perfect on a desk and are heavy enough to use as a paperweight. From India11 x 7 x 14 (wxdxh cms)
- [Brass Temple Bucket From Rajasthan – 1930’s](https://anneliesebate.co.uk/brass-temple-bucket-from-rajasthan/): These old brass buckets would once have contained holy water used in Hindu puja ceremonies, and bears engraved lines circling the bucket. Buckets of this type are often referred to as 'campaign buckets' as they were used by armies in India during the 19th and early 20th centuries, valued for their durability and portability.
- [Brass Temple Bell – 19th Century](https://anneliesebate.co.uk/brass-temple-bells-19thc/): This charming collection of antique brass puja bells dates to the 19th century and would have been used during Hindu worship in both domestic shrines and temples throughout India. Traditionally rung during prayer ceremonies, the sound of the bell is believed to invite the presence of the divine while helping worshippers focus their minds during ritual observance.
- [Brass Water Pot From Rajasthan For Planter – Mid 19th Century](https://anneliesebate.co.uk/brass-water-pot-from-rajasthan/): These pots are hand beaten and were originally used for drinking water with a cover of wood or metal. The beaten brass has a lovely texture and gives off a wonderful golden glow. 
- [Brightly Painted Iron Toran Diwali Lamp – Small](https://anneliesebate.co.uk/black-painted-iron-toran-small/): This traditional Indian Diwali lamp crafted from wrought iron, is known as a toran. These were made predominantly by the Bastar people of Madhya Pradesh. Typically left unadorned, this particular version is painted in traditional Rajasthani style.
- [Bronze “Urli” Cauldron From South India – Late 19thC](https://anneliesebate.co.uk/old-bronze-urli-from-india-1/): 75 x 70 x 21 (wxdxh cms)
- [Bronze Avalokiteshvara Statue From Nepal – 19thC](https://anneliesebate.co.uk/bronze-avalokiteshvara-statue-from-tibet-19thc/): A 19th Nepalese bronze figure of a Bodhisattva, possibly an emanation of Avalokiteshvara, with down cast eyes and a serene expression wearing an elaborate headdress, large earrings and other beaded jewelry, seated in the the cross-legged lotus position on a single lotus base, the right hand positioned in Varada Mudra expressing compassion and the left hand in Karana mudra to warn of evil.
- [Bronze Betelnut Box – Circa 19 th Century](https://anneliesebate.co.uk/a4109/): Bronze Betelnut Box from Rajasthan. Paan is a preparation, which combines a paste of spices in a betel leaf, which is chewed for its stimulant and psychoactive effects. After chewing it is either spat out or swallowed. Paan has many variations. Slaked lime (chunnam) paste is commonly added to bind the leaves. The skilled paan maker is known as a paanwala in North India. In other parts, paanwalas are also known as panwaris or panwadis. At North India, there is a tradition to chew paan after Deepawali puja for blessings. Paan is also consumed in many other Asian countries.
- [Bronze Bhuta Panjurli Riding A Wild Boar – 18th Century](https://anneliesebate.co.uk/indian-bronze-panjurli-riding-a-wild-boar/): This bronze Bhuta figure is from Karnataka and features Panjurli riding a wild boar. It is rare, a great collectors piece, and incredibly special dating to the 18th century. Panjurli is the divine spirit of a male wild boar worshipped as a part of Bhuta Kola. Panjurli is usually seen with a boar head, but here, he has a human head with a stylised tusk shaped moustache. Panjurli is often seen with a bell in one hand and a sword in the other. The bell remains and the blade was originally movable but has long since been lost. Panjurli & his mount are cast separately and secured by a lug on his back. Both are finely cast with excellent proportions and covered in a rich patina. There are some firing faults which can be seen in photos in the tail area. 
- [Bronze Boar From Andhra Pradesh – 18thC](https://anneliesebate.co.uk/bronze-boar-statue-andra-pradesh-18thc/): Bronze Boar From Andhra Pradesh - 18thC a great piece for a collector. This wonderful boar was made by Dokra Tribesmen - 19thC - using the lost wax technique. Beeswax is mixed with a little oil and kneaded well to soften it. The figure is sculpted from this wax mixture, fashioning all the minute details. When finished the entire figure is then coated with clay made from termite hills to create the mould. The mould is then dried and fired in an oven with cow-dung cakes. The wax model melts leaving an empty clay mould. The mould is then heated and molten brass or bronze is poured into the empty clay-mould. When the mould is entirely filled it is left to cool. The clay mould is then broken off exposing the cast bronze figure. The casting is then cleaned, finer details are carved, and blemishes are removed.From India
- [Bronze Buddha From Nepal – Ca 1980](https://anneliesebate.co.uk/bronze-nepalese-buddha/): This vintage Buddha statue is in the pose of bhumisparsha mudra. Bhumisparsha means "Touching the earth" and symbolises Buddha's enlightenment beneath the Bodhi tree. The mudra is always from a seated position with the right hand resting on the knee and fingers pointing to the ground. The left hand is holding an alms bowl.
- [Bronze Buddha From Thailand – 75 – 100 years old](https://anneliesebate.co.uk/bronze-buddha-from-thailand-75-100-years-old-1/): This beautiful Bronze Buddha would look fabulous in a garden setting amongst ferns or indoors - Circa 75 - 100 years old from Thailand
- [Bronze Buddha From Thailand – Ca 1920](https://anneliesebate.co.uk/bronze-buddha-from-thailand/): This Buddha is depicted seated in vajrasana, with his right handgesturing to the earth in the bhumisparsa mudraposition. He has tightly curled hair with central miniature shrine, his head with flame usnisa. This beautiful Bronze Buddha would look fabulous in a garden setting amongst ferns or indoors
- [Bronze Deepa Lakshmi Votive Lamp From Tamil Nadu – 19th Century](https://anneliesebate.co.uk/deepa-lakshmi-votive-lamp/): These antique South Indian votive oil lamps are made from cast bronze and originate from Tamil Nadu. Lamps like these are used in a family shrine or Hindu temple. They are called deepa Lakshmi or kamakshi villaku and depict Lakshmi, the goddess of power and wealth on the backplate often flanked by elephants. The design is such that the light honors and illuminates the goddess. A wick would have been positioned in the lip at the front.
- [Bronze Dhokra Kondh Deer From Orissa – 19th Century](https://anneliesebate.co.uk/brass-gond-dhokra-deer/): This charming votive deer statue is from the tribal area of Kandhamal, Orissa. These tribal statues were used as votives by Khond (also spelled Kondh or Gond) tribes like the Desia Kandha tribe. These statues date to the 19th century and would have been passed down through generations and worshipped to protect against the wild animals of the forest.  It is likely this deer is the sambar deer, an animal unique to Orissa and the state animal of Orissa / Odisha. 
- [Bronze Dhokra Work  Money Box – 19thC](https://anneliesebate.co.uk/bronze-dhokra-work-money-box/): Bronze Dhokra Work Money Box - 19thC Made by Gond Tribesmen - 19thC - using the lost wax technique.Beeswax is mixed with a little oil and kneaded well to soften it.The figure is sculpted from this wax mixture, fashioning all the minute details.When finished the entire figure is then coated with clay made from termite hills to create the mould.The mould is then dried and fired in an oven with cow-dung cakes. The wax model melts leaving an empty clay mould. The mould is then heated and molten brass or bronze is poured into the empty clay-mould. When the mould is entirely filled it is left to cool.The clay mould is then broken off exposing the cast bronze figure. The casting is then cleaned, finer details are carved, and blemishes are removed.
- [Bronze Dhokra Work Money Box From Kandhamal – 19th Century](https://anneliesebate.co.uk/bronze-dhokra-work-money-box-1/): From Odisha's Kandhamal district, this 19th-century bronze money box showcases the Dhokra Damar tribe's enduring lost-wax casting tradition. Once used daily to safeguard cash and valuables, it bears diagonal ribbing and patterned bands, a hinged lid with a stylised peacock finial, a symbol of beauty and protection in Indian culture. The whole money box is mellowed by a rich, earthy patina.
- [Bronze Dog Head – From the Chinese Zodiac](https://anneliesebate.co.uk/c1047/): Bronze Dog Head - From the Chinese Zodiac From China
- [Bronze Dokra Kondh Fish From Orissa – Early 20th Century](https://anneliesebate.co.uk/gond-dokra-work-brass-fish-orissa/): This tribal brass cast fish would have been an important part of daily ritual for a Gond family. This casting is made in the classic Dokra style - Dokra Damar tribes are the traditional metalsmiths of West Bengal. Their technique of lost wax casting is named after their tribe. The tribe can be found across India extending from Bihar to West Bengal and Orissa. Animal worship was incredibly important to the Gonds. 
- [Bronze Elephant & Mahout – 19thC](https://anneliesebate.co.uk/a3472/): Bronze Elephant & Mahout - 19thC
From India
10 x 20 x £15 UK Delivery Charge - except Highlands & Islands £7.50
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- [Bronze Dragon Wine Flask – Han Dynasty Style](https://anneliesebate.co.uk/c0678/): Bronze Dragon Wine Flask - Han Dynasty Style This is a museum quality reproduction piece. The Dragon is said to be the most potent of cosmic symbols ensuring success and prosperity.
From China
13.5 x 17.5 x 16.5 UK Delivery Charge - except Highlands & Islands £15
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- [Bronze Fish](https://anneliesebate.co.uk/c1028/): Bronze Fish From China 13 x 9 x 29 (wxdxh cms)
- [Bronze Ganesha Statue from Deccan – 18th Century](https://anneliesebate.co.uk/brass-miniature-votive-statue-of-lord-ganesh/): This 18th century Indian brass miniature Ganesh would have been used in personal home shrines. It has been used heavily in puja casing heavy wear and smoothing to the one defined features. He has four arms holding his battle hatchet, his broken tusk, sweets called laddu balls and possibly a rosary, lotus flower or noose. The snake wrapped around his big round belly is clearly recognizable. He is wearing a conical headdress and reaching for the laddu sweets with his trunk. The face's detail is worn off with years worth of devotional rubbing. The remnants of years worth of tika spice can be seen in the cracks and crevices. 
- [Bronze Horse Wheel Toy From Bundelkhand – 19thC](https://anneliesebate.co.uk/a1879/): This beautifully patinated brass temple horse on wheels is from Jhansi city in Bundelkhand, which is a majority Hindu region in north India well known for its bronzes.
- [Bronze Ganesha Statue from Deccan – 18th Century](https://anneliesebate.co.uk/brass-statue-of-ganesh/): This 18th century bronze Ganesha figure is from Deccan area in Central India. This style of miniature Ganesha would have been used in a personal home shrine. 
- [Bronze Han Dynasty Style Horse Head](https://anneliesebate.co.uk/verdigris-bronze-han-dynasty-style-horse-head/): This striking bronze horse head is inspired by the art of the Han Dynasty (202 BC–AD 220), a period in which the horse became an important subject in Chinese art. The stylised head has an elongated form with upright ears and strong, sculptural features, finished with a mottled verdigris patina to recreate the appearance of an excavated ancient bronze.
- [Bronze Incense Burner With Lid](https://anneliesebate.co.uk/bronze-incense-censer/): This bronze incense censer & lid is for burning incense. it has ruyi shaped holes. It's perfect for burning charcoal discs, cones, or incense resin.  This beautifully patinated burner has the appearance of years of use. It is a heavy-duty burner that will last for generations, adding a touch of elegance to your home. 
- [Bronze Incense Burner With Zodiac Engravings](https://anneliesebate.co.uk/bronze-incense-burner/): This bronze incense censer & lid is for burning incense. it has ruyi shaped holes and has the signs of the Chinese zodiac carved along the outside. It's perfect for burning charcoal discs, cones, or incense resin.  This beautifully patinated burner has the appearance of years of use. It is a heavy-duty burner that will last for generations, adding a touch of elegance to your home. 
- [Bronze Incense Censer & Lid](https://anneliesebate.co.uk/bronze-incense-burner-and-lid/): This bronze incense censer & lid is for burning incense. it has ruyi shaped holes. It's perfect for burning charcoal discs, cones, or incense resin.  This heavy-duty burner will last for generations, adding a touch of elegance to your home. 
- [Bronze Khandoba Statue from the Deccan – 19thC](https://anneliesebate.co.uk/bronze-horse-with-khandoba-19thc/): Bronze 19th Century bronze Horse ridden by Khandoba, a manifestation of Shiva. From the Deccan Plateau in South India. 
- [Bronze Khandoba Riding a Horse From Maharasthra – 18th Century](https://anneliesebate.co.uk/bronze-horse-and-rider-from-the-deccan/): This Indian cast bronze figure of Khandoba on horseback dates to the 18th century - possibly 17th century. It is from Maharashtra or Karnataka. Khandoba is a warrior manifestation of Shiva most often worshipped in central and southern India. He is worshipped as Mallanna in The Deccan, & Khandero in Rajasthan.
- [Bronze Incense Censer Bowl](https://anneliesebate.co.uk/bronze-incesnse-censer-bowl/): This beautifully patinated Chinese censer has the appearance of years of use. It is a heavy-duty incense burner that will last for generations, adding a touch of elegance to your home. It can also double as a small keepsake pot or a pot for dried flowers.
- [Bronze Kondh Dhokra Tribal Peacock – 19th Century](https://anneliesebate.co.uk/bronze-kondh-dhokra-tribal-peacock-1/): This tribal brass cast Kondh (or Gond) peacock is an original piece dating to the 19th Century. Peacocks were important in Kondh tribal culture due to their totemic significance. They were buried at the shrine of Zakari Pennu near the post of human sacrifice. These statues are from Kandhamal in Orissa (modern-day Odisha). Kondh warriors wore peacock feathers in their hair.
- [Bronze Money Box From Dhokra Tribal Region – 19th Century](https://anneliesebate.co.uk/brass-money-box-from-dhokra/): This old Indian brass box is from the Dhokra tribal area of Orissa. Dokra Damar tribes are the traditional metalsmiths of West Bengal. As well as money, this box has been used for storing slaked lime used in the consumption of paan which is chewed for its stimulant and psychoactive effects. The handle is missing on this box. 
- [Bronze Naga Buddha From Khmer, Cambodia – 19thC](https://anneliesebate.co.uk/bronze-naga-buddha-from-khmer-cambodia-19thc/):  This Buddha is depicted seated in dhyana mudra which is the mudra of meditation and concentration. He is sat upon a coiled Naga which is often a multi headed snake or dragon. The Naga represents our connection to nature and dwells in an underworld called 'Naga-loka' according to mythology.  
- [Bronze Nandi Bull From The Deccan – 18th Century](https://anneliesebate.co.uk/bronze-recumbent-nandi-bull-from-deccan/): This exquisite bronze Nandi bull originates from the Deccan region of India. Nandi is known for strength & virility - the name means €œgiving delight€� or €œgiving joy.€� Nandi or Nandin is the sacred vahana (vehicle) of the Lord Shiva, inferring his power as a procreator. 
- [Bronze Mukhalinga (Shiva Ji Head) – Late 18thC](https://anneliesebate.co.uk/a5933/): Bronze Mukhalinga - Shiva Ji Head From Andhra Pradesh - Late 18thC- created using the lost wax technique. The process is commonly known as Cire Perdue. Beeswax is mixed with a little oil and kneaded well to soften it. The figure is sculpted from this mixture fashioning all the minute details. When finished the entire figure is then coated with clay made from termite hills to create the mould. The mould is then dried and fired in an oven with cow-dung cakes. The wax model melts leaving an empty clay mould. The mould is then heated and molten brass or bronze is poured into the empty clay-mould. Chola bronzes use an alloy is known as Pancha Loham. When the mould is entirely filled it is left to cool. The clay mould is then broken off exposing the cast bronze figure. The casting is then cleaned, finer details are carved, and blemishes are removed. It is finally polished.From India
- [Bronze Nandi Bull From The Deccan – 18th Century](https://anneliesebate.co.uk/bronze-nandi-bull-from-the-deccan-2/): This exquisite bronze Nandi bull originates from the Deccan region of India. Nandi is known for strength & virility - the name means €œgiving delight€� or €œgiving joy.€� Nandi or Nandin is the sacred vahana (vehicle) of the Lord Shiva, inferring his power as a procreator. 
- [Bronze Paan Box From Deccan – Circa 18th Century](https://anneliesebate.co.uk/a5443/): This elegant bronze paan box from the Deccan dates to the 18th century and is a fine example of the sophisticated metalworking traditions for which the region became renowned. Cast in a distinctive lobed form and richly engraved throughout, the box combines practical function with refined decorative artistry. Its sculptural silhouette and deeply developed patina give it a quiet presence that reflects centuries of use and careful preservation.
- [Bronze Ritual Wine Jar – Zhou Dynasty Style](https://anneliesebate.co.uk/c9680/): Reproduction Western Zhou Dynasty Bronze Ritual Wine Jar From China 15 x 15 x 39 cms
- [Bronze Seated Avalokiteshvara](https://anneliesebate.co.uk/bronze-seated-avalokiteshvara/): This striking bronze figure depicts Avalokiteshvara, one of the most revered bodhisattvas in Buddhism and the embodiment of compassion. A bodhisattva is an enlightened being who chooses to remain engaged with the world rather than entering final nirvana, in order to help other sentient beings overcome suffering.
- [Bronze Seated Buddha From Thailand – Ca 90 Yrs old](https://anneliesebate.co.uk/bronze-buddha-from-thailand-75-100-years-old/): This beautiful Bronze Buddha would look fabulous in a garden setting amongst ferns or indoors - Circa 75 - 100 years old from Thailand Please note this is a very heavy item for its size.From Thailand
- [Bronze Ritual Wine Jar Table Lamp – Zhou Dynasty Style](https://anneliesebate.co.uk/reproduction-ritual-wine-jar-lamp/): This resproduction Chinese Western Zhou dynasty style bronze vessel has been converted into a beautiful lamp in our UK workshop. 
- [Bronze Shakyamuni Seated Buddha From Tibet – Ca 1910](https://anneliesebate.co.uk/bronze-shakyamuni-seated-buddha/): A Tibetan bronze Shakyamuni Buddha, - 75-100 yrs old, seated cross-legged on a double lotus pedestal, his hands resting in his lap in Dhayana Mudra, his robe with a scroll border, the lotus base engraved with Tibetan script. The base is chased with a double Dorje thunderbolt. The Buddha & base are in 2 partsFrom China
- [Bronze Shiva Mukhalinga – 18th Century](https://anneliesebate.co.uk/bronze-mukhalinga-shiva-head-2/): This excellent 18th century bronze head of Shiva is a mukhalinga, literally translating to 'lingam with a face'. Lingams are phallic eggs and the non-representational form of Shiva, one of the three most prominent gods of Hinduism. Shiva is The Destroyer who demolishes in order for the world to be created anew. Originally mukhalingas were carved stone lingam, however in the 18th century, they came to be covers for lingam stones, believed to preserve the sacred vibrations and shield them when not in use. 
- [Bronze Shiva Mukhalinga From Andhra Pradesh – 18th Century](https://anneliesebate.co.uk/bronze-mukhalinga-shiva-head/): This excellent 18th century bronze head of Shiva is a mukhalinga, literally translating to 'lingam with a face'. Lingams are phallic eggs and the non-representational form of Shiva, one of the three most prominent gods of Hinduism. Shiva is The Destroyer who demolishes in order for the world to be created anew. Originally mukhalingas were carved lingam, however in the 18th century, they came to be covers for lingam stones, believed to preserve the sacred vibrations and shield them when not in use. It is likely, given the size that this was used as the former. 
- [Bronze Shiva Mukhalinga From Karnataka – Ca 1950](https://anneliesebate.co.uk/bronze-mukhalinga-shiva-head-1/): This old bronze head of Shiva is a mukhalinga, literally translating to 'lingam with a face'. This one dates to the 1950's. Lingams are phallic eggs and the non-representational form of Shiva, one of the three most prominent gods of Hinduism. Shiva is The Destroyer who demolishes in order for the world to be created anew. Originally mukhalingas were carved stone lingam, however in the 18th century, they came to be covers for lingam stones, believed to preserve the sacred vibrations and shield them when not in use. 
- [Bronze Statue of Parvati From Nepal – Early 20thC](https://anneliesebate.co.uk/antique-bronze-parvati-statue-nepal/): One of a pair of Nepalese bronze statues. These high quality cast bronzes are approximately 100 years old. Parvati with her husband Shiva is depicted standing and dancing atop lotus bases. 
- [Bronze Standing Statue of Shiva From Nepal – Early 20thC](https://anneliesebate.co.uk/bronze-standing-statue-of-shiva-from-nepal/): One of a pair of Nepalese bronze statues. These high quality cast bronzes are approximately 100 years old. Parvati with her husband Shiva is depicted standing and dancing atop lotus bases. 
- [Bronze Sitting Buddha Statue – Dhyana Mudra Pose](https://anneliesebate.co.uk/bronze-statue-of-buddha-dhyana-mudra-pose/): These bronze Buddha statues are hand made using techniques handed down through the generations. Cast over a meld of clay and wax, once cooled, the statue is then painstakingly polished. This Buddha is in the meditation pose; his hands resting on his lap, right hand leaning on the palm of the left. The pose of Dhyana Mudra was used by Buddha during his final meditation beneath the Bodhi tree before achieving enlightenment.From China
- [Bronze Sitting Buddha Statue – Bhumisparsha Mudra](https://anneliesebate.co.uk/bronze-sitting-buddha-statue-bhumisparsha-mudra/): This seated Chinese bronze Buddha is an excellent museum quality reproduction of a traditional Chinese Buddha in the pose of Bhumisparsha Mudra. Bhumisparsha mudra is always from a seated position with the right hand resting on the knee, fingers pointing to the ground. Bhumisparsha means "Touching the earth" and symbolises Buddha's enlightenment beneath the Bodhi tree.
- [Bronze Thai Buddha in Bhumiparsha Mudra Pose](https://anneliesebate.co.uk/m107/):  Bronze Thai Buddha in Bhumiparsha Mudra Pose - ca 75 yrs old. It has a beautiful patina with traces of bronze verdigris & gilding
- [Bronze Shiva Nataraj Statue From South India – Early 20thC](https://anneliesebate.co.uk/bronze-shiva-nataraj-statue-from-south-india-early-20thc/): A South Indian bronze figure of Shiva Nataraj dancing on Apasmara Purusha, 20th century, modelled within a ring of flames and on a lotus moulded rectangular plinth.
- [Bronze Urli Festival Cooking Vessel From South India – 19th Century](https://anneliesebate.co.uk/antique-indian-bronze-urli-cooking-vessel/): Crafted in South India during the late 19th century, this substantial bronze cauldron — known locally as an Urli (ഉരുളി) — reflects a long-standing culinary and cultural tradition. Traditionally used in Tamil and Malayali households for preparing large quantities of food, Urlis were positioned over open flames and lifted using wooden poles passed through their sturdy loop handles. Each vessel was central to communal cooking and ceremonial gatherings, embodying both function and ritual significance.
- [Bronze Tibetan Singing Bowl – 50 cm](https://anneliesebate.co.uk/bronze-tibetan-singing-bowl-50-cm-n5797/): Tibetan singing bowls are often used in sound therapy and yoga. Our singing bowls are hand beaten bell metal (a bronze alloy) and have an enchanting sound that eliminates stress and is believed to align the body's chakras. Made as is the tradition with a mixture of seven metals.
- [Bronze Tibetan Style Bell](https://anneliesebate.co.uk/bronze-tibetan-style-bell/): This bronze Tibetan style bell has a deep distinctive chime - with two iron clappers that strike with a rich deep tone suitable for your meditation and yoga room. These bells are handcrafted using traditional techniques. 
- [Bronze Urli from South India – 19th Century](https://anneliesebate.co.uk/antique-bronze-urli-a03061/): This 19th century bronze Urli (ഉരുളി) from Kerala, South India, is a fine example of traditional metal craftsmanship. Urlis, also known as uruli or charakku, were essential vessels in Tamil and Malayali households, used as cauldrons for preparing vast quantities of food. Their wide form allowed for slow cooking, and they were placed directly on the fire. Strong looped handles on either side allowed wooden poles to be inserted for lifting and carrying, a practical design that also lent the vessel its distinctive silhouette.
- [Bronze Urli From South India – 19th Century](https://anneliesebate.co.uk/bronze-urli-from-south-india-a03064/): Crafted in South India in the late 19th century, this impressive bronze cauldron is known locally as an Urli (ഉരുളി). Traditionally used in Tamil and Malayali households for cooking large quantities of food, Urlis were placed directly on an open flame and carried with the aid of wooden poles threaded through the robust loop handles. This piece tells a story of communal gatherings, ritual cooking, and time-honoured technique.
- [Bronze Urli From South India – 19th Century](https://anneliesebate.co.uk/bronze-urli-from-south-india-19th-century-a03062/): Crafted in South India in the late 19th century, this impressive bronze cauldron is known locally as an Urli (ഉരുളി). Traditionally used in Tamil and Malayali households for cooking large quantities of food, Urlis were placed directly on an open flame and carried with the aid of wooden poles threaded through the robust loop handles. This piece tells a story of communal gatherings, ritual cooking, and time-honoured technique.
- [Bronze Urli from South India – Late 19thC](https://anneliesebate.co.uk/a5651/): Urlis ( ഉരുളി ) are cooking vessels used as cauldrons for food preparation in Kerala, South India. Also called uruli or charakku, these cauldrons were used in both Tamil & Malayali homes and could hold vast amounts of food. They were placed directly on the fire and wooden poles were inserted through the loop handles at each side to carry them.
- [Bronze Urli From South India – Late 19th Century](https://anneliesebate.co.uk/bronze-urli-from-south-india-late-19thc-1/): This bronze Indian cauldron from South India is called an Urli and it dates to the late 19th century. Urli's ( ഉരുളി ) are cooking vessels used as cauldrons for food preparation in Kerala, South India. Also called uruli or charakku, these cauldrons were used in both Tamil & Malayali homes and could hold vast amounts of food. They were placed directly on the fire and wooden poles were inserted through the loop handles at each side to carry them.
- [Bronze Urli from South India – Late 19th Century](https://anneliesebate.co.uk/bronze-urli-from-south-india-late-19thc/): This Indian 19th century cauldron is called an urli ( ഉരുളി ). Urli's are cooking vessels used as cauldrons for food preparation in Kerala, South India. Also called uruli or charakku, these cauldrons were used in both Tamil & Malayali homes and could hold vast amounts of food. They were placed directly on the fire and wooden poles were inserted through the loop handles at each side to carry them.
- [Bronze Utsava Murti Horse From Karnataka – 19th Century](https://anneliesebate.co.uk/brass-uustava-murti-horse-from-maharashtra-or-karnataka-19th-century/): This rare Indian bronze horse figure is most likely a procession image or Utsav Murti. Utsava Murti were portable festival images carried through the steets. The horse is a manifestation of Khandoba (a fearsome avatar of Lord Shiva). Khandoba (or Mallana in Andhra Pradesh) is manifest by the presence of his horse. After the festival, the figure would have returned to the temple. 
- [Bronze Valampuri Ganesha Statue – 18th Century](https://anneliesebate.co.uk/bronze-valampuri-ganesha/): This auspicious 18th century Ganesha figure is a Valampuri Ganesha (where the trunk is turned to the right. Valampuri Ganesha is the most auspicious of Ganesh figures as the remover of obstacles. This style of miniature Ganesha would have been used in a personal home shrine. 
- [Bronze Votive Panel of Bhairava – Early 19thC](https://anneliesebate.co.uk/old-bronze-votive-panel-of-bhairava/): Bronze Votive Panel of Bhairava - He is a fierce manifestation of Shiva worshiped by Hindus. In Shaivism - This is nicely patinated piece is Circa Early 19thCFrom India
- [Bronze Votive Panel Of Virabhadra From Deccan – 19th Century](https://anneliesebate.co.uk/antique-indian-bronze-virabhadra-panel-deccan/): This antique bronze votive plaque of the Hindu god Virabhadra depicts him flanked by his attendants. This plaque dates to the 19th century and the sword arm is missing due to historic damage.  Virabhadra stands in his classic tribhanga pose with four arms holding a sword, shield, mace, and bow. A lingam can be seen left of his head and a Nandi bull to the right. A cobra head above a yali head can be seen at the top of the plaque. 
- [Bronze Votive Panel of Virabhadra From Deccan – 18th Century](https://anneliesebate.co.uk/bronze-votive-panel-of-virabhadra-1/): This antique bronze votive plaque of the Hindu god Virabhadra depicts him flanked by his Daksha & Bhadrakali. This plaque dates to the 18th century. Virabhadra stands in his classic tribhanga pose with four arms holding a sword, shield, mace, and bow. A lingam can be seen left of his head and a Nandi bull to the right. A cobra head above a yali head can be seen at the top of the plaque. 
- [Bronze Votive Panel Of Virabhadra From Deccan – 19th Century](https://anneliesebate.co.uk/bronze-votive-panel-of-virabhadra/): This antique bronze votive plaque of the Hindu god Virabhadra depicts him flanked by his Daksha & Bhadrakali. This plaque dates to the 19th century. Virabhadra stands in his classic tribhanga pose with four arms holding a sword, shield, mace, and bow. A lingam can be seen left of his head and a Nandi bull to the right. A cobra head above a yali head can be seen at the top of the plaque. 
- [Bronze Votive Panel Of Virabhadra From Deccan – Early 19th Century](https://anneliesebate.co.uk/indian-bronze-virabhadra-panel-deccan/): This antique bronze votive plaque of the Hindu god Virabhadra depicts him flanked by his attendants. This plaque dates to the early 19th century and has significant wear from daily use during puja prayer. 
- [Bronze Zodiac Trinket Box](https://anneliesebate.co.uk/bronze-zodiac-trinket-box/): This bronze trinket box has the signs of the Chinese zodiac engraved on its wonderfully patinated surface. Although not old, this piece has been made using traditional techniques.
- [Bronze Zodiac Trinket Box](https://anneliesebate.co.uk/bronze-zodiac-trinket-box-1/): This bronze trinket box has the signs of the zodiac engraved on its bottom half while the top is adorned with Chinese characters. Although not old, this piece has been made using traditional techniques.